The Evolution and Equilibrium of Copyright in the Digital Age

doi:10.1017/CBO9781107477179

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Edited by Susy Frankel, Victoria University of Wellington, Daniel Gervais, Vanderbilt University, Tennessee

Publisher:: Cambridge University Press
Online publication date:: September 2014
Print publication year:: 2014
Online ISBN:: 9781107477179
DOI:: https://doi.org/10.1017/CBO9781107477179

Series:: Cambridge Intellectual Property and Information Law (26)
Subjects:: Intellectual Property, Law, International Trade Law, Law and technology, science, communication

US$138.00

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The digital age has prompted new questions about the role and function of copyright. Internationally, copyright has progressively increased its scope of protection over new technology and modes of distribution. Yet many copyright owners express dissatisfaction and consider that the system is not working for them. Many users of copyright material, and even some owners, consider that copyright gives too much protection and that copyright owners want too much. This book considers how copyright might evolve in the twenty-first century and how it might reach equilibrium between authors, owners, users and those who connect them.

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The Evolution and Equilibrium of Copyright in the Digital Age

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

The Evolution and Equilibrium of Copyright in the Digital Age - Half title page
pp i-i

Series page
pp ii-ii

The Evolution and Equilibrium of Copyright in the Digital Age - Title page
pp iii-iii

Copyright page
pp iv-iv

Contents
pp v-vi

Figures
pp vii-vii

Notes on the contributors
pp viii-x

Preface
pp xi-xii

Evolution and equilibrium: an introduction
pp 1-12

Part I - Central players: authors, owners, intermediaries and users
pp 13-78

1 - Exceptional authorship: the role of copyright exceptions in promoting creativity
pp 15-28

2 - After twenty years: revisiting copyright liability of online intermediaries
pp 29-51

3 - Overlapping rights: the negative effects of trademarking creative works
pp 52-78

Part II - New enforcement regimes
pp 79-158

4 - Beyond graduated response
pp 81-112

5 - The rise of criminal enforcement of intellectual property rights…and its failure in the context of copyright infringements on the Internet
pp 113-142

6 - Administrative enforcement of copyright law in China: a characteristic deserving of praise or repeal?
pp 143-158

Part III - Old legal techniques and new challenges
pp 159-238

7 - Out of time? Copyright law and the Australasian judiciary in the digital age
pp 161-179

8 - Internet Service Provider liability for copyright infringement in Latin America
pp 180-202

9 - New technologies and the scale of copyright infringement: should size matter to liability?
pp 203-220

10 - Facilitating access to information: understanding the role of technology in copyright law
pp 221-238

Part IV - The collective management solution
pp 239-316

11 - Is there potential for collective rights management at the global level? Perspectives of a new global constitutionalism in the creative sector
pp 241-268

12 - Copyright collective management in the twenty-first century from a competition law perspective
pp 269-284

13 - Copyright on the Internet: consumer copying and collectives
pp 285-311

14 - Coda: fair trade music: letting the light shine in
pp 312-316

Index
pp 317-325

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The Evolution and Equilibrium of Copyright in the Digital Age

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