Skip to main content Accessibility help
×
  • Cited by 8
    • Show more authors
    • You may already have access via personal or institutional login
    • Select format
    • Publisher:
      Cambridge University Press
      Publication date:
      September 2009
      November 2004
      ISBN:
      9780511481727
      9780521838818
      9780521099165
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.643kg, 320 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.47kg, 324 Pages
    You may already have access via personal or institutional login
  • Selected: Digital
    Add to cart View cart Buy from Cambridge.org

    Book description

    This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, the book surveys a rich literary, operatic and intellectual territory. It offers fresh perspective on the relationships between text and tone in the opera, on the tension between comedy and philosophy and its representation in stage works and on the pastoral mode which the opera uses in subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples.

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    ×

    Contents

    Bibliography
    Abbate, Carolyn, and Parker, Roger. “Dismembering Mozart.” Cambridge Opera Journal 2 (1990): 187–95
    Abert, Hermann. W. A. Mozart. 2 vols. Leipzig: Breitkopf and Härtel, 1919–21
    Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. London: Oxford University Press, 1974
    Allanbrook, Wye Jamison. “Mozart's Happy Endings: A New Look at the ‘Convention’ of the ‘lieto fine’.” Mozart-Jahrbuch 1984–85 (1986): 1–5
    Allanbrook, Wye Jamison.Rhythmic Gesture in Mozart: “Le nozze di Figaro” and “Don Giovanni.” Chicago: University of Chicago Press, 1983
    Angermüller, Rudolph. Antonio Salieri. Sein Leben und seine weltlichen Werke unter besonderer Berücksichtigung seiner ‘großen’ Opern: Teil 3: Dokumente. In Salieri: Dokumente. Schriften zur Musik 18, ed. Walter Kolneder. Munich: Katzbichler, 1972
    Angermüller, Rudolph. “Die Wiener Fassung von Pasquale Anfossis Il curioso indiscreto.” In I vicini di Mozart, ed. M. T. Muraro and David Bryant, 35–98. Florence: Leo S. Olschki, 1989
    Arnold, Ignaz Ferdinand. Mozarts Geist: seine kurze Biographie und ästhetische Darstellung seiner Werke. Ein Bildungsbuch für junge Tonkünstler. Erfurt: In der Henningsschen Buchhandlung, 1803
    Bakhtin, M. M. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington: Indiana University Press, 1984
    Balsano, Maria Antonella. “L'ottava di Così fan tutte.” In Liedstudien: Wolfgang Osthoff zum 60. Geburtstag, ed. Martin Just and Reinhard Wiesend, 279–91. Tutzing: Hans Schneider, 1989
    Borchmeyer, Dieter. “Così fan tutte: ein erotisches Experiment zwischen Materialismus und Empfindsamkeit.” In Studien zur Musikgeschichte: eine Festschrift für Ludwig Finscher, ed. Annegrit Laubenthal, 353–64. Kassel: Bärenreiter, 1995
    Boyle, Nicholas. The Poetry of Desire (1749–1790). Vol. Ⅰ of Goethe: The Poet and the Age. Oxford: Clarendon Press, 1991
    Brandstetter, Gabriele. “So machen's alle: die frühen Übersetzungen von Da Pontes und Mozarts Così fan tutte für deutsche Bühnen.” Die Musikforschung 35, no. 1 (1982): 27–44
    Branscombe, Peter. “Mozart and the Theater of His Time.” In The Mozart Compendium: A Guide to Mozart's Life and Music, ed. H. C. Robbins-Landon, 358–70. New York: Schirmer, 1990
    Bretzner, Christoph Friedrich. Weibertreue, oder die Mädchen sind von Flandern. Leipzig: Friedrich Gotthold Jacobäer, 1794
    Brissenden, R. F. Virtue in Distress: Studies in the Novel of Sentiment from Richardson to Sade. New York: Barnes and Noble, 1974
    Brown, Bruce Alan. W. A. Mozart, “Così fan tutte.” Cambridge Opera Handbooks. Cambridge, UK and New York: Cambridge University Press, 1995
    Brown, Bruce Alan, and Rice, John Arthur. “Salieri's Così fan tutte.” Cambridge Opera Journal 8, no. 1 (1996): 17–43
    Brown, John. Letters upon the Poetry and Music of the Italian Opera: Addressed to a Friend. Edinburgh: Bell & Bradfute, 1789
    Burnham, Scott. “Mozart's felix culpa: Così fan tutte and the Irony of Beauty.” The Musical Quarterly 78 (1994): 77–98
    Campana, Alessandra. “Il libretto de Lo sposo deluso.” Mozart-Jahrbuch 1989–90 (1990): 73–87
    Castelvecchi, Stefano. “Sentimental and Anti-Sentimental in Le nozze di Figaro.” Journal of the American Musicological Society 53, no. 1 (2000): 1–24
    Castelvetro, Lodovico. Poetica d'Aristotele vulgarizzata e sposta. Ed. Werther Romani. Scrittori d'Italia. Rome: G. Laterza, 1978
    Cavell, Stanley. “A Matter of Meaning It.” In Must We Mean What We Say?, 213–37. New York: Scribners, 1969
    Cervantes. The Adventures of Don Quixote. Trans. J. M. Cohen. New York: Penguin, 1950
    Clark, Caryl. “Recall and Reflexivity in Così fan tutte.” In Wolfgang Amadè Mozart: Essays on His Life and His Music, ed. Stanley Sadie, 339–54. New York: Oxford University Press, 1996
    Clark, William H.Wieland and Winckelmann: Saul and the Prophet.” Modern Language Quarterly 17 (1956): 1–16
    Cody, Richard. The Landscape of the Mind: Pastoralism and Platonic Theory in Tasso's “Aminta” and Shakespeare's Early Comedies. Oxford: Clarendon Press, 1969
    Cone, Edward T. The Composer's Voice. Berkeley: University of California Press, 1974
    Cooper, Helen. Pastoral: Mediaeval into Renaissance. Totowa, N. J.: Rowman & Littlefield, 1977
    Csampai, Attila, and Dietmar Holland, eds. “Così fan tutte”: Texte, Materialien, Kommentare. Reinbek bei Hamburg: Rowohlt, 1984
    Curtius, Ernst Robert. European Literature and the Latin Middle Ages. Trans. Willard R. Trask. Bollingen Series 36. Princeton: Princeton University Press, 1973
    Dahlhaus, Carl. “‘Si vis me flere’.” Die Musikforschung 25 (1972): 51–52
    Da Ponte. Memoirs. Trans. Elisabeth Abbott. New York: Orion Press, 1959
    Da Ponte. Memorie; Libretti mozartiani (“Le nozze di Figaro,” “Don Giovanni,” “Così fan tutte”). Milan: Garzanti, 1976
    Darnton, Robert. Mesmerism and the End of the Enlightenment in France. Cambridge, Mass.: Harvard University Press, 1968
    Della Corte, Andrea. Paisiello; con una tavola tematica. Turin: Fratelli Bocca, 1922
    Dent, Edward J. Mozart's Operas: A Critical Study. 2nd edn. London: Oxford University Press, 1945
    Deutsch, Otto Erich. Mozart: A Documentary Biography. Trans. Eric Blom. Stanford: Stanford University Press, 1965
    Diderot, Denis. Le paradoxe sur le comédien. Vol. ⅩⅩ of Œuvres complètes. Paris: Hermann, 1995
    Eco, Umberto. “The Frames of Comic ‘Freedom’.” In Carnival !, ed. Thomas Albert Sebeok. Approaches to Semiotics 64, 1–9. New York: Mouton Publishers, 1984
    Eco, Umberto. The Name of the Rose. Trans. William Weaver. New York: Harcourt, Brace, Jovanovich, 1983
    Edge, Dexter. “Mozart's Fee for Così fan tutte.” Journal of the Royal Musical Association 116, no. 2 (November 1991): 211–35
    Edge, Dexter. “Mozart's Reception in Vienna, 1787–1791.” In Wolfgang Amadè Mozart: Essays on His Life and His Music, ed. Stanley Sadie, 66–117. New York: Oxford University Press, 1996
    Einstein, Alfred. Mozart: His Character, His Work. Trans. Arthur Mendel and Nathan Broder. New York: Oxford University Press, 1945
    Emery, Ted A.Goldoni's Pamela from Play to Libretto.” Italica 64 (1987): 572–82
    Empson, William. Some Versions of Pastoral. [Norfolk, Conn.], 1950
    Ettin, Andrew V. Literature and the Pastoral. New Haven: Yale University Press, 1984
    Farkas, Márta. “Paisiello: I filosofi immaginari.” Studia Musicologica 9 (1967): 301–42
    Farnsworth, Rodney. “Così fan tutte as Parody and Burlesque.” Opera Quarterly 6, no. 2 (Winter 1988–89): 50–68
    Ford, Charles C. Così? Sexual Politics in Mozart's Italian Comedies. New York: St. Martin's Press, 1991
    Fowler, Alastair. Kinds of Literature: An Introduction to the Theory of Genres and Modes. Cambridge, Mass.: Harvard University Press, 1982
    Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley and Los Angeles: University of California Press, 1979
    Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton: Princeton University Press, 1957
    Frye, Northrop. “Varieties of Eighteenth-Century Sensibility.” Eighteenth-Century Studies 24, no. 2 (1990–91): 157–72
    Fussell, Paul. “On the Persistence of Pastoral.” In Thank God for the Atom Bomb and Other Essays, 147–71. New York: Summit Books, 1988
    Galiani, Ferdinando. Correspondance inédite de l'abbé Ferdinand Galiani, conseiller du Roi de Naples, avec Mme d'Épinay, le baron d'Holbach, le baron de Grimm, et autres personnages célèbres du ⅩⅧe siècle. 2 vols. Paris: Treuttel and Würtz, 1818
    Gallarati, Paolo. “Mozart and Eighteenth-Century Comedy.” In Opera buffa in Mozart's Vienna, ed. Mary Hunter and James Webster, 98–111. Cambridge: Cambridge University Press, 1997
    Geuss, Raymond. Morality, Culture, and History: Essays on German Philosophy. New York: Cambridge University Press, 1999s
    Gloede, Wilhelm. “Die Ouvertüre zu ‘Così fan tutte’.” Mitteilungen der Internationalen Stiftung Mozarteum 32 (1984): 35–50
    Goethe, Johann Wolfgang von. “Über Wahrheit und Wahrscheinlichkeit der Kunstwerke.” In Wirkungen der Französischen Revolution, 1791–1797. Vol. Ⅳ.2 of Sämtliche Werke nach Epochen seines Schaffens, Münchner Ausgabe, ed. Karl Richter, 89–95. Munich: Carl Hanser, 1986
    Goldin, Daniela. “Mozart, da Ponte e il linguaggio dell' opera buffa.” In La vera fenice: librettisti e libretti tra Sette e Ottocento, 213–77. Turin: Piccola Biblioteca Ernandi, 1985
    Goldoni, Carlo. Tutte le opere di Carlo Goldoni. 14 vols. Milan: A. Mondadori, 1952
    Gombrich, E. H.CosÍ fan tutte (Procris Included).” Journal of the Warburg and Courtauld Institutes 17 (1954): 372–74
    Gosse, Edmund W. “Essay on English Pastoral Poetry.” In The Complete Works in Verse and Prose of Edmund Spenser, ed. Alexander Balloch Grosart, Ⅹ:ⅹⅽ–ⅹⅽⅷ. London: Hazell, Watson, and Viney, 1882
    Greene, E. J. H. Marivaux. University of Toronto Romance Series 9. Toronto: University of Toronto Press, 1965
    Guarini, Battista. “Il compendio della poesia tragicomica.” In Il pastor fido e Il compendio della poesia tragicomica, ed. Gioachino Brognoligo. Bari: G. Laterza, 1914
    Gugitz, Gustav, ed. Denkwürdigkeiten des Venezianers Lorenzo Da Ponte. 3 vols. Dresden: Paul Aretz, 1924
    Gurewitch, Morton L. Comedy: The Irrational Vision. Ithaca: Cornell University Press, 1975
    Hadamowsky, Franz. Die Wiener Hoftheater (Staatstheater) 1776–1966. Verzeichnis der aufgeführten Stücke mit Bestandnachweis und täglichen Spielplan. Vienna: Prachner, 1966
    Halperin, David M. Before Pastoral: Theocritus and the Ancient Tradition of Bucolic Poetry. New Haven: Yale University Press, 1983
    Heartz, Daniel. Mozart's Operas. Ed. Thomas Bauman. Berkeley: University of California Press, 1990
    Hederich, Benjamin. Gründliches mythologisches Lexicon. 2 vols. Leipzig: In Gleditschens Handlung, 1770
    Hildesheimer, Wolfgang. Mozart. Trans. Marion Faber. New York: Farrar, Strauss, Giroux, 1982
    Hobbes, Thomas. Leviathan. Vol. Ⅳ of The English Works of Thomas Hobbes of Malmesbury. Ed. William Molesworth. London: John Bohn, 1839. Reprint, Darmstadt: Scientia Verlag Aalen, 1966
    Hoboken, Anthony van. Joseph Haydn: thematisch-bibliographisches Werkverzeichnis. Mainz: B. Schotts Söhne, 1957
    Hoffmann, E. T. A. Die Serapions-Brüder. Vol. Ⅳ of Sämtliche Werke in sechs Bänden. Ed. Wulf Segebrecht and Hartmut Steinecke. Frankfurt: Deutscher Klassiker Verlag, 2001
    Hortschansky, Klaus. “Gegen Unwahrscheinlichkeit und Frivolität: die Bearbeitungen im 19. Jahrhundert.” In Cosi fan tutte: Beiträge zur Wirkungsgeschichte von Mozarts Oper, ed. Susanne Vill, 54–66. Bayreuth: Mühlscher Universitätsverlag, 1978
    Hunter, Mary Kathleen. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment. Princeton: Princeton University Press, 1999
    Hunter, Mary Kathleen. “Some Representations of Opera Seria in Opera Buffa.” Cambridge Opera Journal 3 (1991): 89–108
    Jahn, Otto. W. A. Mozart. 2nd edn. 2 vols. Leipzig: Breitkopf and Härtel, 1867
    Jehle, Patrick S. “‘Colored Nothingness’: Time, Space, and the Problem of Existence in Vladimir Nabokov's Ada.” Senior essay, University of Notre Dame, 2000
    Johnson, Samuel. The Lives of the English Poets. 2 vols. London: Dove, 1826
    Kerman, Joseph. “The Miracle Worker.” The New York Review of Books 47, no. 5 (23 March 2000): 32–35
    Kerman, Joseph. Opera as Drama. 2nd edn. Berkeley: University of California Press, 1988
    Kohlschmidt, Werner. A History of German Literature. Trans. Ian Hilton. New York: Holmes & Meier, 1975
    Kramer, Kurt. “Da Ponte's Così fan tutte.” Nachrichten der Akademie der Wissenschaften in Göttingen I. Philologisch-historische Klasse (1973): 1–27
    Kramer, Roswitha. Marivaux' Romane in Deutschland: ein Beitrag zur Rezeption des französischen Romans in Deutschland im 18. Jahrhundert. Studia Romanica 29. Heidelberg: Carl Winter Universitätsverlag, 1976
    Kritsch, Cornelia, and Herbert Zeman. “Das Rätsel eines genialen Opernentwurfs — Da Pontes Libretto zu Così fan tutte und das literarische Umfeld des 18. Jahrhunderts.” In Die österreichische Literatur: ihr Profil an der Wende vom 18. zum 19. Jahrhundert (1750–1830), Teil Ⅰ, ed. Herbert Zeman, 355–77. Graz: Akademische Druck- und Verlagsanstalt, 1979
    Kunze, Stefan. Don Giovanni vor Mozart: die Tradition der Don-Giovanni-Opern im italienischen Buffa-Theater des 18. Jahrhunderts. Münchener Universitäts-Schriften, Reihe der philosophischen Fakultät, 10. Munich: Wilhelm Fink Verlag, 1972
    Kunze, Stefan. Mozarts Opern. Stuttgart: Reclam, 1984
    Kunze, Stefan. “Schein und Sein in Mozarts Ouvertüre zu Così fan tutte.” Schweizer Jahrbuch für Musikwissenschaft, Neue Folge 3 (1983): 65–78
    Kunze, Stefan. “Über das Verhältnis von musikalisch autonomer Struktur und Textbau in Mozarts Opern: das Terzettino ‘Soave sia il vento’ (Nr. 10) aus Così fan tutte.” Mozart-Jahrbuch 1973–74 (1975): 217–32
    Kurth-Voigt, Lieselotte E. Perspectives and Points of View: The Early Works of Wieland and Their Background. Baltimore: Johns Hopkins University Press, 1974
    Lamb, Charles. “On the Artificial Comedy of the Last Century.” In The Essays of Elia and the Last Essays of Elia, ed. Thomas Hutchinson, 205–14. London: Oxford University Press, 1951
    Lange, Friedrich Albert. The History of Materialism. Trans. Ernest Chester Thomas, 1879–81. 3 vols. in 1. Reprint, New York: Arno Press, 1974
    Lange, Victor. The Classical Age of German Literature, 1740–1815. New York: Holmes & Meier, 1982
    Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd edn. Berkeley: University of California Press, 1991
    Lavater, Johann Caspar. Physiognomische Fragmente zur Beförderung der Menschenkenntnis und Menschenliebe. 4 vols. Leipzig: Weidmanns Erben and Reich, 1775–78. Reprint, Zurich: Orell Füssli, 1968–69
    Lea, Kathleen. Italian Popular Comedy: A Study of the Commedia dell'arte, 1560–1670, with Special Reference to the English Stage. 2 vols. New York: Russell & Russell, 1962
    Lempriere, J. Bibliotheca Classica. 15th American edn. Revised by Lorenzo Da Ponte and John D. Ogilby. New York: W. E. Dean, 1851
    Leopold, Silke. “Madrigali sulle egloghe sdrucciole di Iacopo Sannazaro: struttura poetica e forma musicale.” Rivista italiana di musicologia 14, no. 1 (1979): 75–127
    Lerner, Laurence. The Uses of Nostalgia: Studies in Pastoral Poetry. London: Chatto & Windus, 1972
    Link, Dorothea. “L'arbore di Diana: A Model for Così fan tutte.” In Wolfgang Amadè Mozart: Essays on His Life and His Music, ed. Stanley Sadie, 362–73. New York: Oxford University Press, 1996
    Link, Dorothea. “Così fan tutte: Dorabella and Amore.” Mozart-Jahrbuch 1991 (1992): 888–94
    Link, Dorothea. “The Da Ponte operas of Vicente Martín y Soler.” Ph.D. Diss., University of Toronto, 1991
    Link, Dorothea. The National Court Theatre in Mozart's Vienna: Sources and Documents 1783–1792. New York: Oxford University Press, 1998
    Loughrey, Bryan, ed. The Pastoral Mode. London: Macmillan, 1984
    Lucretius. The Way Things Are. Trans. Rolfe Humphries. Bloomington: Indiana University Press, 1969
    Marmontel, Jean François. Contes Moraux. 6 vols. in 3. Paris: Au Bureau des Éditeurs, 1829
    Marshall, David. The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Mary Shelley. Chicago: University of Chicago Press, 1988
    Mattheson, Johann. Der vollkommene Capellmeister. Hamburg: Christian Herold, 1739. Reprint, Kassel: Bärenreiter, 1987
    Michtner, Otto. Das alte Burgtheater als Opernbühne. Von der Einführung des deutschen Singspiels (1778) bis zum Tod Kaiser Leopolds Ⅱ (1792). Theatergeschichte Österreichs 3: Vienna, Part 1. Vienna: Hermann Böhlaus, 1970
    Minturno, Antonio Sebastiano. L'arte poetica. [Venice]: Gio. Andrea Valvassori, 1564
    Mitchell, Donald. “The Truth about ‘CosÍ’.” In A Tribute to Benjamin Britten on His Fiftieth Birthday, ed. Anthony Gishford, 95–99. London: Faber and Faber, 1983
    Mozart, Wolfgang Amadeus. Così fan tutte, ossia, La scuola degli amanti. Ed. Faye Ferguson and Wolfgang Rehm. Neue Mozart-Ausgabe 2/5/18. 2 vols. New York: Bärenreiter, 1991
    Nicoll, Allardyce. The World of Harlequin: A Critical Study of the Commedia dell'arte. New York: Cambridge University Press, 1963
    Niemetschek, Franz Xaver. Ich kannte Mozart: Leben des k.k. Kapellmeisters Wolfgang Gottlieb Mozart nach Originalquellen beschrieben. Ed. Jost Perfahl. Prague: In der Herrlischen Buchhandlung, 1789. Reprint, Munich: Bibliothek zeitgenössischer Literatur, 1984
    Nissen, Georg Nikolaus von. Biographie W. A. Mozarts. Leipzig: Breitkopf and Härtel, 1828. Reprint, New York: Georg Olms Verlag, 1984
    Norton, Robert E. The Beautiful Soul: Aesthetic Morality in the Eighteenth Century. Ithaca: Cornell University Press, 1995
    Ovid. Heroides and Amores. Trans. Grant Showerman. Cambridge, Mass.: Harvard University Press, 1947
    Perella, Nicolas James. The Critical Fortune of Battista Guarini's “Il pastor fido.” Biblioteca dell' Archivum Romanicum. Florence: Olschki, 1973
    Pistocchi, Francesco Antonio. Le visa di Democrito. Vienna, 1700
    Platoff, John. “The Buffa Aria in Mozart's Vienna.” Cambridge Opera Journal 2 (1990): 99–120
    Platoff, John. “A New History for Martín's Una cosa rara.” Journal of Musicology 12, no. 1 (Winter 1994): 85–115
    Platoff, John. “Tonal Organization in the opera buffa of Mozart's Time.” In Mozart Studies 2, ed. Cliff Eisen, 139–74. New York: Clarendon Press, 1997
    Poggioli, Renato. The Oaten Flute: Essays on Pastoral Poetry and the Pastoral Ideal. Cambridge, Mass.: Harvard University Press, 1975
    Price, Lawrence Mardsen. The Vogue of Marmontel on the German Stage. University of California Publications in Modern Philology 27, no. 2, pp. 27–124. Berkeley: University of California Press, 1944
    Puntscher-Riekmann, Sonja. Mozart, ein bürgerlicher Künstler: Studien zu den Libretti “Le nozze di Figaro,” “Don Giovanni” und “Così fan tutte.” Vienna: Böhlau, 1982
    Ratner, Leonard. Classic Music: Expression, Form, and Style. New York: Schirmer Books, 1980
    Rice, John A. Antonio Salieri and Viennese Opera. Chicago: University of Chicago Press, 1998
    Richards, Kenneth, and Laura Richards. The “Commedia dell'arte”: A Documentary History. Oxford, UK and Cambridge, Mass.: Basil Blackwell, 1990
    Robinson, Michael F. Giovanni Paisiello, a Thematic Catalogue of His Works. 2 vols. Stuyvesant, N.Y.: Pendragon Press, 1991
    Rochlitz, Friedrich. “Noch einige Kleinigkeiten aus Mozarts Leben.” Allgemeine musikalische Zeitung 3, no. 35 (27 May 1801): cols. 590–6
    Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. Expanded edn. New York: W. W. Norton, 1997
    Rosenmeyer, Thomas G. The Green Cabinet: Theocritus and the European Pastoral Lyric. Berkeley: University of California Press, 1969
    Scherillo, Michele. L'opera buffa napoletana durante il settecento: storia letteraria. [Milan]: R. Sandron, 1916
    Schiller, Friedrich. Über naive und sentimentalische Dichtung. Vol. ⅩⅩ of Schillers Werke: Nationalausgabe. Ed. Julius Petersen. Weimar: Böhlaus, 1962
    Smith, Adam. Essays on Philosophical Subjects. Ed. W. P. D. Wightman and J. C. Bryce. Glasgow Edition of the Works and Correspondence of Adam Smith. Oxford: Clarendon Press, 1980
    Smith, Patrick J. The Tenth Muse: A Historical Study of the Opera Libretto. New York: Alfred A. Knopf, 1970
    Sonneck, Oscar George Theodore. Catalogue of Opera Librettos Printed before 1800. Bibliography & Reference Series 110. New York: Burt Franklin, 1914. Reprint, Washington, 1967
    Splitt, Gerhard. “Gespielte Aufklärung: Così fan tutte oder die Umkehrung der Moral.” Freiburger Universitätsblätter 101 (1988): 47–71
    Splitt, Gerhard. “‘Herzensnotwendigkeit’ als ‘Naturgesetz’: Così fan tutte und die Spätaufklärung in Wien.” In Internationaler musikwissenschaftlicher Kongress zum Mozartjahr 1991, Baden-Wien, 933–42. Tutzing: Schneider, 1993
    Steptoe, Andrew. The Mozart—Da Ponte Operas. Oxford: Clarendon Press, 1988
    Tasso, Torquato. La Cavaletta o vero de la poesia toscana. Vol. Ⅱ of Dialoghi. Ed. Ezio Raimondi, 611–68. Florence: G. C. Sansoni, 1958
    Tasso, Torquato. “Il Minturno overo de la bellezza.” In Opere, ed. Bruno Maier, V:389–415. Milan: Rizzoli, 1965
    Till, Nicholas. Mozart and the Enlightenment: Truth, Virtue, and Beauty in Mozart's Operas. New York: W. W. Norton, 1995
    Trilling, Lionel. Sincerity and Authenticity. Cambridge, Mass.: Harvard University Press, 1972
    Trissino, Giovanni Giorgio. La poetica. Poetiken des Cinquecento 25. Venice: A. Arriuabene, 1562. Reprint, Munich: Wilhelm Fink, 1969
    Tyson, Alan. Mozart: Studies of the Autograph Scores. Cambridge, Mass.: Harvard University Press, 1987
    Verri, Pietro. “La Commedia.” In Da “Il Caffè,” ed. Luigi Collinì, 20–26. Turin: UTET, 1930
    Vill, Susanne, ed. CosÍ fan tutte: Beiträge zur Wirkungsgeschichte von Mozarts Oper. Bayreuth: Mühlscher Universitätsverlag, 1978
    Voßler, Karl. “Tassos Aminta und die Hirtendichtung.” Studien zur vergleichenden Literaturgeschichte 6 (1906): 26–40
    Wade, Ira Owen. The “Philosophe” in the French Drama of the Eighteenth Century. Princeton: Princeton University Press, 1926
    Wagner, Richard. Oper und Drama. Vol. Ⅲ of Gesammelte Schriften und Dichtungen. Leipzig: E. W. Fritzsch, 1871
    Wasserman, Earl R.The Sympathetic Imagination in Eighteenth-Century Theories of Acting.” Journal of English and Germanic Philology 46, no. 3 (1947): 264–72
    Webster, James. “The Analysis of Mozart's Arias.” Mozart Studies 1 (1991): 101–99
    Wheelock, Gretchen A. Haydn's Ingenious Jesting with Art: Contexts of Musical Wit and Humor. New York: Schirmer, 1992
    Wieland, Christoph Martin. Werke. 5 vols. Munich: Carl Hanser Verlag, 1965
    Wienhold, Hanns, and Eberhard Hüppe. “Così fan tutte oder die hohe Kunst der Konvention.” In Mozart, die Da Ponte-Opern, ed. Heinz-Klaus Metzger and Rainer Riehn, 293–321. Munich: Edition Text + Kritik, 1991
    Williams, Bernard. “Passion and Cynicism: Remarks on ‘Così’.” Musical Times 114 (1973): 361–64
    Winkler, Klaus. “Alter und neuer Musikstil im Streit zwischen den Berlinern und Wienern zur Zeit der Frühklassik.” Die Musikforschung 33 (1980): 37–45

    Metrics

    Altmetric attention score

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.