Editions and critical works
Alexander, Peter 1929. Shakespeare’s ‘Henry VI’ and ‘Richard III’. Cambridge University Press
Attridge, Derek (ed.) 1992. Jacques Derrida: Acts of Literature. London: Routledge
Bald, R. C. 1931. ‘Addition III of Sir Thomas More’, Review of English Studies 7: 67–9
Bald, R. C. 1949. ‘The Booke of Sir Thomas Moore and Its Problems’, Shakespeare Survey 2: 44–61
Barker, Richard Hindry 1958. Thomas Middleton. New York: Columbia University Press
Baskervill, Charles Read 1932. ‘A Prompt-Copy of A Looking Glass for London and England’, Modern Philology 30: 29–51
Bate, Jonathan, and Rasmussen, Eric (eds.) 2007. William Shakespeare: Complete Works. New York: Random House
Bate, Jonathan, and Rasmussen, Eric (eds.) 2013. William Shakespeare and Others: Collaborative Plays. Houndmills: Palgrave Macmillan
Bateson, F. W. 1975. ‘Could Chaucer Spell?’ Essays in Criticism 25: 2–24
Bayfield, M. A. 1919. ‘Shakespeare’s Hand in the Play of “Sir Thomas More”’, Times Literary Supplement June 5: 312
Bayfield, M. A. 1921a. ‘Shakespeare’s Handwriting’, Times Literary Supplement June 30: 418
Bayfield, M. A. 1921b. ‘Shakespeare’s Handwriting’, Times Literary Supplement August 18: 533
Bennington, Geoffrey 1999. ‘Inter’, in McQuillan, Martin, Macdonald, Graeme, Purves, Robin, and Thomson, Stephen (eds.), Post-Theory: New Directions in Criticism. Edinburgh University Press, pp. 103–19
Bentley, Gerald Eades 1941–68. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon Press
Bentley, Gerald Eades 1971. The Profession of Dramatist in Shakespeare’s Time 1590–1642. Princeton University Press
Blayney, Peter W. M. 1972. ‘The Booke of Sir Thomas Moore Re-examined’, Studies in Philology 69: 167–91
Boswell, Eleanore (ed.) 1927. Edmond Ironside or War Hath Made All Friends. Malone Society Reprint. London: Malone Society (1928)
Boswell, James 1791. The Life of Samuel Johnson LL.D. 2 vols. London: Henry Baldwin
Bowers, Fredson 1955. On Editing Shakespeare and the Elizabethan Dramatists. [Philadelphia]: Published for the Philip H. and A. S. W. Rosenbach Foundation by the University of Pennsylvania Library
Bradley, David 1992. From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage. Cambridge University Press
Braumuller, A. R. (ed.) 1989. King John. The Oxford Shakespeare. Oxford: Clarendon Press
Briggs, Julia 1998. ‘“The Lady Vanishes”: Problems of Authorship and Editing in the Middleton Canon’, in Hill, W. Speed (ed.), New Ways of Looking at Old Texts, II: Papers of the Renaissance English Text Society, 1992–1996. Tempe, AZ: Medieval and Renaissance Texts and Studies in conjunction with Renaissance English Text Society, pp. 109–20
Briggs, Julia (ed.) 2007a. The Lady’s Tragedy, in Taylor, Gary and Lavagnino, John (gen eds.), Thomas Middleton: The Collected Works. Oxford: Clarendon Press, pp. 833–906
Briggs, Julia (ed.) 2007b. The Lady’s Tragedy, in Taylor, Gary and Lavagnino, John (gen eds.), Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works. Oxford: Clarendon Press, pp. 619–26
Brooke, C. F. Tucker (ed.) 1908. The Shakespeare Apocrypha: Being a Collection of Fourteen Plays Which Have Been Ascribed to Shakespeare. Oxford: Clarendon Press
Brooks, Douglas A. 2000. From Playhouse to Printing House: Drama and Authorship in Early Modern England. Cambridge University Press
Brown, Arthur (ed.) 1953. The Captives by Thomas Heywood. Malone Society Reprint. London: Malone Society
Bullen, A. H. (ed.) 1882–9. A Collection of Old English Plays in Four Volumes. 4 vols. Rpt. New York: Blom, 1964
Byrne, Muriel St Clare 1920. ‘Anthony Munday and His Books’, The Library 4th ser. 1: 225–56
Byrne, Muriel St Clare 1923a. ‘Anthony Munday’s Spelling as a Literary Clue’, The Library 4th ser. 4: 9–23
Byrne, Muriel St Clare 1932. ‘Bibliographical Clues in Collaborate Plays’, The Library 4th ser. 13: 21–48
Byrne, Muriel St Clare (ed.) 1923b. John a Kent and John a Cumber. Malone Society Reprint. London: Malone Society
Campbell, Nicole 2001. ‘Material Adventures: The Production and Reproduction of Early Modern Dramatic Manuscripts’, PhD thesis, University of Western Ontario
Carroll, D. Allen (ed.) 1994. Greene’s Groatsworth of Wit Bought with a Million of Repentance (1592). Binghamton, NY: Medieval and Renaissance Texts and Studies
Chambers, E. K. 1930. William Shakespeare: A Study of Facts and Problems. 2 vols. London: Oxford University Press
Chambers, E. K. 1944. Shakespearean Gleanings. London: Oxford University Press
Chambers, R. W. 1923. ‘The Expression of Ideas – Particularly Political Ideas – in the Three Pages, and in Shakespeare’, in Pollard (ed.), pp. 142–87
Chambers, R. W. 1925. ‘The “Spurred a”’, Times Literary Supplement August 27: 557
Chambers, R. W. 1939. Man’s Unconquerable Mind: Studies of English Writers, from Bede to A. E. Housman and W. R. Ker. London: Jonathan Cape
Chettle, Henry 1592. Kind-Harts Dreame. Conteyning Fiue Apparitions, with their Inuectiues against Abuses Raigning. London: for William Wright
Chettle, Henry 1631. The Tragedy of Hoffman. Or A Revenge for a Father. London: I[ohn] N[orton] for Hugh Perry
Chillington, Carol A. 1980. ‘Playwrights at Work: Henslowe’s, Not Shakespeare’s Book of Sir Thomas More’, English Literary Renaissance 10: 439–79
Clare, Janet 1999. ‘Art made tongue-tied by authority’: Elizabethan and Jacobean Dramatic Censorship, 2nd edn. Manchester University Press
Cohen, Walter 2008. ‘Sir Thomas More: Passages Attributed to Shakespeare’, in Greenblatt et al. (eds.), pp. 2029–32
Collier, John Payne (ed.) 1851. John a Kent and John a Cumber: A Comedy. Shakespeare Society of London Publications, No. 47. Nendeln: Kraus Reprint, 1966
Collins, D. C. 1934. ‘On the Date of Sir Thomas More’, Review of English Studies 10: 401–11
Cox, John D., and Kastan, David Scott 1997a. ‘Introduction’, in Cox and Kastan (eds.), pp. 1–5
Cox, John D., and Kastan, David Scott (eds.) 1997b. A New History of Early English Drama. New York: Columbia University Press
Craig, Hugh, and Kinney, Arthur F. 2009a. ‘Introduction’, in Craig and Kinney (eds.), pp. 1–14
Craig, Hugh, and Kinney, Arthur F. (eds.) 2009b. Shakespeare, Computers, and the Mystery of Authorship. Cambridge University Press
Crystal, David 2008. ‘Think on my Words’: Exploring Shakespeare’s Language. Cambridge University Press
Dawson, Giles E. 1990. ‘Shakespeare’s Handwriting’, Shakespeare Survey 42: 119–28
DeGrazia, Margreta 1988. ‘The Essential Shakespeare and the Material Book’, Textual Practice 2: 69–88
Derrida, Jacques 1994. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International, Kamuf, Peggy (trans.) London: Routledge
Derrida, Jacques 1997. Of Grammatology, Spivak, Gayatri Chakravorty (trans.), corr. ed. Baltimore: Johns Hopkins University Press
Dessen, Alan C., and Thomson, Leslie 1999. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge University Press
Deutschberger, Paul 1943. ‘The Sir Thomas Moore Problem Reconsidered’, Shakespeare Association Bulletin 18: 75–91, 99–108, 156–67
Dutton, Richard 1991. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. Iowa City: University of Iowa Press
Downs, Gerald 2007. ‘A Question (not) to be Askt: Is Hand D a Copy’, Shakespeare Yearbook 16: 241–66
Dyce, Alexander (ed.) 1844. Sir Thomas More: A Play. London: Printed for the Shakespeare Society
Egan, Gabriel 2011. ‘Precision, Consistency, and Completeness in Early-Modern Playbook Manuscripts: The Evidence from Thomas of Woodstock and John a Kent and John a Cumber’, The Library 7th ser. 12: 376–91
Eliott, Ward E. Y., and Valenza, Robert J. 2010. ‘Two Tough Nuts to Crack: Did Shakespeare Write the ‘Shakespeare’ Portions of Sir Thomas More and Edward III? Part I’, Literary and Linguistic Computing 25: 67–84; ‘Part II: Conclusion’: 165–78
Erne, Lukas 2003. Shakespeare as Literary Dramatist. Cambridge University Press
Erne, Lukas, and Kidnie, Margaret Jane (eds.) 2004. Textual Performances: The Modern Reproduction of Shakespeare’s Drama. Cambridge University Press
Evans, G. Blakemore (ed.) 1997. The Riverside Shakespeare. 1974; 2nd edn. Boston: Houghton Mifflin
Foakes, R. A. (ed.) 1997. King Lear. The Arden Shakespeare (Third Series). Walton-on-Thames, Surrey: Thomas Nelson
Foakes, R. A. (ed.) 2002. Henslowe’s Diary, 2nd edn. Cambridge University Press
Forker, Charles R. 2010. ‘The Troublesome Reign, Richard II, and the Date of King John: A Study in Intertextuality’, Shakespeare Survey 63: 127–48
Foucault, Michel 1991. ‘What is an Author?’ Harari, Josue V. (trans.), in Rabinow, Paul (ed.), The Foucault Reader: An Introduction to Foucault’s Thought. Harmondsworth: Penguin, pp. 101–20
Gabrieli, Vittorio, and Melchiori, Giorgio (eds.) 1990. Sir Thomas More. The Revels Plays. Manchester University Press
Garber, Marjorie 1987. Shakespeare’s Ghost Writers: Literature as Uncanny Causality. London: Methuen
Golding, S. R. 1928. ‘Robert Wilson and Sir Thomas More’, Notes and Queries 154: 237–9, 259–62
Gossett, Suzanne 2004. ‘Marston, Collaboration, and Eastward Hoe’, Renaissance Drama new ser. 33: 181–200
Gossett, Suzanne (ed.) 2011. Thomas Middleton in Context. Cambridge University Press
Greenblatt, Stephen, Cohen, Walter, Howard, Jean E., and Maus, Katharine Eisaman (eds.) 2008. The Norton Shakespeare: Based on the Oxford Edition. 1997; 2nd edn. New York: W. W. Norton & Company
Greg, W. W. 1903. ‘The Bibliographical History of the First Folio’, The Library 2nd ser. 4: 258–85
Greg, W. W. 1913. ‘Autograph Plays by Anthony Munday’, Modern Language Review 8: 89–90
Greg, W. W. 1922. Two Elizabethan Stage Abridgements: The Battle of Alcazar and Orlando Furioso. Oxford: Malone Society. Rpt. 1964
Greg, W. W. 1923a. ‘The Handwritings of the Manuscript’, in Pollard (ed.), pp. 41–56
Greg, W. W. 1923b. ‘Massinger’s Autograph Corrections in “The Duke of Milan”, 1623’, The Library 4th ser. 4: 207–18
Greg, W. W. 1924. ‘More Massinger Corrections’, The Library 4th ser. 5: 59–91
Greg, W. W. 1927. ‘Shakespeare’s Hand Once More’, Times Literary Supplement November 24 and December 1: 871 and 908
Greg, W. W. 1931. Dramatic Documents from the Elizabethan Playhouses: Stage Plots, Actors’ Parts, Prompt Books. 2 vols. Oxford: Clarendon Press
Greg, W. W. 1942. The Editorial Problem in Shakespeare: A Survey of the Foundations of the Text. Oxford: Clarendon Press
Greg, W. W. 1955. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon Press
Greg, W. W. 1956. Review of ‘On Editing Shakespeare and the Elizabethan Dramatists. By Fredson Bowers’, Shakespeare Quarterly 7: 101–4
Greg, W. W. 1966. ‘What Is Bibliography?’ in Maxwell, J. C. (ed.), W. W. Greg: Collected Papers. Oxford: Clarendon Press, pp. 75–88 (first published 1914)
Greg, W. W. (ed.) 1907. Henslowe Papers, Being Documents Supplementary to Henslowe’s Diary. London: A. H. Bullen
Greg, W. W. (ed.) 1909. The Second Maiden’s Tragedy 1611. Malone Society Reprint. London: Malone Society (1910)
Greg, W. W. (ed.) 1911. The Book of Sir Thomas More. Malone Society Reprint. Oxford: Malone Society. Rpt. 1961, 1991
Greg, W. W. (ed.) 1951. Bonduca. Malone Society Reprint. London: Malone Society
Grigely, Joseph 1995. Textualterity: Art, Theory, and Textual Criticism. Ann Arbor: University of Michigan Press
Gurr, Andrew 1999. ‘Maximal and Minimal Texts: Shakespeare v. the Globe’, Shakespeare Survey 52: 68–87
Gurr, Andrew, and Ichikawa, Mariko 2000. Staging in Shakespeare’s Theatres. Oxford University Press
Hammond, Antony 1992. ‘Encounters of the Third Kind in Stage-Directions in Elizabethan and Jacobean Drama’, Studies in Philology 89: 71–99
Hammond, Antony 1993. ‘The Noisy Comma: Searching for the Signal in Renaissance Dramatic Texts’, in McLeod, Randall (ed.), Crisis in Editing: Texts of the English Renaissance. New York: AMS Press, pp. 203–49
Hammond, Brean (ed.) 2010. Double Falsehood. The Arden Shakespeare (Third Series). London: A. & C. Black
Harbage, Alfred 1989. Annals of English Drama, 975–1700, revised by Schoenbaum, S.; 3rd edn. revised by Wagonheim, Sylvia Stoler. London: Routledge
Harrison, G. B. 1925. ‘The Date of Sir Thomas More’, Review of English Studies 1: 337–9
Hays, Michael L. 1975. ‘Shakespeare’s Hand in Sir Thomas More: Some Aspects of the Paleographic Argument’, Shakespeare Studies 8: 241–53
Herbert, J. A. 1917. Review of Sir Edward Maunde Thompson’s Shakespeare’s Handwriting, The Library 3rd ser. 8: 97–100
Heywood, Thomas 1640. The Exemplary Lives and Memorable Acts of Nine the Most Worthy Women of the World. London: Printed by Tho[mas] Cotes for Richard Royston
Hirrel, Michael J. 2010. ‘Duration of Performance and Lengths of Plays: How Shall We Beguile the Lazy Time?’ Shakespeare Quarterly 61: 159–82
Honigmann, E. A. J. 1965. The Stability of Shakespeare’s Text. London: Arnold
Honigmann, E. A. J. 1983. ‘John a Kent and Marprelate’, The Yearbook of English Studies 13: 288–93
Honigmann, E. A. J. 1996. The Texts of ‘Othello’ and Shakespearian Revision. London: Routledge
Honigmann, E. A. J. 2004. ‘The New Bibliography and Its Critics’, in Erne and Kidnie (eds.), pp. 77–93
Honigmann, E. A. J. 2005. ‘Shakespeare’s Deletions and False Starts’, Review of English Studies new ser. 56: 37–48
Howard-Hill, T. H. 1983. ‘Marginal Markings: The Censor and the Editing of Four English Promptbooks’, Studies in Bibliography 36: 168–77
Howard-Hill, T. H. 1988. ‘Crane’s 1619 “Promptbook” of Barnavelt and Theatrical Processes’, Modern Philology 86: 146–70
Howard-Hill, T. H. 1989. ‘Introduction’, in Howard-Hill (ed.), pp. 1–9
Howard-Hill, T. H. (ed.) 1989. Shakespeare and Sir Thomas More: Essays on the Play and Its Shakespearian Interest. Cambridge University Press
Huber, R. A. 1961. ‘On Looking over Shakespeare’s “Secraterie”’, in Jackson, B. A. W. (ed.), Stratford Papers on Shakespeare. Toronto: W. J. Gage, pp. 52–77
Ichikawa, Mariko 2002. Shakespearean Entrances. Basingstoke: Palgrave Macmillan
Ichikawa, Mariko 2005. ‘“Maluolio within”: Acting on the Threshold between Onstage and Offstage Spaces’, Medieval and Renaissance Drama in England 18: 123–45
Ioppolo, Grace 2002. ‘“The Foule Sheet and ye Fayr”: Henslowe, Daborne, Heywood and the Nature of Foul-Paper and Fair-Copy Dramatic Manuscripts’, English Manuscript Studies 1100–1700 11: 132–53
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Jackson, MacDonald P. 1978. ‘Linguistic Evidence for the Date of Shakespeare’s Addition to “Sir Thomas More”’, Notes and Queries 223: 154–6
Jackson, MacDonald P. 1979. Studies in Attribution: Middleton and Shakespeare. Salzburg: Institut für Anglistik und Amerikanistik
Jackson, MacDonald P. 1985. ‘Anthony Munday and the Play of Thomas More’, Moreana 22: 83–4
Jackson, MacDonald P. 1990. ‘The Additions to “The Second Maiden’s Tragedy”: Shakespeare or Middleton?’ Shakespeare Quarterly 41: 402–5
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Jowett, John 1989. ‘Henry Chettle and the Original Text of Sir Thomas More’, in Howard-Hill (ed.), pp. 131–49
Jowett, John 2006. ‘Editing Shakespeare’s Plays in the Twentieth Century’, Shakespeare Survey 59: 1–19
Jowett, John 2007a. ‘Shakespeare Supplemented’, Shakespeare Yearbook 16: 39–73
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Jowett, John 2012. ‘A Collaboration: Shakespeare and Hand C in Sir Thomas More’, Shakespeare Survey 65: 255–68
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Kastan, David Scott 1999. Shakespeare After Theory. London: Routledge
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