Contents

pp v-vi

Acknowledgments

pp vii-viii

Preface

pp ix-x

Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in Film Theory from the Twentieth to the Twenty-first Century

pp 1-8

Part 1 - Raymond Bellour: Cinema and the Moving Image

pp 9-10

1 - Film Analysis: Image and Movement

pp 11-32

2 - The Digital Challenge: From the Theater to the Gallery

pp 33-51

3 - Cinema and the Body: The Ghost in the Theater

pp 52-69

4 - An Elegy for Cinema

pp 70-88

Part 2 - Bellour by Bellour: Selections from an Interview conducted by Gabriel Bortzmeyer and Alice LeRoy in December 2015

pp 89-90

5 - Formative Influences

pp 91-104

6 - Film Analysis and the Symbolic

pp 105-118

7 - Thierry Kuntzel and the Rise of Video Art

pp 119-129

8 - Arrested Images and “the Between-Images”

pp 130-144

9 - Spectators, Dispositifs, and the Cinematic Body

pp 145-154

10 - Hypnosis, Emotions, and Animality

pp 155-174

Part 3 - Biography and Publications of Raymond Bellour

pp 175-176

Raymond Bellour (1939– ): A Biographical Sketch

pp 177-184

A Select Annotated Bibliography of the Publications of Raymond Bellour

pp 185-209

Select List of Sources Cited

pp 210-216

Index

pp 217-222