Speech and Performance in Shakespeare's Sonnets and Plays

David Schalkwyk

doi:10.1017/CBO9780511483943

References

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Speech and Performance in Shakespeare's Sonnets and Plays

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Contents

Frontmatter
pp i-vi

Contents
pp vii-vii

Acknowledgements
pp viii-x

Introduction: the sonnets
pp 1-28

1 - Performatives: the sonnets, Antony and Cleopatra and As You Like It
pp 29-58

2 - Embodiment: the sonnets, Love's Labour's Lost, Romeo and Juliet and Twelfth Night
pp 59-101

3 - Interiority: the sonnets, Hamlet and King Lear
pp 102-149

4 - Names: the sonnets, Romeo and Juliet, Troilus and Cressida and Othello
pp 150-197

5 - Transformations: the sonnets and All's Well that Ends Well
pp 198-237

Conclusion
pp 238-242

Bibliography
pp 243-252

Index
pp 253-262

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