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  3. Stanley Kubrick's A Clockwork Orange
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    • Publisher:
      Cambridge University Press
      Publication date:
      29 January 2010
      07 July 2003
      ISBN:
      9780511615306
      9780521573764
      9780521574884
      DOI:
      https://doi.org/10.1017/CBO9780511615306
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.44kg, 184 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.27kg, 184 Pages
      • Subjects:
      Film, Film, Media, Mass Communication, Media, Mass Communication
      Series:
      Cambridge Film Handbooks
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    • Selected: Digital
    Add to cart View cart Buy from Cambridge.org
    Subjects:
    Film, Film, Media, Mass Communication, Media, Mass Communication
    Series:
    Cambridge Film Handbooks
    Information

    Book description

    Stanley Kubrick's 'A Clockwork Orange' brings together critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.

    Reviews

    "Highly recommended. Academic libraries supporting film studies at the lower-division undergraduate level and above." Choice

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    Contents

    Contents
    References
    Select Bibliography
    Selected Bibliography
    General studies of stanley kubrick
    Baxter, John (1997). Stanley Kubrick, A Biography. New York: Carroll & Graf
    Chion, Michel (2001). Kubrick's Cinema Odyssey. London: British Film Institute
    Ciment, Michel (2001). Kubrick: The Definitive Edition. New York: Faber and Faber
    Coyle, Wallace (1980). Stanley Kubrick: A Guide to References and Resources. Boston: G. K. Hall
    DeVries, Daniel (1973). The Films of Stanley Kubrick. Grand Rapids, MI: William B. Eerdmans
    Falsetto, Mario (1994). Stanley Kubrick: A Narrative and Stylistic Analysis. Westport, CT: Praeger
    Falsetto, Mario, Ed. (1996). Perspectives on Stanley Kubrick. New York: G. K. Hall
    Howard, James (1999). Stanley Kubrick Companion. London: B. T. Batsford
    Hughes, David (2000). The Complete Kubrick. Forward by Peter Bogdanovich. London: Virgin Publishing
    Kagan, Norman (1996). The Cinema of Stanley Kubrick. New Expanded Edition. New York: Continuum
    Kerr, Michael (2000). Kubrick. New York: Grove Press
    Kolker, Robert (2000). A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. New York: Oxford University Press, third edition
    LoBrutto, Vincent (1997). Stanley Kubrick: A Biography. New York: Penguin Books
    Mainar, Luis M. García (2000). Narrative and Stylistic Patterns in the Films of Stanley Kubruck. Rochester, NY: Camden House
    Nelson, Thomas Allen (2000). Kubrick: Inside a Film Artist's Maze. New and expanded edition. Bloomington: Indiana University Press
    Phillips, Gene D., Ed. (2001). Stanley Kubrick: Interviews. Jackson: University Press of Mississippi
    Pipolo, Tony (Spring 2002). “The Modernist and the Misanthrope: The Cinema of Stanley Kubrick.” Cineaste, XXVII, no. 2, 41–5 and 49
    Walker, Alexander, Sybil Taylor, Ulrich Ruchti (1999). Stanley Kubrick Director: A Visual Analysis. Revised and expanded. New York: W. W. Norton
    The screenplay
    Kubrick, Stanley (1972). Stanley Kubrick's Clockwork Orange, Based on the Novel by Anthony Burgess. New York: Abelard-Schuman
    Reviews and studies of a clockwork orange
    Alpert, Hollis (December 25, 1971). “Milk-Plus and Ultra Violence.” Saturday Review, no. 52, 40–41
    Barr, C. (Summer 1972). “Straw Dogs, A Clockwork Orange, and the Critics.” Screen 13, no. 2, 17–31
    Boyers, Robert (Summer 1972). “Kubrick's A Clockwork Orange: Some Observations.” Film Heritage 7, no. 4, 1–6
    Burgess, Anthony (February 17, 1972). “Clockwork Marmalade.” Listener 87, no. 2238, 197–99
    Burgess, Anthony (June 8, 1972). “Juice from A Clockwork Orange.” Rolling Stone, 52–53
    Burke, Tom (January 30, 1972). “Malcolm McDowell: The Liberals, They Hate ‘Clockwork.’” The New York Times: Section 2, p. 13
    Canby, Vincent (January 9, 1972). “‘Orange’ – ‘Disorienting But Human Comedy.’” The New York Times: Section 2, p. 7
    Collins, F. (1989). “Implied metaphor in the films of Stanley Kubrick.” New Orleans Review, No. 16: 96–100
    Cocks, Jay (December 20, 1971). “Season's Greetings: Bang! Kubrick: Degrees of Madness.” Time: 80
    Denby, David (March 1972). “Pop Nihilism at the Movies.” Atlantic, 229, no. 3: 100–104
    Gow, Gordon (1974–75). “Novel into Film,” in Film Review. edited by Maurice Speed. London: W. H. Allen, 1975: 33–42
    Gumenik, Arthur (Summer 1972). “A Clockwork Orange: Novel into Film.” Film Heritage, 7, no. 4: 7–18 and 28
    Houston, Penelope (December 25, 1971).“Kubrick Country.” Saturday Review 54, no. 52: 42–44
    Hughes, Robert (December 27, 1971).“The Décor of Tomorrow's Hell.” Time 98, no. 26: 59
    Hutchings, William (March 1991). “‘What's It Going to Be Then, Eh?’” The Stage Odyssey of Anthony Burgess's A Clockwork Orange.” Modern Drama, no. 34: 34–48
    Issac, Neil D. (Spring 1973). “Unstuck in Time: Clockwork Orange and Slaughterhouse Five.” Literature/Film Quarterly 1, no. 2: 122–131
    Kael, Pauline (January 1, 1972). “Stanley Strangelove.” The New Yorker 48: 52-53
    Kauffmann, Stanley (January 1 and 8, 1972). “A Clockwork Orange.” The New Republic: 22 and 32
    Kubrick, Stanley (February 27, 1972). “Now Kubrick Fights Back.” The New York Times: Section 2, p. 1
    McCracken, Samuel (1973). “Novel Into Film; Novelist into Critic: A Clockwork Orange … Again.” Antioch Review 32, no. 3: 427–36
    Mamber, Stephen (Winter 1973). “A Clockwork Orange.” Cinema [Los Angeles] 7, no. 3: 48–57
    Moskowitz, Ken (Winter 1977). “Clockwork Violence.” Sight and Sound 46, no. 1: 22–23, 44
    Parmentier, Ernest (July 15, 1971). “A Clockwork Orange.” Filmfacts 14, no. 24: 649–55
    Phillips, Gene (Winter 1972). “Kubrick.” Film Comment 7, no. 4: 35–45
    Rice, Susan (March 1972). “Stanley Klockwork's ‘Cubrick’ Orange.” Media and Methods 8, no. 7: 39–43
    Ricks, Christopher (April 6, 1972). “Horror Show.” New York Review of Books: 28–31
    Riley, Clayton (January 9, 1972). “ … Or ‘A Dangerous, Criminally Irresponsible Horror Show?” The New York Times: Section 2, p. 1
    Samuel, Charles Thomas (Summer 1972). “The Context of A Clockwork Orange.” American Scholar 41, no. 3: 439–43
    Sarris, Andrew (December 30, 1971). “Films in Focus.” Village Voice 16, no. 52: 49–50
    Schickel, Richard (February 4, 1972). “Future Shock and Family Affairs.” Life 72, no. 4: 14
    Sklar, Robert (1988). “Stanley Kubrick and the American Film Industry.” Current Research in Film, no. 4: 114–124
    Strick, Phillip (Winter 1972). “Kubrick's Horrorshow.” Sight and Sound 41, no.1: 44–46
    Strick, Phillip, and Penelope, Houston, (Spring, 1972). “Interview with Stanley Kubrick.” Sight and Sound 41, no. 2: 62–66
    Wagner, Geoffrey (1975). The Novel and the Cinema. Madison, N.J.: Fairleigh Dickinson University Press: 307–13
    Walker, Beverly (1972). “From Novel to Film: Kubrick's A Clockwork Orange.” Women and Film 2: 4
    Zimmerman, Paul D. (January 3, 1972). “Kubrick's Brilliant Vision.” Newsweek 79, no. 1: 29

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