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Shakespeare and Amateur Performance
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  • Cited by 22
  • Cited by
    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Nicholson, Helen Holdsworth, Nadine and Milling, Jane 2018. The Ecologies of Amateur Theatre. p. 23.

    Nicholson, Helen Holdsworth, Nadine and Milling, Jane 2018. The Ecologies of Amateur Theatre. p. 67.

    De Ornellas, Kevin 2018. On Not Doing for England’s Bard What He Did for Ireland’s Bards: Samuel Ferguson’s Shakespearean Breviates. Shakespeare, p. 1.

    Seeff, Adele 2018. South Africa's Shakespeare and the Drama of Language and Identity. p. 51.

    Nicholson, Helen Holdsworth, Nadine and Milling, Jane 2018. The Ecologies of Amateur Theatre. p. 1.

    Flynn, Molly 2017. Amateur hour: culture, capital, and the Royal Shakespeare Company’s Open Stages initiative. Research in Drama Education: The Journal of Applied Theatre and Performance, Vol. 22, Issue. 4, p. 482.

    Gilchrist, Kim 2017. Mucedorus: The Last Ludic Playbook, the First Stage Arcadia. Shakespeare, p. 1.

    Guerrero, Isabel 2017. Romeo and Juliet in European Culture. Vol. 1, Issue. , p. 247.

    Fazel, Valerie and Geddes, Louise 2016. “Give me your hands if we be friends”: collaborative authority in Shakespeare fan fiction. Shakespeare, Vol. 12, Issue. 3, p. 274.

    O’Malley, Evelyn 2016. You Do (Not) Assist the Storm. Performance Research, Vol. 21, Issue. 2, p. 81.

    Haugen, Janine 2015. The Encyclopedia of British Literature 1660-1789. p. 935.

    Foster, Clare 2015. Anthropology, Theatre, and Development. p. 224.

    Gaby, Rosemary 2014. Open-Air Shakespeare. p. 17.

    Gaby, Rosemary 2014. Open-Air Shakespeare. p. 1.

    Ferguson, Ailsa Grant 2014. “When Wasteful War Shall Statues Overturn”: Forgetting the Shakespeare Hut. Shakespeare, Vol. 10, Issue. 3, p. 276.

    Inglis, Kirsten 2014. Editing, Performance, Texts. p. 126.

    Calvo, Clara 2013. Shakespeare and Conflict. p. 193.

    Hoenselaars, Ton 2013. Shakespeare and Conflict. p. 222.

    Pfister, Manfred 2013. Shakespeare and Conflict. p. 187.

    2012. LIST OF BOOKS RECEIVED AS OF 1 MAY 2012. Theatre Survey, Vol. 53, Issue. 02, p. 365.

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Book description

From the Hamlet acted on a galleon off Africa to the countless outdoor productions of A Midsummer Night's Dream that now defy each English summer, Shakespeare and Amateur Performance explores the unsung achievements of those outside the theatrical profession who have been determined to do Shakespeare themselves. Based on extensive research in previously unexplored archives, this generously illustrated and lively work of theatre history enriches our understanding of how and why Shakespeare's plays have mattered to generations of rude mechanicals and aristocratic dilettantes alike: from the days of the Theatres Royal to those of the Little Theatre Movement, from the pioneering Winter's Tale performed in eighteenth-century Salisbury to the Merchant of Venice performed by Allied prisoners for their Nazi captors, and from the how-to book which transforms Mercutio into Yankee Doodle to the Napoleonic counterspy who used Richard III as a tool of surveillance.

Reviews

'… brilliantly researched and written with clarity and verve. A scholarly work by a man who obviously loves the theatre, it will make fascinating reading for both professional and amateur performers alike.'

Wendy Craig - actress

'A groundbreaking and utterly fascinating study … Nobody understands the history of Shakespeare in performance - or how deeply four centuries of amateur productions have shaped our culture - better than Michael Dobson.'

James Shapiro - Columbia University

'[A] generous and fascinating study.'

Source: The Guardian

'Never patronising, Dobson writes movingly and wittily, stressing the slipperiness of the category of 'amateur' … He offers a fascinating alternative history of Shakespeare … Dobson's is a loving book, not in the obsequious manner of professional Bardolators, but in a way Nick Bottom the weaver would understand: 'A very good piece of work, I assure you, and a merry'.'

Source: The Times Higher Education Supplement

‘Groundbreaking.’

Source: Around the Globe

‘Michael Dobson has opened the lid of a treasure chest of gems.’

Source: Literary Review

‘Readable, entertaining and provocative.’

Source: The Times Literary Supplement

' … [the author's] new book … breaks unfamiliar and entertaining ground … an enjoyable book …'

Source: The Oxford Magazine

'… [a] thoroughly enjoyable book … Dobson's study is compendious … [His] enthusiasm for his subject is infectious, and this book is not only a 'cultural history' of how Shakespeare's plays spread across England and continents, and what roles they performed as they spread, but also a very affectionate evocation of summers of Shakespeare under the chestnut trees.'

Jessica Munns Source: Restoration and Eighteenth-Century Theatre Research

'This is indeed a groundbreaking monograph, which effectively ushers in a new field of research on amateur stagings, making up for its marginalization in academic studies.'

Rosy Colombo Source: Memori Di Shakespeare

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