The Speech-Gesture Complex: Modernism, Theatre, Cinema

Anthony Paraskeva

This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema.

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The Speech-Gesture Complex

Modernism, Theatre, Cinema

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Frontmatter
pp i-iv

Contents
pp v-v

Acknowledgements
pp vi-vi

Introduction
pp 1-37

1 - James Joyce
pp 38-87

2 - Wyndham Lewis
pp 88-131

3 - The Transition to Sound
pp 132-161

4 - Samuel Beckett
pp 162-171

Bibliography
pp 172-191

Index
pp 192-199

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The Speech-Gesture Complex

Modernism, Theatre, Cinema

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