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Publisher:
Cambridge University Press
Online publication date:
December 2014
Print publication year:
2000
Online ISBN:
9781139628891

Book description

In the Gorgias, Socrates claims to practice the true art of politics, but the peculiar politics he practices involves cultivating in each individual he encounters an erotic desire to live a life animated by the ideals of justice, beauty and the good. Socratic and Platonic Political Philosophy demonstrates that what Socrates sought to do with those he encountered, Platonic writing attempts to do with readers. Christopher P. Long's attentive readings of the Protagoras, Gorgias, Phaedo, Apology, and Phaedrus invite us to cultivate the habits of thinking and responding that mark the practices of both Socratic and Platonic politics. Platonic political writing is here experienced in a new way as the contours of a politics of reading emerges in which the community of readers is called to consider how a commitment to speaking the truth and acting toward justice can enrich our lives together.

Reviews

'In presenting analyses of five dialogues - Protagoras, Gorgias, Phaedo, Apology of Socrates, and Phaedrus - Long draws extensively on a wide range of Platonic scholarship. His interpretation of the meaning of Socrates’ claim to practice the true art of politics, its exemplification in the specific dialogues he treats, and the way in which Plato’s dialogues are intended to replicate it is nevertheless quite original. Emphasizing the importance of dialogue and the ways in which Socrates addressed specific individuals and tried to benefit them by forming a philosophical community, Long’s account of Socrates’ true art of politics does not describe political practice as it was ordinarily understood. It is much nobler and more high minded.’

Catherine Zuckert - University of Notre Dame

‘Long has written a compelling and innovative work on Socratic and Platonic politics. [His] hermeneutic uncovers dimensions of political discourse in Plato that are often overlooked, such as attentiveness, listening, and recollection. His work invites us into collaborative reading with both Plato and the ongoing conversation of contemporary scholarship.’

Marina McCoy - Boston College

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Contents

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