This book explores, through medieval literature, modern poetry, and theologies both medieval and modern, the ways in which bodies, very much including literary bodies, may become apparent as more than they at first had seemed. Transfiguration, traditionally understood as the revelation of divinity in community, becomes for this book a figure for those splendours, mundane as much as divine, that wait within the read, lived, and loved world. The riddle of the body, which is to say the deep and superficial mystery of its pleasures and complications, invites a kind of patience, as medieval and modern languages reach toward, and break away from, something at their deepest centre and on their barest surface. By bringing together medieval sources with lyric medievalism, this book argues for the porousness of time and flesh. In this way, Augustine, Cassian, Bernard of Clairvaux, Dante, Boccaccio, and the heroes of Old French narrative, no more or less than their modern lyric counterparts, come to light in new and newly complicated ways. They become, in a word, transfigured.
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