Secondary Sources
Abulafia, David. (2008). The Discovery of Mankind. New Haven, CT: Yale University Press.
Ådahl, Karin. (2006). The Sultan’s Procession: The Swedish Embassy to Sultan Mehmed IV in 1657–1658 and the Rålamb Paintings. Istanbul: Swedish Research Institute in Istanbul.
Adshead, S. A. M. (1993). Central Asia in World History. London: Palgrave Macmillan.
Alfonso, Luis U. (2016). ‘Patterns of Artistic Hybridization in the Early Protoglobalization Period’. Journal of World History 27: 215–53.
Ambrosini, Federica. (1981). ‘“Descrittioni del mondo” nelle case venete del XVI e XVII secolo’. Archivio Veneto 5(11): 67–79.
Massari, Ambrosini, Maria, Anna. (2017). ‘Roncalli, Cristoforo, detto Pomarancio’. In Dizionario Biografico degli Italiani. Rome: Ad vocem: 88.
Arbel, Benjamin. (1996). ‘Colonie d’Oltremare’. In Tenenti, Alberti and Tucci, Ugo, eds. Storia di Venezia dalle origini alla caduta della Serenissima, vol. V: Il Rinascimento. Società ed economia. Rome: Istituto della Enciclopedia Italiana: 947–85.
Arbel, Benjamin . (2013). ‘Venice’s Maritime Empire in the Early Modern Period’. In Dursteler, Eric R., ed. A Companion to Venetian History, 1400–1797. Leiden: Brill: 125–253.
Berry, Mary Elisabeth. (2006). Japan in Print: Information and Nation in the Early Modern Period. Los Angeles: University of California Press.
Bertelli, Sergio. (2004). Trittico: Lucca, Ragusa, Boston: Tre città mercantili tra Cinque e Seicento. Roma: Donzelli.
Bizoni, Bernardo. (1942). Europa Milleseicentosei, Anna Banti, ed. Milano-Roma: Rizzoli.
Blanc, Odile (1995). ‘Images du monde et portraits d’habits: Les recueils de costumes à la Renaissance’. Bulletin du bibliophile 2: 221–61.
Bleichmar, Daniela. (2011). ‘Seeing the World in a Room: Looking at Exotica in Early Modern Collections’. In Bleichmar, Daniela and Mancall, Peter C., eds. Collecting across Cultures. Philadelphia: Pennsylvania University Press: 15–30.
Bleichmar, Daniela, and Mancall, Peter C. (eds.). (2011). Collecting across Cultures. Philadelphia: Pennsylvania University Press.
Born, Robert. (2011). Mapping Transylvania As a Multiethnic and Multiconfessional Region in Costume Books (17th–19th Centuries). In Constanta Vintila-Ghitulescu, , ed. From Traditional Attire to Modern Dress. Newcastle: Cambridge Scholars: 52–82.
Boscaro, Adriana. (1973). Sixteenth-Century European Printed Works on the First Japanese Mission to Europe: A Descriptive Bibliography. Leiden: Brill.
Boscaro, Adriana. (2008). Ventura e sventura dei Gesuiti in Giappone (1549–1639). Venice: Libreria Editrice Cafoscarina.
Boxer, Charles S. (1951). The Christian Century in Japan, 1549–1650. Berkeley: University of California Press.
Brafman, David. (2009). ‘Facing East: The Western View of Islam in Nicolas de Nicolay’s “Travels in Turkey”’. Getty Research Journal 1:153–60.
Brook, Timothy. (2008). Vermeer’s Hat: The Seventeenth Century and the Dawn of the Global World. New York: Bloomsbury Press.
Brosius, Christiane, and Wenzlhuemer, Roland (eds.). (2011). Transcultural Turbulences. Toward a Multi-Sited Reading of Image Flows, Berlin Heidelberg, 2011: Introduction, 3–24
Brown, Judith. (1994). ‘Courtiers and Christians: The First Japanese Emissaries to Europe’, Renaissance Quarterly 47: 872–906.
Burke, Peter. (2016). Hybrid Renaissance: Culture, Language, Architecture. Budapest: Central European University Press.
Burton, Antoinette. (2012). ‘The Body in/as World History’. In Northrop, Douglas ed., A Companion to World History. Oxford: Oxford University Press: 272–84.
Bury, Michael. (2001). The Print in Italy: 1550–1620. London: British Museum Press.
Calvi, Giulia. (2011). Across Three Empires: Balkan Costumes in XVI Century Europe. In Vintila-Ghitulescu, Constanta, ed., From Traditional Attire to Modern Dress: Modes of Identification, Modes of Recognition in the Balkans (XVIth–XXth Centuries). Newcastle: Cambridge Scholars: 29–51.
Calvi, Giulia. (2017). ‘Cultures of Space: Costume Books, Maps and Clothing between Europe and Japan (Sixteenth through Nineteenth Centuries)’, I Tatti Studies in the Italian Renaissance 20, 2: 331–63.
Calvi, Giulia, and Sebastiani, Silvia (eds.). (2013), ‘La Querelle des corps. Acceptions et pratiques dans la formation des sociétés européennes’, L’Atelier du Centre de Recherches historiques 11 ‘Introduction’. http://acrh.revues.org/5291 Campbell, Caroline, and Chong, Alan. (2005). Bellini and the East. London: National Gallery Company.
Cardini, Chiara, ed. (2001). La porta d’Oriente. Lettere di Pietro della Valle: Istanbul 1614. Roma: Città Nuova.
Cavalcaselle, Giovanni Battista. (1878). Tiziano, la sua vita e i suoi tempi. Firenze: Le Monnier.
Chartier, Roger. (2001). ‘La conscience de la globalité (commentaire)’. Annales: Histoire, Sciences Sociales 56: 119–23.
Chiappini di Sorio, Ileana. (1983). Cristoforo Roncalli detto il Pomarancio. In Zampetti, Pietro, ed. I pittori bergamaschi: dal XIII al XIX secolo, Il Seicento. Bergamo: Bolis.
Cohn, Bernard S. (1996). Colonialism and Its Forms of Knowledge: The British in India. Princeton, NJ: Princeton University Press.
Collaço, Gwendolyn. (2017). ‘Dressing a City’s Demeanour: Ottoman Costume Albums and the Portrayal of Urban Identity in the Early Seventeenth Century’, Textile History 48: 248–67.
Collaço, Gwendolyn. (2018). ‘Albums of Conspicuous Consumption: A Composite Mirror of an 18th-Century Collector’s World’, Journal 18, 6 Albums. www.journal18.org/3089 Conley, Tom. (1987). Early Modern Literature and Cartography: An Overview, in Woodward, David, ed., The History of Cartography, vol. 3, part 1, Cartography in the European Renaissance. Chicago: Chicago University Press: 401, 408–9.
Conte, Tiziana (ed.) (2001). Cesare Vecellio 1521–1601. Belluno: Provincia di Belluno.
Michael, Cooper (ed.). (1971). The Southern Barbarians. Tokyo: Kodansha International.
Cooper, Michael. (2005). The Japanese Mission to Europe, 1582–1590: The Journey of the Four Samurai Boys through Portugal, Spain and Italy. Folkestone: Waterstones.
Cosgrove, Denis. (1992). ‘Mapping New Worlds: Culture and Cartography in Sixteenth Century Venice’, Imago Mundi, 44: 65–89.
Da Costa Kauffman, Thomas. (2004). Towards a Geography of Art. Chicago: University of Chicago Press.
Luigi, De Anna. (1988). Conoscenza e immagine della Finlandia e del Settentrione nella cultura classico/medievale. Turku: Turun yliopisto.
Luigi, De Anna. (1994). Il mito del Nord. Tradizioni classiche e medievali. Napoli: Liguori.
Xavier, De Castro. (2013). ‘Les Premières Cartes du Japon’, in De Castro, X. (ed.), La Découverte du Japon par les Européens (1543–1551). Paris: Chandeigne, 39–93.
Defert, Daniel. (1984). ‘Un genre ethnographique profane au XVIe: les livres d’habits (essai d’ethno-iconographie)’. In Rupp-Eisenreich, Britta, ed. Histoires de l’anthropologie (XVIe–XIXe siécles). Paris: Klincksieck, 25–41.
Dario, Del Puppo. (2011). ‘All the World Is a Book: Italian Renaissance Printing in a Global Perspective’. Textual Cultures 6: 1–22.
Dursteler, Eric R. (2012). ‘Speaking in Tongues: Language and Communication in the Early modern Mediterranean’. Past and Present 217: 47–77.
Elisonas, George E. (2007). ‘Journey to the West’. Japanese Journal of Religious Studies 34: 27–66.
Feci, Simona, Bortolotti, Luca, Bruni, Franco. (2001). Giustiniani, Vincenzo: Dizionario Biografico degli Italiani. Rome, vol.57 ad vocem.
Fetvaci, Emine. (2011). ‘Enriched Narratives and Empowered Images in Seventeenth Century Ottoman Manuscripts’. Ars Orientalis 40: 243–66.
Fetvaci, Emine. (2019). The Album of the World Emperor. Cross-Cultural Collecting and the Art of Album-Making in Seventeenth Century Istanbul. Princeton, NJ: Princeton University Press.
Findlen, Paula. (1994). Possessing Nature: Museums, Collecting and Scientific Culture in Early Modern Italy. Berkeley: University of California Press.
Paula, Findlen (ed.). (2013). Early Modern Things. London: Routledge.
Fischer, Erik, with Bencard, Ernest, J. and Rasmussen, Mikael B. (2009). Melchior Lorck. 4 vols. Copenhagen: Vandkunsten.
Brown, Fortini, Patricia. (2000). ‘Behind the Walls: The Material Culture of Venetian Elites’. In Martin, John and Romano, Dennis, eds. Venice Reconsidered: The History and Civilization of an Italian City-State 1297–1797. Baltimore, MD: Johns Hopkins University Press: 295–338.
Gracia, Frago, Antonio, Juan. (1997). ‘Japonesismos entre Acapulco y Sevilla: sobre biombo, catana y maque’, Boletin de Filologia – Universidad de Chile 26 (1997): 101–18.
Frazer, Elisabeth A. (2018). ‘The Color of the Orient: On Ottoman Costume Albums, European Print Culture and Cross-Cultural Exchange’. In Zanardi, Tara and Clich, Lynda, eds. Visual Typologies From the Early Modern to the Contemporary: Local Practices and Global Contexts. New York: Routledge: 45–59.
Frazer, Elisabeth A. (2020a). The Ottoman Costume Album As Mobile Object and Agent of Contact. In Frazer, Elisabeth A., ed., The Mobility of People and Things in the Early Modern Mediterranean: The Art of Travel. New York: Routledge: 91–114.
Frazer, Elisabeth A. (2020b). ‘Introduction: The Mobility of People and Things in the Early Modern Mediterranean: The Art of Travel’. In Frazer, Elisabeth A. ed., The Mobility of People and Things in the Early Modern Mediterranean: The Art of Travel. New York: Routledge: 1–9.
Gerritsen, Anne, and Giorgio, Riello (eds.). (2016). The Global Lives of Things: The Material Culture of Connections in the Early Modern World. New York: Routledge.
Gil, Juan. (1991). Hidalgos y Samurais, Hispania y Japon en los Siglos XVI y XVII. Madrid: Alianza Universidad.
Gillgren, Peter. (1999). ‘The Artist Olaus Magnus: Vision and Illustration’. In I fratelli Giovanni e Olao Magno: opera e cultura fra due mondi. Atti del Convegno Internazionale Roma-Farfa: Il Calamo: 147–71.
Gluckman, Dale Carolyn, and Sharon, SadakoTakeda (eds.). (1992). When Art Became Fashion: Kosode in Edo-Period Japan. Los Angeles: Weatherhill and Los Angeles County Museum of Art.
Grazioli, Giovanni. (1999). ‘I libri dipinti della raccolta Piloni’. Archivio Storico di Belluno, Feltre e Cadore 70: 213–14.
Greene, Molly. (2000). A Shared World: Christians and Muslims in the Early Modern Mediterranean. Princeton, NJ: Princeton University Press.
Grimes, Katharine I. (2002). ‘Dressing the World: Costume Books and Ornamental Cartography in the Age of Exploration’. In Rodini, Elisabeth and Weaver, Elissa B. eds., A Well Fashioned Image: Clothing and Costume in European Art 1500–1800. Chicago: Smart Museum of Art and University of Chicago Press.
Mese, Guérin Dalle, Jeannine. (1998). L’occhio di Cesare Vecellio. Abiti e costumi esotici nel ‘500. Alessandria: Edizioni dell’Orso.
Dalle, Guérin Mese, Jeannine. (ed.). (2002). Il vestito e la sua immagine. Atti del Convegno. Belluno.
Gurkan, Emrah S. (2015). ‘Mediating Boundaries: Mediterranean Go-Betweens and Cross-confessional Diplomacy in Constantinople, 1500–1600’. Journal of Early Modern History 19: 107–28.
Hanley, Susan B. (1991). ‘Tokugawa Society: Material Culture, Standard of Living and Lifestyles’. In The Cambridge History of Japan, vol. 4. Cambridge: Cambridge University Press: 660–705.
Hanley, Susan B. (1999). Everyday Things in Premodern Japan: The Hidden Legacy of Material Culture. Berkeley: University of California Press.
Harley, John B., and Woodward, David (eds.). (1994). The History of Cartography, Vol. 2, Book 2 Appendix 11.4 ‘Classification of the Namban-Style World Maps’. Chicago: Chicago University Press.
Harley, John B. (2001). The New Nature of Maps: Essays in the History of Cartography. Baltimore, MD: Johns Hopkins University Press.
Haskell, Francis. (1980). Patrons and Painters: A Study in the Relations Between Italian Art and Society in the Baroque. New Haven, CT: Yale University Press.
Headley, John M. (1997). ‘The Sixteenth-Century Venetian Celebration of the Earth’s Total Habitability: The Issue of the Fully Habitable World for Renaissance Europe’. Journal of World History 8: 1–27.
Headley, John M. (2000). ‘Geography and Empire in the Late Renaissance: Botero’s Assignment, Western Universalism, and the Civilizing Process’ Renaissance Quarterly, 53: 1119–55.
Heuer, Christopher P. (2019). Into the White: The Renaissance Arctic and the End of the Image. New York: Zone Books.
Hitzel, Frédéric. (2010). ‘Les ambassades occidentales à Constantinople et la diffusion d’une certaine image de l’Orient’. Comptes rendus des séances de l’Académie del Inscriptions et Belles Lettres, 1: 277–92.
Hodorowich, Liz. (2005). ‘Armchair Travelers and the Venetian Discovery of the World’ Sixteenth Century Studies 36: 1039–62.
Hung-kay-Luk, B. (1977). ‘A Study of Giulio Aleni’s “Chih-fang wai chi’”. Bulletin of the School of Oriental and African Studies. London: University of London: 40, 58–84.
Hunt, Alan. (1996). Governance of the Consuming Passions: A History of Sumptuary Law. Basingstoke: Macmillan.
Ikegami, Eiko. (2005). Bonds of Civility. Cambridge: Cambridge University Press.
Ilg, Ulrike. (2004). ‘The Cultural Significance of Costume Books in Sixteenth Century Europe’. In Richardson, Catherine, ed. Clothing Culture 1350–1650. Aldershot: Ashgate: 29–48.
Jacob, Christian. (1992). L’Empire des Cartes. Approche théorique del la cartographie à travers l’histoire. Paris: Albin Michel.
Jacob, Christian. (2006). The Sovereign Map. Chicago: Chicago University Press.
Jardine, Lisa, and Brotton, Jerry. (2000). Global Interests, Renaissance Art between East and West. Chicago: University of Chicago Press.
Johannesson, Kurt. (1991). The Renaissance of the Goths in Sixteenth Century Sweden: Johannes and Olaus Magnus As Politicians and Historians. Berkeley: University of California Press.
Noriko, Katani. (2010). Studies in Jesuit Art in Japan. PhD dissertation, Princeton University. UMI Number: 3410891
Kato, Naomi (ed.). (2004). Seiyo-Runessansu no Fashon to Seikatu. Tokyo.
Unno, Kazutaka. (1994). ‘Cartography in Japan’. In Harley, Brian S. and David Woodward, eds. The History of Cartography, vol. 2, Cartography in the Traditional East and East Asian Societies. Chicago: University of Chicago Press: 346–477.
Killerby, Kovesi, Katherine. (2002). Sumptuary Law in Italy, 1200–1500. Oxford: Oxford University Press.
Krekich, Barisa. (1997). Dubrovnik: A Mediterranean Urban Society, 1300–1600. Ashgate.
Kundak, Ali Nihat. (2009). An Ottoman Album of Drawings with European Engravings. Thirteenth International Congress of Turkish Art Proceedings, Gerelyes, Géza Dávid-Ibolya, eds. (Budapest, 3–8 September 2007). Budapest: Hungarian National Museum.
Kynan-Wilson, William. (2017). Painted by the Turks Themselves: Reading Peter Mundy Ottoman Costume Album in Context’. In Babaie, S. and Gibson, Mary, eds. The Mercantile Effect: Art and Exchange in the Islamicate World during the 17th and 18th Centuries. London: Ginko Library Art Series.
Leibsohn, Dana, and Peterson, Favrot, Jeanette, (eds.). (2012). Seeing across Cultures in the Early Modern World. London: Routledge.
Lestringant, Frank. (2005). ‘Le volcan des glaces: de l’Histoire du septentrion d’Olaus Magnus aux Histoires prodigieuses de Pierre Boaistuau’. In L’imaginaire du volcan [online]. Rennes: Presses Universitaire de Rennes. http://books.openedition.org/pur/30838 Liddell, Jill. (1989). The Story of the Kimono. New York: Penguin.
Lieberman, Victor. (2009). Strange Parallels: Southeast Asia in Global Context 800–1830, vol. 2. Mainland Mirrors: Europe, Japan, South Asia and the Islands. Cambridge: Cambridge University Press.
Loh, Joseph F. (2013). ‘When Worlds Collide: Art, Cartography, and Japanese Namban World Map Screens’. PhD diss. Columbia University.
Manners, Ian (ed.) (2007). European Cartographies and the Ottoman World 1500–1750. Maps from the Collection of O. J. Sopranos. The Oriental Institute of the University of Chicago: Oriental Institute Museum Publications no. 27.
Sato, Masayuki. (1996). ‘Imagined Peripheries: The World and Its People in Japanese Cartographic Imagination’. Diogenes 173(Spring): 44–63.
Pinto, Mendes, Helena, Maria. (1993). Biombos Namban. Namban Screens. Lisboa: Museu Nacional de Arte Antiga.
Miyoshi, Tadayoshi. (1993). ‘Japanische und europäische Kartographie vom 16.bis zum 19.Jahrhundert’. In Japan und Europa 1543–1929. Berlin: Argon: 37–55.
Moran, J. F. (1993). The Japanese and the Jesuits: Alessandro Valignano in Sixteenth-Century Japan. London: Routledge.
Mukerji, Chandra. (2013). ‘Costume and Character in the Ottoman Empire: Dress As a Social Agent in Nicolay’s Navigations’. In Findlen, Paula, ed. Early Modern Things: Objects and Their Histories, 1500–1800. London: Routledge: 151–69.
Nenzi, Laura. (2008). Excursions in Identity: Travel and the Intersection of Place, Gender, and Status in Edo Japan. Honolulu: University of Hawaii Press.
Newton, Stella M. (1988). The Dress of the Venetians: 1495–1525. London: Scholar Press.
Nordin, Jonas M., and Ojala, Carl-Gosta. (2018). ‘Collecting, Connecting, Constructing: Early Modern Commodification and Globalization of Sami Material Culture’. Journal of Material Culture 23: 58–82.
North, Michael (ed.). (2010). Artistic and Cultural Exchanges between Europe and Asia, 1400–1900: Rethinking Markets, Workshops and Collections. London: Ashgate.
Olian, Jo Anne. (1977). ‘Sixteenth-Century Costume Books’. Costume Society of America 3: 20–48.
Costa, Oliveira e, Paulo, Joao. (2004). ‘Japan, Portugal and the World’. In Murase, Miyeko, ed. Turning Point: Oribe and the Arts in Sixteenth Century Japan. New York: Metropolitan Museum of Art: 50–65.
Hughes, Owen, Diane. (1983). ‘Sumptuary Laws and Social Relations in Renaissance Italy’. In Bossy, John, ed. Disputes and Settlements: Law and Human Relations in the West. Cambridge: Cambridge University Press: 64–99.
Paulicelli, Eugenia. (2008). ‘Mapping the World. The Political Geography of Dress in Cesare Vecellio’s Costume Books’. The Italianist 28: 24–53.
Paulicelli, Eugenia, and Clark, Hazel. (eds.). (2009). The Fabric of Cultures: Fashion, Identity, and Globalization. London: Routledge.
Pedani, Maria Pia. (2010). Venezia porta d’Oriente. Bologna: Il Mulino.
Peirce, Leslie P. (1993). The Imperial Harem: Women and Sovereignty in the Ottoman Empire. New York: Oxford University Press.
Pitelka, Morgan. (2013). ‘The Tokugawa Storehouse: Ieyasu’s Encounters with Things’. In Findlen, Paula, ed. Early Modern Things. London: Routledge: 297–315.
Pratt, Mary Louise. (1992). Imperial Eyes: Travel Writing and Transculturation. London: Routledge.
Proust, Jacques. (1997). L’Europe au prisme du Japon, XVIe–XVIIe siècles. Paris: Albin Michel.
Quataert, Donald. (1997). ‘Clothing Laws, State and Society in the Ottoman Empire, 1720–1829’. International Journal of Middle East Studies 29(3): 403–25.
Raby, Julian. (2007). The Serenissima and the Sublime Porte: Art in the Art of Diplomacy 1453–1600. In Alaoui, Brahim, ed. Venice and the Islamic World 828–1797. New Haven, CT: Yale University Press: 91–139.
Raby, Julian. (2017). ‘Contents & Contexts: Re-viewing the Diez Albums’. In Gonnella, Julia, Weis, Friederike, and Rauch, Christoph (eds.). The Diez Albums: Contexts and Contents. Leiden: Brill: 15–51.
Reichert, Folker E. (1993). ‘Zipangu – Japans Entdeckung im Mittelalter’. In Japan und Europa 1543–1929. Berlin: Argon: 25–36.
Reolon, Giorgio. (2021). Cesare Vecellio. Il Prato.
Riello, Giorgio. (2019). ‘The World in a Book: The Creation of the Global in Sixteenth Century European Costume Books’, Past and Present supplement 14: 281–317.
Riello, Giorgio, and McNeil, Peter (eds.). (2010). The Fashion History Reader: Global Perspectives. London: Routledge.
Romano, Antonella, (2013). ‘La prima storia della Cina. Juan Gonzales de Mendoza fra l’Impero spagnolo e Roma’. Quaderni Storici 142: 89–116.
Ropp, Paul S. (2010). China in World History. New York: Oxford University Press.
Rosenthal, Margaret F. (2007). ‘Fashion, Costume, and Culture in Two Early Modern Illustrated Albums’. In Bonati, Maurizio Rippa and Finucci, Valeria, eds. Mores Italicae: Costume and Life in the Renaissance. Cittadella: Biblos: 79–108.
Rosenthal, Margaret F., and Jones, Ann Rosalind (eds.). (2008). Cesare Vecellio’s Habiti Antichi et Moderni: The Clothing of the Renaissance World. London: Thames & Hudson.
Ross, Andrew C. (1994). A Vision Betrayed: The Jesuits in Japan and China 1542–1742. Edinburgh: Edinburgh University Press.
Ross, Robert. (2008). Clothing: A Global History. Cambridge: Polity Press.
Rothman, Natalie. (2009). ‘Interpreting Dragomans: Boundaries and Crossings in the Early Modern Mediterranean’. Comparative Studies in Society and History 51: 771–800.
Rothman, Natalie. (2012a). Brokering Empire: Trans-imperial Subjects between Venice and Istanbul. New York: Cornell University Press.
Rothman, Natalie. (2012b). ‘Visualizing a Space of Encounter: Intimacy, Alterity, and Trans-imperial Perspective in an Ottoman-Venetian Miniature Album’. Osmanlı Araştırmaları: The Journal of Ottoman Studies 40: 39–80.
Rothman, Natalie. (2021). The Dragoman Renaissance: Diplomatic Interpreters and the Routes of Orientalism. New York: Cornell University Press.
Roxburg, David J. (1995). ‘Heinrich Friedrich von Diez and His Eponymous Albums: Mss. Diez A. Fols. 70–74’, Muqarnas 12: 112–36.
Roxburg, David J. (2001). Prefacing the Image: The Writing of Art History in Sixteenth-Century Iran. Leiden: Brill.
Roxburg, David J. (2005). The Persian Album, 1400–1600: From Dispersal to Collection. New Haven, CT: Yale University Press.
Rublack, Ulinka. (2010). Dressing Up: Cultural Identity in Renaissance Europe. Oxford: Oxford University Press.
Schick, Leslie M. (2004). ‘The Place of Dress in Pre-modern Costume Albums’. In Faroqhi, Suraya and Neumann, Christoph K., eds. Ottoman Costumes: From Textile to Identity. Istanbul: Eren: 97–116.
Schmidt, Benjamin. (2011). ‘Collecting Global Icons: The Case of the Exotic Parasol’. In Bleichmar, Daniela and Mancall, Peter C., eds. Collecting across Cultures. Philadelphia: Pennsylvania University Press: 31–57
Schulz, Juergen. (1987). ‘Maps As Metaphors: Mural Map Cycles of the Italian Renaissance’. In Woodward, David, ed. Art and Cartography: Six Historical Essays. Chicago: Chicago University Press: 97–122.
Screech, Timon. (2002). The Lens within the Heart: The Western Scientific Gaze and Popular Imagery in Later Edo Japan. Honolulu: University of Hawaii Press.
Screech, Timon. (2011). Obtaining Images: Art, Production and Display in Edo Japan. Chicago: University of Chicago Press.
Ayusawa, Shintaro. (1964). ‘Geography and Japanese Knowledge of World Geography’. Monumenta Nipponica, 19:275–94.
Shively, Donald. H. (1964–5). ‘Sumptuary Regulation and Status in Early Tokugawa Japan’. The Harvard Journal of Asiatic Studies 25: 123–64.
Strunck, Christina. (2003). Identità vere e finte nel programma decorativo del palazzo di Bassano. Albani, Domenichino, Tempesta, Castello e Guidotti dipingono per Vincenzo Giustiniani. In Burreca, Agostino, ed. La villa di Vincenzo Giustiniani a Bassano Romano. Rome: Ministero per i Beni e le Attività Culturali, Soprintendenza per i Beni Architettonici per il Paesaggio e per il Patrimonio Storico Artistico e Demo etnoantropologico del Lazio.
Sullivan, Michael. (1989). The Meeting of Eastern and Western Art. Berkeley: University of California Press.
Tagliaferro, G., and Aikema, B. (2009). Le botteghe di Tiziano. Florence: Alinari.
Najiita, Tetsuo. (1987). Visions of Virtue in Tokugawa Japan. Chicago: University of Chicago Press.
Toby, Ronald P. (1998). ‘Imagining and Imaging “Anthropos” in Early Modern Japan’. Visual Anthropology Review 14: 19–44.
Toby, Ronald P. (2001a). ‘Rescuing the Nation from History: The State of the State in Early Modern Japan’. Monumenta Nipponica 56: 127–237.
Toby, Ronald P. (2001b). ‘Three Realms/Myriad Countries: An Ethnography of Other and the Re-bounding of Japan, 1550–1750’. In Chow, Kai Wing, Doak, Kevin Michael, and Poshee, Fu, eds. Constructing Nationhood in Modern East Asia. Ann Arbor: University of Michigan Press.
Todorova, Maria. (1997). Imagining the Balkans. New York: Oxford University Press.
Tracy, James D. (1990). The Rise of Merchant Empires: Long-Distance Trade in the Early Modern World. Cambridge: Cambridge University Press.
Tranberg Hansen, Karen. (2004). ‘The World in Dress: Anthropological Perspectives on Clothing, Fashion and Culture’. Annual Review of Anthropology 33: 69–92.
Traub, Valerie. (2000). ‘Mapping the Global Body’. In Erickson, Peter and Hulse, Clark, eds. Early Modern Visual Culture: Representation, Race and Empire in Renaissance England. Philadelphia: University of Pennsylvania Press: 44–92.
Tremml, Birgit M. (2012). ‘The Global and the Local: Problematic Dynamics of the Triangular Trade in Early Modern Manila’ Journal of World History 23: 555–86.
Tuffal, Jacqueline. (1955). ‘Les recueils de costumes gravés au XVI siècle’. In Actes du I Congres Internationale d’Historie du Costume. Venise: 262–9.
Um, Nancy, and Clark, Leah. (2016). ‘The Art of Diplomacy: Situating Objects and Images in the Early Modern Diplomatic Encounter’. Special issue of Journal of Early Modern History, 20: 1.
Valensi, Lucette. (1987). Venise et la Sublime Porte. Paris: Hachette.
Valensi, Lucette. (1990). ‘The Making of a Political Paradigm: The Ottoman State and Oriental Despotism’. In Grafton, Anthony and Blair, A., eds. The Transmission of Culture in Early Modern Europe. Philadelphia: University of Pennsylvania Press: 173–203.
Michiel, Van Groesen. (2008). The Representations of the Overseas World in the De Bry Collection of Voyages (1590–1634). Leiden: Brill.
Venturi, Lionello. (1957). Bibliotheque Pillone. Paris: Pierre Berès.
Gungwu, Wang. (2008). ‘The China Seas: Becoming an Enlarged Mediterranean’. In Schottenhammer, Angela, ed. The East Asian ‘Mediterranean’: Maritime Crossroads of Culture, Commerce and Human Migration. Wiesbaden: 7–22.
Wigen, Karen. (2010). A Malleable Map. Berkeley: University of California Press.
Wilson, Bronwen. (2004). ‘Reproducing the Contours of Venetian Identity in Sixteenth Century Costume Books’. Studies in Iconography, 25: 221–74.
Wilson, Bronwen. (2005). The World in Venice: Print, the City, and Early Modern Identity. Toronto: University of Toronto Press.
Wilson, Bronwen. (2007). ‘Foggie diverse di vestire de “Turchi”: Turkish Costume Illustration and Cultural Translation’. Journal of Medieval and Early Modern Studies, 37: 99–139.
Wodianka, Stephanie. (2015). ‘Localisation de l’art: conceptions d’une ‘esthétique du froid’ de l’Histoire des Peuples du Nord (Olaus Magnus, 1555) au Tasse (Il Re Torrismondo, 1587)’. Babel. Littératures Plurielles 32: 129–58.
Woodward, David (1996b). Maps As Prints in the Italian Renaissance: Makers, Distributors and Consumers. The 1995 Panizzi Lectures. London: British Library.
Woodward, David. (2007). The Italian Map Trade, 1480–1650, in Woodward, David, ed. The History of Cartography, Vol 3. Cartography in the European Renaissance. Chicago: University of Chicago Press: 779–91
Woolf, Larry. (2002). Venice and the Slavs: The Discovery of Dalmatia in the Age of Enlightenment. Stanford, CA: Stanford University Press.
Yonemoto, Marcia. (2003). Mapping Early Modern Japan. Berkeley: University of California Press.
