General studies of stanley kubrickBaxter, John (1997). Stanley Kubrick, A Biography. New York: Carroll & Graf
Chion, Michel (2001). Kubrick's Cinema Odyssey. London: British Film Institute
Ciment, Michel (2001). Kubrick: The Definitive Edition. New York: Faber and Faber
Coyle, Wallace (1980). Stanley Kubrick: A Guide to References and Resources. Boston: G. K. Hall
DeVries, Daniel (1973). The Films of Stanley Kubrick. Grand Rapids, MI: William B. Eerdmans
Falsetto, Mario (1994). Stanley Kubrick: A Narrative and Stylistic Analysis. Westport, CT: Praeger
Falsetto, Mario, Ed. (1996). Perspectives on Stanley Kubrick. New York: G. K. Hall
Howard, James (1999). Stanley Kubrick Companion. London: B. T. Batsford
Hughes, David (2000). The Complete Kubrick. Forward by Peter Bogdanovich. London: Virgin Publishing
Kagan, Norman (1996). The Cinema of Stanley Kubrick. New Expanded Edition. New York: Continuum
Kerr, Michael (2000). Kubrick. New York: Grove Press
Kolker, Robert (2000). A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. New York: Oxford University Press, third edition
LoBrutto, Vincent (1997). Stanley Kubrick: A Biography. New York: Penguin Books
Mainar, Luis M. García (2000). Narrative and Stylistic Patterns in the Films of Stanley Kubruck. Rochester, NY: Camden House
Nelson, Thomas Allen (2000). Kubrick: Inside a Film Artist's Maze. New and expanded edition. Bloomington: Indiana University Press
Phillips, Gene D., Ed. (2001). Stanley Kubrick: Interviews. Jackson: University Press of Mississippi
Pipolo, Tony (Spring 2002). “The Modernist and the Misanthrope: The Cinema of Stanley Kubrick.” Cineaste, XXVII, no. 2, 41–5 and 49
Walker, Alexander, Sybil Taylor, Ulrich Ruchti (1999). Stanley Kubrick Director: A Visual Analysis. Revised and expanded. New York: W. W. Norton
Reviews and studies of a clockwork orangeAlpert, Hollis (December 25, 1971). “Milk-Plus and Ultra Violence.” Saturday Review, no. 52, 40–41
Barr, C. (Summer 1972). “Straw Dogs, A Clockwork Orange, and the Critics.” Screen 13, no. 2, 17–31
Boyers, Robert (Summer 1972). “Kubrick's A Clockwork Orange: Some Observations.” Film Heritage 7, no. 4, 1–6
Burgess, Anthony (February 17, 1972). “Clockwork Marmalade.” Listener 87, no. 2238, 197–99
Burgess, Anthony (June 8, 1972). “Juice from A Clockwork Orange.” Rolling Stone, 52–53
Burke, Tom (January 30, 1972). “Malcolm McDowell: The Liberals, They Hate ‘Clockwork.’” The New York Times: Section 2, p. 13
Canby, Vincent (January 9, 1972). “‘Orange’ – ‘Disorienting But Human Comedy.’” The New York Times: Section 2, p. 7
Collins, F. (1989). “Implied metaphor in the films of Stanley Kubrick.” New Orleans Review, No. 16: 96–100
Cocks, Jay (December 20, 1971). “Season's Greetings: Bang! Kubrick: Degrees of Madness.” Time: 80
Denby, David (March 1972). “Pop Nihilism at the Movies.” Atlantic, 229, no. 3: 100–104
Gow, Gordon (1974–75). “Novel into Film,” in Film Review. edited by Maurice Speed. London: W. H. Allen, 1975: 33–42
Gumenik, Arthur (Summer 1972). “A Clockwork Orange: Novel into Film.” Film Heritage, 7, no. 4: 7–18 and 28
Houston, Penelope (December 25, 1971).“Kubrick Country.” Saturday Review 54, no. 52: 42–44
Hughes, Robert (December 27, 1971).“The Décor of Tomorrow's Hell.” Time 98, no. 26: 59
Hutchings, William (March 1991). “‘What's It Going to Be Then, Eh?’” The Stage Odyssey of Anthony Burgess's A Clockwork Orange.” Modern Drama, no. 34: 34–48
Issac, Neil D. (Spring 1973). “Unstuck in Time: Clockwork Orange and Slaughterhouse Five.” Literature/Film Quarterly 1, no. 2: 122–131
Kael, Pauline (January 1, 1972). “Stanley Strangelove.” The New Yorker 48: 52-53
Kauffmann, Stanley (January 1 and 8, 1972). “A Clockwork Orange.” The New Republic: 22 and 32
Kubrick, Stanley (February 27, 1972). “Now Kubrick Fights Back.” The New York Times: Section 2, p. 1
McCracken, Samuel (1973). “Novel Into Film; Novelist into Critic: A Clockwork Orange … Again.” Antioch Review 32, no. 3: 427–36
Mamber, Stephen (Winter 1973). “A Clockwork Orange.” Cinema [Los Angeles] 7, no. 3: 48–57
Moskowitz, Ken (Winter 1977). “Clockwork Violence.” Sight and Sound 46, no. 1: 22–23, 44
Parmentier, Ernest (July 15, 1971). “A Clockwork Orange.” Filmfacts 14, no. 24: 649–55
Phillips, Gene (Winter 1972). “Kubrick.” Film Comment 7, no. 4: 35–45
Rice, Susan (March 1972). “Stanley Klockwork's ‘Cubrick’ Orange.” Media and Methods 8, no. 7: 39–43
Ricks, Christopher (April 6, 1972). “Horror Show.” New York Review of Books: 28–31
Riley, Clayton (January 9, 1972). “ … Or ‘A Dangerous, Criminally Irresponsible Horror Show?” The New York Times: Section 2, p. 1
Samuel, Charles Thomas (Summer 1972). “The Context of A Clockwork Orange.” American Scholar 41, no. 3: 439–43
Sarris, Andrew (December 30, 1971). “Films in Focus.” Village Voice 16, no. 52: 49–50
Schickel, Richard (February 4, 1972). “Future Shock and Family Affairs.” Life 72, no. 4: 14
Sklar, Robert (1988). “Stanley Kubrick and the American Film Industry.” Current Research in Film, no. 4: 114–124
Strick, Phillip (Winter 1972). “Kubrick's Horrorshow.” Sight and Sound 41, no.1: 44–46
Strick, Phillip, and Penelope, Houston, (Spring, 1972). “Interview with Stanley Kubrick.” Sight and Sound 41, no. 2: 62–66
Wagner, Geoffrey (1975). The Novel and the Cinema. Madison, N.J.: Fairleigh Dickinson University Press: 307–13
Walker, Beverly (1972). “From Novel to Film: Kubrick's A Clockwork Orange.” Women and Film 2: 4
Zimmerman, Paul D. (January 3, 1972). “Kubrick's Brilliant Vision.” Newsweek 79, no. 1: 29
