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The Cambridge Companion to Percussion
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    The Cambridge Companion to Percussion
    • Online ISBN: 9781316145074
    • Book DOI: https://doi.org/10.1017/CBO9781316145074
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Book description

Percussion music is both the oldest and most recent of musical genres and exists in diverse forms throughout the world. This Companion explores percussion and rhythm from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. Topics covered include percussion in symphony orchestras from the nineteenth century to today and the development of percussion instruments in chapters on the marimba revolution, the percussion industry, drum machines, and the effect of acoustics. Chapters also investigate drum set playing and the influences of world music on Western percussion, and outline the roles of percussionists as composers, conductors, soloists, chamber musicians, and theatrical performers. Developments in scientific research are explored in chapters on the perception of sound and the evolution of musical rhythm. This book will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.

Reviews

'The Cambridge Companion to Percussion is a concise yet action-packed and concept-rich volume that, like its subject matter, strikes forcibly in the range of ideas from its contributors. The book aims broadly, its chapters cover a vast quantity of musical material, the topics are timely, and the references in the footnotes essential.'

Thomas Brett Source: BrettWorks reviews (www.brettworks.com)

'The writing is varied and informative, pleasing and revealing. The publication does a good job in informing the reading public about percussion as seen by performers, educators, composers and conductors. This book deserves a place in library and personal collections worldwide.'

Source: National Association of College Wind and Percussion Instructors Journal

'… the volume comprises fairly focused essays, on a variety of topics, that taken together provide an effective overview of the richly varied world of modern percussion … [and] is particularly valuable and should be required reading for any student hoping to embark on an orchestral career.'

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.


S. Arom , African Polyphony and Polyrhythm: Musical Structure and Methodology (Cambridge University Press, 1991).

P. Berliner , Thinking in Jazz: the Infinite Art of Improvisation (University of Chicago Press, 1994).

G. Burton , Learning to Listen: The Jazz Journey of Gary Burton (Boston: Berklee Press, 2013).

H. Cowell , New Musical Resources (Cambridge University Press, 1996).

M. Hart and F. Lieberman with D. A. Sonneborn , Planet Drum: A Celebration of Percussion and Rhythm (New York: Harper, 1991).

J. London , Hearing in Time: Psychological Aspects of Musical Meter (Oxford University Press, 2012).

A. C. McGraw , Radical Traditions: Reimagining Culture in Balinese Contemporary Music (Oxford University Press, 2013).

J. Mowitt , Percussion: Drumming, Beating, Striking (Duke University Press, 2002).

K. Negus , Music Genres and Corporate Culture (New York: Routledge, 1999).

E. Wald , The Blues: A Very Short Introduction (Oxford University Press, 2010).

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