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  2. Books
  3. Lyric in the Renaissance
  • Cited by 7
Publisher:
Cambridge University Press
Online publication date:
July 2015
Print publication year:
2015
Online ISBN:
9781316275023
DOI:
https://doi.org/10.1017/CBO9781316275023
Subjects:
Literature, Area Studies, Renaissance and Early Modern Literature, European Literature, European Studies
Information

Book description

Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him.

Reviews

'In this genuinely original and carefully meditated study, Langer is not interested in the lyric 'self' as usually construed or constructed, but rather in a series of textual phenomena that foreground the singularity and existence of individual objects and subjects. The power and the beauty of this book lie in its ability to give an alternate account of Renaissance lyric which avoids the Scylla of humanistic essentialism, on one hand, and the Charybidis of social-historical determinism, on the other, while offering a model of reading and understanding that is at once recognizable and 'estranging' in the very best sense.'

Albert Russell Ascoli - Terrill Distinguished Professor, University of California, Berkeley

'Bringing his customary erudition and insight to bear on some of the most familiar works of the Renaissance, Ullrich Langer discovers surprisingly original effects of 'an 'existential singularity'', as distinct from classical ethos and pathos as it is from modern subjectivity. These sensitive, sympathetic readings offer an impressive reappraisal not only of first-person writing in the Renaissance but of the way Renaissance poetry was designed to act on its readers.'

Edwin M. Duval - Yale University, Connecticut

'… offers a reading of early modern lyric that cuts obliquely across all of our usual categories for understanding the period, welcomingly unsettling both historicist and formalist perspectives alike.'

Vanessa Glauser Source: Renaissance and Reformation

'… a rhetorically meticulous reading, historically informed without being historicizing, showing how a few carefully deployed rhetorical devices produce the startling affective jolts, the impression of wrenching selfhood and inexplicable, inexpiable yearnings that this poetry can still call forth.'

William N. West Source: Modern Philology

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Contents

Contents
References

Bibliography

Authors before 1800

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Aristotle, , Aristotelis stagiritae rhetoricum, artisque poeticae libri … (Lyon: Jacques Berjon, 1580).
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d’Orléans, Charles. Ballades et rondeaux, ed. Mühlethaler, Jean-Claude (Paris: Librairie Générale Française, 1992).
Cicero, , Topica, ed. and trans. Hubbell, H. M. (Cambridge, Mass.: Harvard University Press, 1976).
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Horace, , Odes and Epodes, ed. and trans. Bennett, C. E. (Cambridge, Mass.: Harvard University Press, 1999).
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Marot, Clément, Œuvres complètes, 2 vols., ed. Rigolot, François (Paris: G. F. Flammarion, 2007).
Montaigne, Michel de, Essais, ed. Villey, Pierre and Saulnier, Verdun-L. (Paris: Presses Universitaires de France, 1965).
Montaigne, Michel de, The Complete Essays, trans. Screech, M. A. (London: Penguin, 1987).
Muret, Marc-Antoine de, Commentaires au premier livre des Amours de Ronsard, ed. Chomarat, Jacques, Fragonard, Marie-Madeleine and Mathieu-Castellani, Gisèle (Geneva: Droz, 1985).
Ovid, , P. Ovidii Metamorphosis cum luculentissimis Raphaelis Regii enarrationibus … (Venice, 1517).
Ovid, , P. Ovidii Nasonis Fastorum Lib. VI. … Tristium Lib. V. De Ponto Lib. IIII (Lyon: Sebastien Gryphe, 1547).
Ovid, , Heroides: Amores, rev. edn, ed. and trans. Showerman, G. (Cambridge, Mass.: Harvard University Press, 1977).
Ovid, , Metamorphoses, rev. edn, ed. and trans. Miller, F. J. (Cambridge, Mass.: Harvard University Press, 1984).
Ovid, , The Art of Love and Other Poems, rev. edn, ed. and trans. Mozley, J. H. (Cambridge, Mass.: Harvard University Press, 1985).
Ovid, , Tristia, ed. Gould, G. P., trans. Wheeler, A. L. (Cambridge, Mass.: Harvard University Press, 1988).
Petrarch, , Petrarcha con doi commenti sopra li sonetti et canzone: el primo del ingeniosissimo messer Francesco Philelpho. Laltro del sapientissimo misser Antonio da Tempo novamente addito … (Venice: Bernardinus Stagninus, 1522).
Petrarch, , Il Petrarca col commento di M Sebastiano Fausto da Longiano … (Vinegia: Francesco di Alessandro Bindoni, Mapheo Pasini, 1532).
Petrarch, , Petrarca col commento di M. Sylvano da Venaphro, dove sono da quattrocento luochi dichiarati diversamente da gli altri spositori, nel libro col vero segno notati (Naples: Antonio Iovino, Matthia Canzer, 1533).
Petrarch, , Il Petrarcha colla spositione di Misser Giovanni Andrea Gesualdo (Vinegia: Giovanni Antonio di Nicolini & fratelli da Sabbio, 1541).
Petrarch, , Sonetti, canzoni, e triomphi di Messer Francesco Petrarca con la spositione di Bernardino Daniello da Lucca (Vinegia: Giovanni Antonio de Nicolini da Sabio, 1541).
Petrarch, , Toutes les euvres vulgaires de Francoys Petrarque . . ., trans. de Philieul, Vasquin (Avignon: Barthelemy Bonhomme, 1555).
Petrarch, , Il Petrarca nuovamente revisto, e ricorretto da M. Lodovico Dolce … (Vinegia: Gabriel Giolito de’ Ferrari, 1557).
Petrarch, , Il Petrarca con dichiarationi non piu stampate: insieme con alcune belle annotationi, tratte delle dottissime prose di Monsignor Bembo … (Venice: Nicolò Bevilacqua, 1562).
Petrarch, , Il Petrarca con nuove spositioni … (Lyon: Guillaume Rouillé, 1564).
Petrarch, , Le Rime del Petrarca brevemente sposte per Lodovico Castelvetro (Basel: Pietro de Sedabonis, 1582).
Petrarch, , Il Petrarca con l’espositione di Alessandro Velutello (Venice: Giorgio Antonio Bertano, 1584).
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Petrarch, , Petrarch’s Lyric Poems: The Rime Sparse and Other Lyrics, ed. and trans. Durling, Robert M. (Cambridge, Mass.: Harvard University Press, 1976).
Petrarch, , Canzoniere, rev. edn, ed. Santagata, Marco (Milan: Mondadori, 2004).
Plato, , The Collected Dialogues, Including the Letters, trans. and eds. Hamilton, Edith and Cairns, Huntington (Princeton University Press, 1973).
Propertius, , Catullus. Tibullus. Propertius (Venice: Aldus, 1515).
Propertius, , Elegies, ed. and trans. Butler, H. E. (Cambridge, Mass.: Harvard University Press, 1958).
Quintilian, , M. Fabii Quintiliani oratoriarum institutionum libri duodecim … (Cologne: Eucharius Cervicornus, 1527).
Quintilian, , Institutio oratoria, trans. Butler, H. E. (Cambridge, Mass.: Harvard University Press, 1980).
Ronsard, Pierre de, Œuvres complètes, rev. edn, ed. Laumonier, Paul (Paris: Didier, 1957), vol. iv.
Ronsard, Pierre de, Œuvres complètes, ed. Laumonier, Paul (Paris: Didier, 1973), vol. i.
Ronsard, Pierre de, Abrégé de l’art poétique français, in Goyet, Francis (ed.), Traités de poétique et de rhétorique de la Renaissance (Paris: Livre de Poche Classique, 1990), pp. 465–493.
Ronsard, Pierre de, Les Amours (1552–1553) et les folastries (1552–1560), ed. Gendre, André (Paris: Librairie Générale Française, 1993).
Ronsard, Pierre de, Œuvres complètes, vol. i, ed. Céard, Jean, Ménager, Daniel and Simonin, Michel (Paris: Gallimard, 1993).
Seneca, , Ad Lucilium epistulae morales, trans. Gummere, Richard M. (Cambridge, Mass.: Harvard University Press, 1989).
Tassoni, Alessandro, Considerazioni sopra le rime del Petrarca … (Modona: Giulian Cassiani, 1609).
Thevet, André, Les Singularitez de la France Antarctique, autrement nommée Amerique: & de plusieurs Terres & Isles decouvertes de nostre temps (Paris: Maurice de la Porte, 1557).
St. Thomas Aquinas, , Summa theologiae, 5 vols. (Ottawa: Medieval Studies Institute, 1941–1945).
Tibullus, , Albii Tibulli aliorumque carminum libri tres, ed. Lenz, F. W. (Leiden: Brill, 1959).
Virgil, , Pub. Virgilii Maronis opera. Una cum Annotatiunculis Philippi Melanchthonis (Zurich: Ch. Froschoverus, 1547).
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Authors after 1800

Acciani, Antonia, “Petrarca e Montaigne,” in Acciani, Antonia (ed.), Petrarca e Montaigne: l’arte imperfetta dell’io (Bari: Progedit, 2006), pp. 1–17.
Agamben, Giorgio, Stanze: la parole e il fantasma nella cultura occidentale (Torino: Einaudi, 1977).
Agamben, Giorgio, La Comunità che viene (Torino: Bollati Boringhieri, 2008).
Alduy, Cécile, “Scève et Pétrarque: ‘de mort à vie’,” in Balsamo, Jean (ed.), Les Poètes français de la Renaissance et Pétrarque (Geneva: Droz, 2004), pp. 157–170.
Alduy, Cécile, Politique des “Amours”: poétique et genèse d’un genre français nouveau (1544–1560) (Geneva: Droz, 2007).
Argod-Dutard, Françoise, L’Écriture de Joachim Du Bellay: Le discours poétique dans les Regrets. L’Orthographe et la syntaxe dans les lettres de l’auteur (Geneva: Droz, 2002).
Armstrong, Adrian and Kay, Sarah, Knowing Poetry: Verse in Medieval France from the Rose to the Rhétoriqueurs (Ithaca, NY: Cornell University Press, 2011).
Ascoli, Albert Russell, “‘Favola fui’: Petrarch Writes His Readers,” Bernardo Lecture Series (Binghamton, NY: SUNY Press, 2010).
Attridge, Derek, The Singularity of Literature (London and New York: Routledge, 2004).
Baker, Deborah Lesko, Narcissus and the Lover: Mythic Recovery and Reinvention in Scève’s Délie (Saratoga: Anma Libri, 1986).
Balsamo, Jean, “Le ‘Pétrarquisme’ des Amours de Ronsard,” Revue d’Histoire littéraire de la France, 98 (2) (1998): 179–193.
Balsamo, Jean, (ed.) Les Poètes français de la Renaissance et Pétrarque (Geneva: Droz, 2004).
Balsamo, Jean, “Ritratto col Petrarca: Libri e lettori nel Cinquecento francese,” in Acciani, Antonia (ed.), Petrarca e Montaigne: L’arte imperfetta dell’io (Bari: Progedit, 2006), pp. 47–60.
Barchiesi, Alessandro, “Rituals in Ink: Horace on the Greek Lyric Tradition,” in Lowrie, Michèle (ed.), Horace: Odes and Epodes (Oxford: Clarendon, 2009), pp. 418–440.
Barolini, Teodolinda, “The Self in the Labyrinth of Time: Rerum vulgarium fragmenta,” in Kirkham, Victoria and Maggi, Armando (eds.), Petrarch: A Critical Guide to the Complete Works (University of Chicago Press, 2009), pp. 33–62.
Belloni, Gino, Laura tra Petrarca e Bembo: Studi sul Commento Umanistico-Rinascimentale al ‘Canzoniere” (Padova: Antenore, 1992).
Benassi, Stefano, “La Vertigine del sublime: Moralità della poesia e razionalità della morale in F. Petrarca,” in Secchi Tarugi, Luisa Rotondi (ed.), Petrarca e la cultura europea (Milan: Nuovi Orizzonti, 1997), pp. 181–201.
Benveniste, Émile, Problèmes de linguistique générale (Paris: Gallimard, 1966).
Bigi, Emilio, “Alcuni aspetti dello stile del Canzoniere petrarchesco,” in Barbarisi, Gennaro and Berra, Claudia (eds.), Il “Canzoniere” di Francesco Petrarca: La Critica Contemporanea (Milan: Edizioni Universitarie di Lettere Economia Diritto, 1992), pp. 145–159.
Bizer, Marc, La Poésie au miroir: imitation et conscience de soi dans la poésie latine de la Pléiade (Paris: Champion, 1995).
Bizer, Marc, Les Lettres romaines de Du Bellay: Les Regrets et la tradition épistolaire (Montreal: University of Montreal Press, 2001).
Blanc, Pierre (ed.), Dynamique d’une expansion culturelle: Pétrarque en Europe xive–xxe siècles (Paris: Champion, 2001).
Blasing, Mutlu Konuk, Lyric Poetry: The Pain and the Pleasure of Words (Princeton University Press, 2007).
Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (Oxford University Press, 1973).
Braden, Gordon, Petrarchan Love and the Continental Renaissance (New Haven, Conn.: Yale University Press, 1999).
Burgelin, Claude, “‘Je’ est un écrivain d’avenir: Écrire de soi, écrire en et hors de soi,” in Viart, Dominique and Demanze, Laurent (eds.), Fins de la littérature: esthétiques et discours de la fin (Paris: Armand Colin, 2012), pp. 211–221.
Calitti, Floriana and Gigliucci, Roberto (eds.), Il Petrarchismo: Un modello di poesia per l’Europa, vol. ii (Rome: Bulzoni, 2006).
Camargo, Martin, “Rhetoric,” in Wagner, David L. (ed.), The Seven Liberal Arts in the Middle Ages (Bloomington, Ind.: Indiana University Press, 1983), pp. 96–124.
Carré, Meyrick, Nominalists and Realists (Oxford University Press, 1946).
Castor, Grahame, “Petrarchism and the Quest for Beauty in the Amours of Cassandre and the Sonets pour Helene,” in Cave, Terence (ed.), Ronsard the Poet (London: Methuen, 1973), pp. 79–119.
Cavallini, Concetta, L’Italianisme de Michel de Montaigne (Fasano: Schena, 2003).
Cave, Terence, The Cornucopian Text: Problems of Writing in the French Renaissance (Oxford: Clarendon Press, 1979).
Céard, Jean, La Nature et les prodiges: l’insolite au xvie siècle (Geneva: Droz, 1977).
Chines, Loredana (ed.) Il Petrarchismo: Un modello di poesia per l’Europa, vol. i (Rome: Bulzoni, 2006).
Collet, Michel, “Le Sujet lyrique hors de soi,” in Rabaté, Dominique (ed.), Figures du sujet lyrique (Paris: Presses Universitaires de France, 1996), pp. 113–125.
Combe, Dominique, “La Référence dédoublée: le sujet lyrique entre fiction et autobiographie,” in Rabaté, Dominique (ed.), Figures du sujet lyrique (Paris: Presses Universitaires de France, 1996), pp. 39–63.
Contini, Gianfranco, “Preliminari sulla lingua del Petrarca,” (1951), repr. in Barbarisi, Gennaro and Berra, Claudia (eds.), Il Canzoniere’ di Francesco Petrarca: La Critica Contemporanea (Milan: Edizioni Universitarie di Lettere Economia Diritto, 1992), pp. 57–85.
Compagnon, Antoine, Nous, Michel de Montaigne (Paris: Seuil, 1980).
Cooper, Richard, “Nouveaux documents sur le séjour italien de Du Bellay,” in Cesbron, Georges (ed.), Du Bellay: actes du Colloque International d’Angers du 26 au 29 Mai 1989, vol. ii (Angers: Presses de l’Université d’Angers, 1990), pp. 399–420.
Cornilliat, François, Sujet caduc, noble sujet: la poésie de la Renaissance et le choix de ses “arguments” (Geneva: Droz, 2009).
Cornilliat, François, “Délie et les signes,” in Renner, Bernd and Usher, Phillip John (eds.), Illustrations inconscientes: écritures de la Renaissance (Paris: Garnier, 2014), pp. 279–306.
Dauvois, Nathalie, Le Sujet lyrique à la Renaissance (Paris: Presses Universitaires de France, 2000).
Dauvois, Nathalie, La Vocation lyrique: la poétique du recueil lyrique en France à la Renaissance et le modèle des Carmina d’Horace (Paris: Garnier, 2010).
David, Michel, “La Canzone 126 dei ‘Rerum vulgarium fragmenta’,” Lectura Petrarce, 8 (1988): 111–161.
Davis, Gregson, Polyhymnia: The Rhetoric of Horatian Lyric Discourse (Berkeley, Calif.: University of California Press, 1991).
DellaNeva, JoAnn, Unlikely Exemplars: Reading and Imitating beyond the Italian Canon in French Renaissance Poetry (Newark, Del.: University of Delaware Press, 2009).
Demonet, Marie-Luce, Les Voix du signe: nature et origine du langage à la Renaissance, 1480–1580 (Geneva: Droz, 1992).
Diu, Isabelle and Vanautgaerden, Alexandre, “Le Jardin d’abondance d’Érasme: le De copia et la lettre sur les Adages non éditée par P. S. Allen,” in Courcelles, Dominique de (ed.), La Varietas à la Renaissance (Paris: École des Chartes, 2001), pp. 43–55.
Dubois, Jean, F. Edeline, J. M. Klinkenberg, P. Minguet, F. Pire, H. Trinon, Rhétorique générale (Paris: Larousse, 1970).
Dubrow, Heather, Echoes of Desire: English Petrarchism and Its Counterdiscourses (Ithaca, NY: Cornell University Press, 1995).
Feeney, Denis, “Horace and the Greek Lyric Poets,” in Lowrie, Michèle (ed.), Horace: Odes and Epodes (Oxford: Clarendon, 2009), pp. 202–231.
Fitzgerald, William, Catullan Provocations: Lyric Poetry and the Drama of Position (Berkeley, Calif.: University of California Press, 1995).
Foglia, Marc, Montaigne, pédagogue du jugement (Paris: Garnier, 2011).
Forster, Leonard. The Icy Fire: Five Studies in European Petrarchism (Cambridge University Press, 1969).
Fouah, Emmanuel, “La Deixis dans ‘Au Lecteur’,” Bulletin de la Société Internationale des Amis de Montaigne, 53 (2011): 97–106.
Fumaroli, Marc, L’Âge de l’éloquence: rhétorique et “res literaria” de la Renaissance au seuil de l’époque classique (Geneva: Droz, 1980).
Galand-Hallyn, Perrine, “L’Idéal de la variété stylistique à la Renaissance,” in Galand-Hallyn, Perrine and Hallyn, Fernand (eds.), Poétiques de la Renaissance: Le modèle italien, le monde franco-bourguignon et leur héritage en France au xvie siècle (Geneva: Droz, 2001), pp. 532–558.
Gendre, André, Ronsard: Poète de la conquête amoureuse (Neuchâtel: La Baconnière, 1970).
Gendre, André, L’Esthétique de Ronsard (n.p.: Éditions SEDES, 1997).
Gendre, André, “L’Essence qualitative du ‘doux’ chez Ronsard, Du Bellay et Baïf,” in Prat, Marie-Hélène and Servet, Pierre (eds.), Le Doux aux xvie et xviie siècles: écriture, esthétique, politique, spiritualité, Cahiers du GADGES, 1 (2004): 61–79.
Gendre, André, “Pierre de Ronsard,” in Balsamo, Jean (ed.), Les Poètes français de la Renaissance et Pétrarque (Geneva: Droz, 2004), pp. 229–251.
Geyer, Paul, “Petrarcas Canzoniere als Bewusstseinsroman,” in Geyer, Paul and Thorwarth, Kerstin (eds.), Petrarca und die Herausbildung des modernen Subjekts (Bonn: Bonn University Press, 2009), pp. 109–151.
Gontier, Thierry, “L’Amitié, entre sentiment et discours philosophiques,” Bulletin de la Société Internationale des Amis de Montaigne, 54 (2011): 43–59.
Goyet, Francis, “Qu’est-ce que l’idée d’un texte? (Littérature vs. rhétorique),” in Cornilliat, François, Langer, Ullrich and Kelly, Douglas (eds.), What Is Literature? France 1100–1600 (Lexington, Ky.: French Forum, 1993), pp. 33–52.
Goyet, Francis, Le Sublime du “lieu commun”: L’Invention rhétorique dans l’Antiquité et à la Renaissance (Paris: Champion, 1996).
Goyet, Francis, (ed.), “Montaigne et la poésie,” special issue of Montaigne Studies, 18 (2006).
Goyet, Francis, Les Audaces de la prudence: littérature et politique aux xvie et xviie siècles (Paris: Garnier, 2009).
Gray, Floyd, La Poétique de Du Bellay (Paris: Nizet, 1978).
Gray, Floyd, La Balance de Montaigne: Exagium/Essai (Paris: Nizet, 1982).
Gray, Floyd, Montaigne bilingue: le latin des essais (Paris: Champion, 1991).
Greene, Roland, Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence (Princeton University Press, 1991).
Greene, Thomas M., The Light in Troy: Imitation and Discovery in Renaissance Poetry (New Haven, Conn.: Yale University Press, 1982).
Griffin, Robert, Coronation of the Poet: Joachim Du Bellay’s Debt to the Trivium (Berkeley, Calif.: University of California Press, 1969).
Grimal, Paul, Le Lyrisme à Rome (Paris: Presses Universitaires de France, 1978).
Guerrero, Gustavo, Poétique et poésie lyrique: essai sur la formation d’un genre, trans. Stéphan, Anne-Joelle (Paris: Seuil, 2000).
Guerrier, Olivier, Quand “les poètes feignent”: “Fantasie” et fiction dans les Essais de Montaigne (Paris: Champion, 2002).
Hamburger, Käte, Die Logik der Dichtung, 3rd edn (Stuttgart: Klett, 1977).
Hassell, James W., Middle French Proverbs, Sentences, and Proverbial Phrases (Toronto: Pontifical Institute of Mediaeval Studies, 1982).
Helgeson, James, “Early Modernity without the ‘Self’: Notes on Anachronism and the First Person,” Seventeenth-Century French Studies, 29 (2007): 29–39.
Helgeson, James, The Lying Mirror: The First-Person Stance and Sixteenth-Century Writing (Geneva: Droz, 2012).
Hempfer, Klaus W. and Regn, Gerhard (eds.), Der Petrarkistische Diskurs: Spielräume und Grenzen (Stuttgart: Franz Steiner, 1993).
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