Understanding Cinema: A Psychological Theory of Moving Imagery

Per Persson

doi:10.1017/CBO9780511497735

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Understanding Cinema

A Psychological Theory of Moving Imagery

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Contents

Frontmatter
pp i-iv

Contents
pp v-viii

List of Illustrations
pp ix-x

Preface and Acknowledgments
pp xi-xii

Understanding Cinema
pp xiii-xiv

1 - Understanding and Dispositions
pp 1-45

2 - Understanding Point-of-View Editing
pp 46-100

3 - Variable Framing and Personal Space
pp 101-142

4 - Character Psychology and Mental Attribution
pp 143-246

5 - The Case for a Psychological Theory of Cinema
pp 247-250

Notes
pp 251-260

References
pp 261-276

Index
pp 277-281

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