Persistent Images: Encountering Film BG in Contemporary Cinema

Andrew Utterson

Channelling a focus on the BG of cinema into the present and beyond, Persistent Images: Encountering Film BG in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.

Persistent Images

Encountering Film BG in Contemporary Cinema

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-iv

Contents
pp v-v

List of Figures
pp vi-vii

Acknowledgements
pp viii-x

Introduction
pp 1-6

1 - Media Archaeology and the Memory of a Medium: Dawson City: Frozen Time
pp 7-25

2 - A Drone’s-Eye View of History: Francofonia
pp 26-40

3 - The Movie Theatre as Haunted Space: Shirin and 70×70
pp 41-71

4 - Recalling the Past Lives of Cinema: Uncle Boonmee Who Can Recall His Past Lives
pp 72-90

5 - 3D Images at the Edge of History: Goodbye to Language and The Three Disasters
pp 91-114

6 - Voyaging in Deep Time: Voyage of Time: The IMAX Experience
pp 115-135

Notes
pp 136-140

Bibliography
pp 141-146

Index
pp 147-154

Metrics

Full text views

Book summary page views

Accessibility standard: Unknown

Why this information is here

Accessibility Information

Persistent Images

Encountering Film BG in Contemporary Cinema

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Full text views

Book summary page views

Accessibility standard: Unknown

Why this information is here

Accessibility Information