The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance and futility. Crossing conventional disciplinary boundaries, Colin Kidd excavates Casaubon's hinterland, and illuminates the fierce ideological war which raged over the use of pagan myths to defend Christianity from the existential threat posed by radical Enlightenment criticism. Notwithstanding Eliot's portrayal of Casaubon, Anglican mythographers were far from unworldly, and actively rebutted the radical freethinking associated with the Enlightenment and French Revolution. Orientalism was a major theatre in this ideological conflict, and mythography also played an indirect but influential role in framing the new science of anthropology. The World of Mr Casaubon is rich in interdisciplinary twists and ironies, and paints a vivid picture of the intellectual world of eighteenth- and nineteenth-century Britain.

'Behind this excellent study of the history of mythography in Britain lies an ingenious starting point: the 'hobby horse' of George Eliot's dried-up pedant and seeker of the 'Key to All Mythologies' in Middlemarch the Revd Edward Casaubon … Colin Kidd's achievement is to have made an impressively wide-ranging and readable contribution to the immensely complex history of the subject that caught the Revd Edward Casaubon in its net.'

Rosemary Ashton Source: The Times Literary Supplement

‘Kidd’s sprightly style can breathe life into apparently dead disputes. He makes a particularly touching case for Jacob Bryant, whose hefty A New System of Ancient Mythology (1774–76) was the closest thing to a prototype of Casaubon’s project.’

Rosemary Hill Source: The Guardian

'The World of Mr Casaubon is an important insight into an early modern and nineteenth-century intellectual tradition - and a valuable explanation of why Eliot wished to give this tradition such a bruising.'

Richard Fallon Source: The British Society for Literature and Science