Bibliography
Ackerley, C. J. (2005), Obscure Locks, Simple Keys: The Annotated ‘Watt’, Tallahassee, FL: Journal of Beckett Studies Books.
Agamben, Giorgio (1998), Homo Sacer: Sovereign Power and Bare Life, trans. Daniel Heller-Roazen, Stanford: Stanford University Press.
Anderson, Benedict (2016), Imagined Communities: Reflections on the Origin and Spread of Nationalism, revised edition, London and New York: Verso.
Beckett, Samuel (1965), Proust and Three Dialogues, London: Calder & Boyars.
Beckett, Samuel (1971), Molloy, Paris: Les Éditions de Minuit.
Beckett, Samuel (1972), Comédie et actes divers, Paris: Les Éditions de Minuit.
Beckett, Samuel (1974), Oh les beaux jours, suivi de Pas moi, Paris: Les Éditions de Minuit.
Beckett, Samuel (1978), Pas, suivi de quatre esquisses, Paris: Les Éditions de Minuit.
Beckett, Samuel (1981), Mal vu mal dit, Paris: Les Éditions de Minuit.
Beckett, Samuel (1983), Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Cohn, Ruby, London: John Calder.
Beckett, Samuel (1985), Compagnie, Paris: Les Éditions de Minuit.
Beckett, Samuel (1986), Catastrophe et autres dramaticules, Paris: Les Éditions de Minuit.
Beckett, Samuel (1987), Nouvelles et Textes pour rien, Paris: Les Éditions de Minuit.
Beckett, Samuel (1992), Dream of Fair to Middling Women, ed. O’Brien, Eoin and Fournier, Edith, Dublin: The Black Cat Press.
Beckett, Samuel (1995), The Complete Short Prose, 1929–1989, ed. Gontarski, S. E., New York: Grove Press.
Beckett, Samuel (1996), Eleutheria, trans. Barbara Wright, London: Faber and Faber.
Beckett, Samuel (2009a), ‘All That Fall’ and Other Plays for Radio and Screen, with a Preface and Notes by Everett Frost, London: Faber and Faber.
Beckett, Samuel (2009b), Company, Ill Seen Ill Said, Worstward Ho, Stirrings Still, ed. Dirk, Van Hulle, London: Faber and Faber.
Beckett, Samuel (2009c), Endgame, with a Preface by Rónán McDonald, London: Faber & Faber.
Beckett, Samuel (2009d), ‘The Expelled’, ‘The Calmative’, ‘The End’, with ‘First Love’, ed. Ricks, Christopher, London: Faber and Faber.
Beckett, Samuel (2009e), How It Is, ed. O’Reilly, Édouard Magessa, London: Faber and Faber.
Beckett, Samuel (2009f), ‘Krapp’s Last Tape’ and Other Shorter Plays, with a Preface by S. E. Gontarski, London: Faber and Faber.
Beckett, Samuel (2009g), The Letters of Samuel Beckett, Vol. I: 1929–1940, ed. Fehsenfeld, Martha Dow and Overbeck, Lois More, Cambridge: Cambridge University Press.
Beckett, Samuel (2009h), Molloy, ed. Weller, Shane, London: Faber and Faber.
Beckett, Samuel (2009i), Murphy, ed. Mays, J. C. C., London: Faber and Faber.
Beckett, Samuel (2009j), Watt, ed. Ackerley, C. J., London: Faber and Faber.
Beckett, Samuel (2010a), Happy Days: A Play in Two Acts, with a Preface by James Knowlson, London: Faber and Faber.
Beckett, Samuel (2010b), Malone Dies, ed. Boxall, Peter, London: Faber and Faber.
Beckett, Samuel (2010c), Mercier and Camier, ed. Kennedy, Seán, London: Faber and Faber.
Beckett, Samuel (2010d), More Pricks Than Kicks, ed. Nelson, Cassandra, London: Faber and Faber.
Beckett, Samuel (2010e), ‘Texts for Nothing’ and Other Shorter Prose, 1950–1976, ed. Nixon, Mark, London: Faber and Faber.
Beckett, Samuel (2010f), The Unnamable, ed. Connor, Steven, London: Faber & Faber.
Beckett, Samuel (2010g), Waiting for Godot, with a Preface by Mary Bryden, London: Faber & Faber.
Beckett, Samuel (2011), The Letters of Samuel Beckett, Vol. II: 1941–1956, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More, Cambridge: Cambridge University Press.
Beckett, Samuel (2014), The Letters of Samuel Beckett, Vol. III: 1957–1965, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More, Cambridge: Cambridge University Press.
Beckett, Samuel (2016), The Letters of Samuel Beckett, Vol. IV: 1966–1989, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More, Cambridge: Cambridge University Press.
Boswell, James (1958), The Journal of a Tour to the Hebrides with Samuel Johnson, London: Dent.
Boswell, James (1980), Life of Johnson, ed. Chapman, R. W., The World’s Classics, Oxford: Oxford University Press.
Cicero, Marcus Tullius (1945), Tusculan Disputations, trans. J. E. King, revised edition, Loeb Classical Library, Volume 18, Cambridge, MA: Harvard University Press.
Clare, David (2018), ‘Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Samuel Beckett’s The Old Tune’, New Hibernian Review, 22:1, pp. 102–19.
Defoe, Daniel (1997), ‘The True-Born Englishman’ and Other Writings, ed. Furbank, P. N. and Owens, W. R., Penguin Classics, Harmondsworth: Penguin.
Derrida, Jacques (1992), The Other Heading: Reflections on Today’s Europe, trans. Pascale-Anne Brault and Michael B. Nass, Bloomington: Indiana University Press.
Ellmann, Richard (1987), Four Dubliners: Wilde, Yeats, Joyce, and Beckett, London: Hamish Hamilton.
Fichte, Johann Gottlieb (2008), Addresses to the German Nation, ed. and trans. Moore, Gregory, Cambridge: Cambridge University Press.
Fichte, Johann Gottlieb (2012), The Closed Commercial State, trans. Anthony Curtis Adler, Albany: State University of New York Press.
Fitch, Brian T. (1988), Beckett and Babel: An Investigation into the Status of the Bilingual Work, Toronto: University of Toronto Press.
Gibson, Andrew (2010), Samuel Beckett, Critical Lives, London: Reaktion Books.
Graham, Alan (2015), ‘“So much Gaelic to me”: Beckett and the Irish Language’, Journal of Beckett Studies, 24:2, pp. 163–79.
Herder, Johann Gottfried von (1800), Outlines of a Philosophy of the History of Man [Ideen zur Philosophie der Geschichte der Menschheit], trans. T. Churchill, London: J. Johnson.
Hill, Leslie (1990), Samuel Beckett’s Fiction: In Different Words, Cambridge: Cambridge University Press.
Houston, , Meadhbh, Lloyd (2018), ‘“Sterilization of the Mind and Apotheosis of the Litter”: Beckett, Censorship, and Fertility’, Review of English Studies, 62:290, pp. 546–64.
Joyce, James (1991), A Portrait of the Artist as a Young Man, New York: Alfred A. Knopf.
Joyce, James (2000a), Dubliners, with an Introduction and Notes by Terence Brown, London: Penguin.
Joyce, James (2000b), Finnegans Wake, with an Introduction by Seamus Deane, London: Penguin.
Kafka, Franz (1995), Stories 1904–1924, trans. J. A. Underwood, London: Abacus.
Kennedy, Seán (ed.) (2010), Beckett and Ireland, Cambridge: Cambridge University Press.
Kennedy, Seán (2019), ‘Beckett, Censorship and the Problem of Parody’, Estudios Irlandeses, 14:2, pp. 104–14.
Knowlson, James (1972), Light and Dark in the Theatre of Samuel Beckett, London: Turret Books.
Knowlson, James (ed.) (1992), The Theatrical Notebooks of Samuel Beckett, Volume III: Krapp’s Last Tape, London: Faber and Faber.
Knowlson, James (1996), Damned to Fame: The Life of Samuel Beckett, London: Bloomsbury.
Knox, Robert (1850), The Races of Men: A Fragment, Philadelphia: Lea and Blanchard.
MacGreevy, Thomas (1945), Jack B. Yeats: An Appreciation and an Interpretation, Dublin: Victor Waddington Publications.
Monbron, Louis-Charles Fougeret de (2010), Le Cosmopolite, ou le citoyen du monde, ed. Langille, Édouard, London: Modern Humanities Research Association.
Mooney, Sinéad (2011), A Tongue Not Mine: Beckett and Translation, Oxford: Oxford University Press.
Moorjani, Angela (2009), ‘Whence Estragon?’, The Beckett Circle, 32:2 (Fall), 7.
Morin, Emilie (2009), Samuel Beckett and the Problem of Irishness, Basingstoke: Palgrave Macmillan.
Morin, Emilie (2017), Beckett’s Political Imagination, Cambridge: Cambridge University Press.
Nietzsche, Friedrich (2002), Beyond Good and Evil: Prelude to a Philosophy of the Future, ed. Horstmann, Rolf-Peter and Norman, Judith, trans. Judith Norman, Cambridge: Cambridge University Press.
Nixon, Mark (2011), Samuel Beckett’s German Diaries 1936–1937, London and New York: Continuum.
O’Reilly, Édouard Magessa, Van Hulle, Dirk, and Verhulst, Pim (2017), The Making of Samuel Beckett’s ‘Molloy’, Brussels: University Press Antwerp; London: Bloomsbury Academic.
Pilling, John (2004), A Companion to ‘Dream of Fair to Middling Women’, Tallahassee, FL: Florida State University Press; Journal of Beckett Studies Books.
Pinget, Robert (n.d.), ‘Notre ami Samuel Beckett’, typescript, Beckett International Foundation, University of Reading.
Rabaté, Jean-Michel (2020), Beckett and Sade, Cambridge: Cambridge University Press.
Rivarol, Antoine (2013), Discours sur la universalité de la langue française, précédé de La Langue humaine par Gérard Dessons, Paris: Éditions Manucius.
Robertson, Ritchie (2020), The Enlightenment: The Pursuit of Happiness 1680–1790, London: Allen Lane.
Rougemont, Denis de (1966), The Idea of Europe, trans. Norman Guterman, New York: The Macmillan Company; London: Collier-Macmillan Ltd.
Rousseau, Jean-Jacques (1997), Considerations on the Government of Poland and on its Projected Reformation; in ‘The Social Contract’ and Other Later Political Writings, ed. and trans. Gourevitch, Victor, Cambridge: Cambridge University Press, pp. 177–260.
Saint Victor, Hugh of (1991), The Didascalicon of Hugh of Saint Victor: A Medieval Guide to the Arts, New York: Columbia University Press.
Schopenhauer, Arthur (1974), Parerga and Paralipomena: Short Philosophical Essays, trans. E. F. J. Payne, 2 vols, Oxford: Clarendon Press.
Tonning, Erik (2014), Modernism and Christianity, Basingstoke: Palgrave Macmillan.
Van Hulle, Dirk, and Verhulst, Pim (2017a), The Making of Samuel Beckett’s ‘En attendant Godot’/‘Waiting for Godot’, Brussels: University Press Antwerp; London: Bloomsbury Academic.
Van Hulle, Dirk, and Verhulst, Pim (2017b), The Making of Samuel Beckett’s ‘Malone meurt’/‘Malone Dies’, Brussels: University Press Antwerp; London: Bloomsbury Academic.
Van Hulle, Dirk, and Verhulst, Pim (2020), ‘Shifting Cultural Affinities in Molloy: A Genetic Bilingual Approach’, in Chakraborty, Thirthankar and Vazquez, Juan Luis Toribio (eds.), Samuel Beckett as World Literature, New York: Bloomsbury Academic, pp. 29–43.
Van Hulle, Dirk, and Weller, Shane (2018), The Making of Samuel Beckett’s ‘Fin de partie’/‘Endgame’, Brussels: University Press Antwerp; London: Bloomsbury Academic.
Voltaire, (2005), Candide, or Optimism, trans. Theo Cuffe, London: Penguin.
Weller, Shane (2015), ‘The Tone of Displacement: Samuel Beckett, Robert Pinget and the Art of Adaptation’, in Nixon, Mark and Pilling, John (eds.), On in Their Company: Essays on Beckett, with Tributes and Sketches, Reading: Beckett International Foundation, pp. 25–44.
Weller, Shane (2018), ‘For a Migrant Art: Samuel Beckett and Cultural Nationalism’, Journal of European Studies, 2:48, pp. 168–82.
Weller, Shane (2020), ‘Negative Anthropology: Beckett and Humanism’, Samuel Beckett Today/Aujourd’hui, 32:2, pp. 161–75.
Weller, Shane (2021), The Idea of Europe: A Critical History, Cambridge: Cambridge University Press.
Winstanley, Adam (2014), ‘“Grâce aux excréments des citoyens”: Beckett, Swift and the Coprophagic Economy of Ballyba’, Samuel Beckett Today/Aujourd’hui, 26:1, pp. 91–105.
Yeats, W. B. (1989), The Collected Works of W. B. Yeats, Volume I: The Poems, ed. Finneran, Richard, revised edition, New York: Macmillan Publishing Company.
