Contents

pp iii-iv

Acknowledgements

pp v-vi

Contributors

pp vii-ix

Abbreviations

pp x-x

Introduction

pp 1-14

PART ONE - Self and Identity

pp 15-16

1 - ‘I am fast locked up’, Janus and Miss Jan: Virginia Woolf's 1897 Journal as Threshold Text

pp 17-33

2 - Elusive Encounters: Seeking out Virginia Woolf in Her Commemorative House Museum

pp 34-48

PART TWO - Language and Translation

pp 49-50

3 - ‘Can I Help You?’: Virginia Woolf, Viola Tree, and the Hogarth Press

pp 51-71

4 - Bilinguals and Bioptics: Virginia Woolf and the Outlandishness of Translation

pp 72-90

PART THREE - Culture and Commodification

pp 91-92

5 - ‘Unity – Dispersity’: Virginia Woolf and the Contradictory Motif of the Motor-car

pp 93-110

6 - ‘Am I a Jew?’: Woolf's 1930s Political and Economic Peregrinations

pp 111-128

PART FOUR - Human, Animal, and Nonhuman

pp 129-130

7 - The Bispecies Environment, Coevolution, and Flush

pp 131-147

8 - Posthumanist Interludes: Ecology and Ethology in The Waves

pp 148-166

PART FIVE - Genders, Sexualities, and Multiplicities

pp 167-168

9 - Indecency: Jacob's Room, Modernist Homosexuality, and the Culture of War

pp 169-186

10 - Multiple Anonymities: Resonances of Fielding's The Female Husband in Orlando and A Room of One's Own

pp 187-204

11 - Two-Spirits and Gender Variance in Virginia Woolf's Orlando and Louise Erdrich's The Last Report on the Miracles at Little No Horse

pp 205-222

Index

pp 223-230