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Shakespeare Survey
  • Volume 64: Shakespeare as Cultural Catalyst
  • Edited by Peter Holland, University of Notre Dame, Indiana

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    Shakespeare Survey
    • Volume 64: Shakespeare as Cultural Catalyst
    • Edited by Peter Holland
    • Online ISBN: 9780511894817
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Book description

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for volume 64 is 'Shakespeare as Cultural Catalyst'. The complete set of Survey volumes is also available online at This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

Stuart Cunningham Cultural Studies from the Viewpoint of Cultural Policy Justin Lewis Toby Miller Critical Cultural Policy Studies: A ReaderOxford2003 14

Mary Polito Warriors for the Working Day”: Shakespeare's Professionals Shakespeare 2 2006 18

Xavier Castañer Lorenzo Campos The Determination of Artistic Innovation: Bringing in the Role of Organizations Journal of Cultural Economics 26 2002 29

Dennis Kennedy Shakespeare and Cultural Tourism Theatre Journal 50 1998 175

Stephen Purcell Popular Shakespeare: Simulation and Subversion on the Modern StageBasingstoke2009

Carol Chillington Rutter Shakespeare Performances in England 2009Shakespeare Survey 63Cambridge2010 356

Anton Bosman Cape of Storms: The Baxter Theatre Centre–RSC 2009 Shakespeare Quarterly 2010 108

C. K. Prahalad Venkat Ramaswamy Co-Creation Experiences: The Next Practice in Value Creation Journal of Interactive Marketing 18 2004 5

Richard Schechner The Future of Ritual: Writings on Culture and PerformanceLondon1993

John Russell Brown Theatrical Pillage in Asia: Redirecting the Intercultural Traffic New Theatre Quarterly 14 1998 9

Carey Snyder When the Indian was in Vogue D. H. Lawrence Aldous Huxley Ethnological Tourism Modern Fiction Studies 53 2007 662

Doug Lanier ShakespeareTM: Myth and Biographical Fiction’, in Robert Shaughnessy,The Cambridge Companion to Shakespeare and Popular CultureCambridge2007 93

Graham Hankinson The Management of Destination Brands: Five Guiding Principles Based on Recent Developments in Corporate Branding Theory Journal of Brand Management 14 2007 240

Clive Gray The Politics of the Arts in BritainBasingstoke2000

W. B. Worthen Performing Shakespeare in Digital CultureThe Cambridge Companion to Shakespeare and Popular Culture Shaughnessy Robert Cambridge2007 231

Christy Desmet Paying Attention in Shakespeare Parody: From Tom Stoppard to YouTubeShakespeare Survey 61Cambridge2008 227

Richard Burt To E- or Not to E-? Disposing of Schlockspeare in the Age of Digital MediaShakespeare After Mass MediaNew York2002 1

Michael Best The : Scholarly Shakespeare on the Web Shakespeare 4 2010 221

Emily Bartels Shakespeare's “Other” Worlds: The Critical Trek Literature Compass 5 2008 1111

Christy Desmet Robert Sawyer Shakespeare and AppropriationLondon1999 Sonia Massai New York2005

Mark Thornton Burnett Writing Shakespeare in the Global EconomyShakespeare Survey 58Cambridge2005 185

Kate Rumbold From “Access” to “Creativity”: Shakespeare Institutions, New Media, and the Language of Cultural Value Shakespeare Quarterly 61 2010 313

N. Katherine Hayles My Mother Was a Computer: Digital Subjects and Literary TextsChicago2005

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Jennifer Summit Memory's Library: Medieval Books in Early Modern EnglandChicago2008 1

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Kerry Powell The Cambridge Companion to Victorian and Edwardian TheatreCambridge2004 70

Mervyn Cooke A History of Film MusicCambridge2008

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Rob Dean From Melodrama to Blockbuster: A Comparative Analysis of Musical Camouflage in Victorian Theatre and Twenty-first-century Film Studies in Musical Theatre 1 2007 140

Patrice Pavis David Williams Analyzing Performance: Theater, Dance, and FilmAnn Arbor2003 140

Robert Shaughnessy The Cambridge Companion to Shakespeare and Popular CultureCambridge2007 1

Gregory Machacek's Allusion PMLA 122 2007 522

Barry Barnes The Elements of Social TheoryPrinceton1995

Michèle Lamont How Professors Think: Inside the Curious World of Academic JudgmentCambridge2009 59

Zygmunt Bauman Does Ethics Have a Chance in a World of Consumers?Cambridge2008

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Lev Manovich The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production? Critical Inquiry 35 2009 329

Lesley Ferris The Big Life: The Ska Musical Theatre Journal 57 2005 110

Anna K. Nardo Playing with Shakespeare's Play: Branagh's Shakespeare Survey 61Cambridge2008 13

William Shakespeare Love's Labour's Lost William C. Carroll Cambridge2009 50

Tetsuo Kishi When Suicide Becomes an Act of Honour: and in Late Nineteenth-Century Japan Shakespeare Survey 54 2001 108

Yukari Yoshihara Popular Shakespeare in JapanShakespeare Survey 60Cambridge2007 130

Michael Schoenfeldt The SonnetsThe Cambridge Companion to Shakespeare's PoemsCambridge2007 125

Neil Corcoran's Shakespeare and the Modern PoetCambridge2010

Lucy Munro Children of the Queen's Revels: A Jacobean Theatre RepertoryCambridge2005

Gordon Mc-Mullan What Is a Late Play?The Cambridge Companion to Shakespeare's Last Plays Catherine Alexander Cambridge2009 5

Elisabeth Salter's Cultural Creativity in the Early English Renaissance: Popular Culture in Town and CountryBasingstoke2006

Jeffrey Todd Knight Making Shakespeare's Books: Assembly and Intertextuality in the Archives Shakespeare Quarterly 60 2009 304

David Buckingham Rebekah Willett Video Cultures: Media Technology and Everyday CreativityBasingstoke2009

Elizabeth A. Mannix Margaret A. Neale Jack A. Gonzano Creativity in GroupsBingley2009

Frances Babbage Augusto BoalLondon2004

Margaret Healy Thomas Healy's Renaissance Transformation: The Making of English Writing (1500–1650)Edinburgh2009

Katherine Rowe's Shakespeare and Media History Margreta de Grazia Stanley Wells The Cambridge Companion to ShakespeareCambridge2010

Ronald Carter Language and Creativity: The Art of Common TalkLondon and New York2004

Jonathan Bate's English Literature: A Short IntroductionOxford2010

Angela Frattarola The Modernist “Microphone Play”: Listening in the Dark to the BBC Modern Drama 52 2009 449

Peter Novak Where Lies Your Text?’: in American Sign Language TranslationShakespeare Survey 61Cambridge2008 74

Stanley Wells Sarah Stanton The Cambridge Companion to Shakespeare on StageCambridge2002 58

W. B. Worthen Shakespearean GeographiesShakespeare and the Force of Modern PerformanceCambridge2003 117

Daniel Javitch The Emergence of Poetic Genre Theory in the Sixteenth Century Modern Language Quarterly 59 1998 139

Heather James Dido's Ear: Tragedy and the Politics of Response Shakespeare Quarterly 52 2001 360

Julia Reinhard Lupton Circumcised: Shakespeare and the Pauline Discourse of Nations Representations 57 1997 73

Edward Berry Studies in English Literature 30 1990 315

Daniel J. Vitkus Turning Turk in : The Conversion and Damnation of the Moor Shakespeare Quarterly 48 1997 145

Russ McDonald Othello, Thorello, and the Problem of the Foolish Hero Shakespeare Quarterly 30 1979 51

A. C. Bradley Shakespearean TragedyBasingstoke1992 170

Kenneth Burke : An Essay to Illustrate a Method Hudson Review 4 1951 165

Martin Orkin Othello and the “plain face” of Racism Shakespeare Quarterly 38 1987 166

Hugh Grady and the Dialectic of Enlightenment: Instrumental Reason, Will, and SubjectivityShakespeare's Universal WolfOxford1996 95

Janet Adelman Iago's Alter Ego: Race as Projection in Shakespeare Quarterly 48 1997 125

Natasha Distiller Shakespeare and the Coconuts: Close Encounters in Post-apartheid South AfricaShakespeare Survey 62Cambridge2009 211

Megan Vaughan Creating the Creole Island, Slavery in Eighteenth-Century MauritiusDurham2005

Françoise Lionnet Matière à photographie: cosmopolitique et modernité créoles à l’Ile Maurice French Forum 34 2009 75

Chantal Zabus Tempests after ShakespeareNew York2002 242

Walter Mignolo The Many Faces of Cosmo-polis: Border Thinking and Critical Cosmopolitanism Public Culture 12 2000 721

Peter Erickson Citing Shakespeare: The Reinterpretation of Race in Contemporary Literature and ArtBasingstoke2007 8

Manfred Draudt Committing Outrage against the Bard”: Nineteenth-Century Travesties of Shakespeare in England and Austria Modern Language Review 88 1993 102

Ronald R. Macdonald Uneasy Lies: Language and History in Shakespeare's Lancastrian Tetralogy Shakespeare Quarterly 35 1984 23

Richard J. Finneran George Mills Harper William M. Murphy Alan B. Himber Letters to W. B. YeatsNew York1977 4

Wayne K. Chapman Yeats and English Renaissance LiteratureBasingstoke1991

John Hutchinson The Dynamics of Cultural Nationalism: The Gaelic Revival and the Creation of the Irish Nation StateLondon1987

Marjorie Howes Yeats's Nations: Gender, Class, and IrishnessCambridge1996 17

Jacques Derrida What Is a “Relevant” Translation? Critical Inquiry 27 2001 174

Nicole Mallet Hugo, père et fils, Shakespeare et la traduction TTR 6 1993 113

Dwight Conquergood Rethinking Elocution: The Trope of the Talking Book and Other Figures of Speech Text and Performance Quarterly 20 2000 329

Ania Loomba Local-manufacture Made-in-India Othello Fellows: Issues of Race, Hybridity and Location in Postcolonial ShakespearesPostcolonial Shakespeares Ania Loomba Martin Orkin New York1998

David Hornbrook Education as Dramatic ArtBrighton1989

Jean Lavé Etienne Wenger Situated Learning: Legitimate Peripheral ParticipationCambridge1991

Rex Gibson Narrative Approaches to Shakespeare: Active Storytelling in SchoolsShakespeare Survey 53Cambridge2000 161

John Russell Brown Free ShakespeareShakespeare Survey 24Cambridge1971 134

Zachary Lesser Peter Stallybrass The First Literary and the Commonplacing of Professional Plays Shakespeare Quarterly 59 2008 371

Charles Martindale Colin Burrow Clapham's : A Pre-Text for Shakespeare's ? English Literary Renaissance 22 1992 147

Ann Moss the most successful commonplace book of all timePrinted Commonplace Books and the Structuring of Renaissance ThoughtOxford1996 189

Sasha Roberts Reading Shakespeare's Poems in Early Modern EnglandBasingstoke2003

Robert J. Kane Richard du Champ” in Shakespeare Quarterly 4 1953 206

Jodi Mikalachki The Masculine Romance of Roman Britain: and Early Modern English Nationalism Shakespeare Quarterly 46 1995 319

Jeanne Roberts's Falstaff in Windsor Forest: Villain or Victim Shakespeare Quarterly 26 1975 8

John Batchelor Tom Cain Claire Lamont Shakespearean Continuities: Essays in Honour of E. A. J. HonigmannLondon1997 40

G. F. Reynolds “Trees” on the Stage of Shakespeare Modern Philology 5 1907 153

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Stuart Daley Where are the Woods in ? Shakespeare Quarterly 34 1983 173

David Lloyd Stevenson The Role of James I in Shakespeare's English Literary History 26 1959 188

Mark H. Curtis The Hampton Court Conference and its Aftermath History 46 1961 1

Marc L. Schwarz James I and the Historians: Towards a Reconsideration Journal of British Studies 13 1974 114

Conrad Russell Parliamentary History in Perspective, 1604–1629 History 61 1976 1

Conrad Russell Parliaments and English Politics 1621–1629Oxford1979 85

Jenny Wormald James VI and I: Two Kings or One? History 68 1983 187

Keith M. Brown The Scottish Aristocracy, Anglicization and the Court, 1603–38 The Historical Journal 36 1993 543

Robert D. Hume Before the Bard: “Shakespeare” in Early Eighteenth-Century London English Literary History 64 1997 41

Andrew Hadfield Shakespeare and RepublicanismCambridge2005 205

Sonia Massai World-Wide Shakespeares: Local Appropriations in Film and PerformanceLondon and New York2005

Jennifer Harvie Erin Hurley States of Play: Locating Québec in the Performances of Robert Lepage, ExMachina, and the Cirque du Soleil Theatre Journal 51 1999

Denis Salter Borderlines: An Interview with Robert Lepage and Le Théâtre Repère Theater 24 1993 76

Roland Robertson Glocalization: Time-Space and Homogeneity-HeterogeneityGlobal ModernitiesLondon1995 35


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