Contents

pp v-vi

Introduction

pp vii-xii

Acknowledgments

pp xiii-xiii

List of Abbreviations

pp xiv-xiv

KEYNOTES

pp 1-1

Pausing, Waiting, Repeating: Urban Temporality in Mrs. Dalloway and The Years

pp 2-16

The Years, Street Music, and Acoustic Space (Abstract of Plenary Address)

pp 17-17

“You then”: Three Guineas, the Spanish Civil War, and the Challenge of Total War (Abstract of Plenary Address)

pp 18-18

NAVIGATING LONDON

pp 19-19

Imagining Flânerie Beyond Anthropocentrism: Virginia Woolf, the London Archipelago, and City Tortoises

pp 20-30

Public Transport in Woolf's City Novels: The London Omnibus

pp 31-39

Virginia Woolf Underground

pp 40-46

”Street Haunting,” Commodity Culture, and the Woman Artist

pp 47-54

A City in the Archives: Virginia Woolf and the Statues of London

pp 55-62

SPATIAL PERCEPTIONS AND THE CITYSCAPE

pp 63-63

Queering London: Virginia Woolf and the Politics of Perception

pp 64-70

Reconfigured Terrain: Aural Architecture in Jacob's Room and The Years

pp 71-76

“Dark pours over the outlines of houses and towers”: Virginia Woolf's Prismatic Poetics of Space

pp 77-86

REGARDING OTHERS

pp 87-87

Woolf and the Falling Man

pp 88-94

“How Strange”: Affective and Evaluative Uncertainty in Mrs. Dalloway

pp 95-103

Cosmopolitanism From Below in Mrs. Dalloway and “Street Haunting”

pp 104-110

THE LITERARY PUBLIC SPHERE

pp 111-111

The Bestseller and the City: Flush, The Barretts of Wimpole Street, and Cultural Hierarchies

pp 112-119

To “make that country our own country”: The Years, Novelistic Historiography, and the 1930s

pp 120-129

Between Public and Private Acts: Woolf's Anti-Fascist Strategies

pp 130-135

Metropolis Unbound: Virginia Woolf's Heterotopian Utopian Impulse

pp 136-142

New World Archives: Scattered Seeds of a New Scholarship

pp 143-152

BORDER CROSSINGS AND LIMINAL LANDSCAPES

pp 153-153