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Why are Latin Americans increasingly disillusioned with democracy, even as the region has made social progress? This book examines the paradox of widespread political discontent amid improvements in poverty reduction, education, and expanded rights. It shows how rising expectations and broken promises have generated social frustration and political reactions, which take two different forms: they can target all political elites (vertical discontent) or focus on opposing political coalitions (horizontal discontent). Each form poses unique challenges for democracy. Bringing together leading scholars in sociology and political science from Latin America and the United States, the volume offers a multidisciplinary and comparative perspective on the drivers of democratic erosion. Drawing on empirical case studies and a shared analytical framework, the book sheds light on the tensions between democratic aspirations and lived experiences, making it a valuable resource for understanding the forces reshaping Latin America's political landscape and the broader erosion of democracy.
Seeds of Solidarity is a study of British Guiana amid a wave of Caribbean uprisings that brought modern politics to colonial spaces during the 1930s. It explores the historical power of a movement forged by people at the edges of empire during economic, political, and environmental crises. African- and Indian-Guianese youth, women, and men who worked on sugar plantations led a series of labor uprisings, despite attempts to turn these racialized communities against each other. Rather than erasing identities, their 'overlapping diasporas' signify how solidary can emerge without sameness, and how this process challenged the British Empire and reshaped Caribbean politics. This important work unites Caribbean history, African Diaspora and South Asian Diaspora studies, histories of racial capitalism and labor movements, gender studies, and the politics of colonialism and empire in the post-indenture period. It offers a model of resistance in today's era of deepening racial and economic inequality, fascism, and climate emergency.
This book explains variations in the effectiveness of vote buying. Current theory assumes that vote buying is effective, rotting democracy's foundations. Yet, evidence shows that it rarely succeeds. Against the Machine presents a partisan competition theory to explain why buying vote choices is typically ineffective, the conditions under which it occasionally succeeds, and why it persists despite meager electoral returns. Competitive elections arm voters with the psychological wherewithal to resist the influence of electoral gifts, deprive political machines of the information they need to target compliant clients, and reinforce belief in ballot secrecy. The success or failure of vote buying thus relies more on the capacity of opposition parties to compete rather than the prowess of political machines. Against the Machine provides a new account of vote buying that paints a more optimistic portrait of elections, voter behavior, and the chances for political accountability in new democracies.
Beyond the War reconstructs the often-overlooked history of the Falkland Islands before the 1982 conflict. Drawing on impressions of Argentine travellers and the island community, as well as British and Argentine diplomacy and politics, it reveals a world of mutual suspicions and tensions, but also of exchanges and collaborations, challenging the notion that war was inevitable. The book situates the islands within the broader history of the British Empire's reconfiguration during the UN-driven decolonization era, showing how global changes resonated in this remote setting. It examines decisive episodes, from the unprecedented period opened by the 1971 Communications Agreement to the influence of Argentine popular music, while analysing competing Argentine nationalisms that shaped an 'emotional community' around the islands. Based on new and little-explored sources, it offers a fresh perspective on evolving relations between islanders and Argentines, as well as postwar transformations that continue to shape the islands' identity today.
This global archival collaboration documents the history of Latin American evangelicalism through the translation of carefully selected primary sources, providing readers with direct access to the perspectives and deliberations of the first generations of evangelicals in Latin America. The documents are framed by substantive introductions from leading scholars within the region, situating local stories and voices within the wider demographic and conceptual transformations reshaping Christianity worldwide. The volume shifts the focus of mission and belief studies away from English-language centered narratives and highlights the complex interplay of local and global forces as they unfold in the lives of the movement's newest members. From accounts of the Pentecostal revival in Chile; to shifting notions of religious liberty in nineteenth-century Nicaragua; evangelization efforts among Indigenous groups in Ecuador; and the first Spanish-language evangelical newspaper in Argentina; this work offers a deeper look at the nascent effervescence of Latin America's growing religious minority.
Why do governments get overthrown? Why are many political systems chronically unstable? The Coup Trap in Latin America answers these questions by looking to the origins and dynamics of the military coup d'état that, since the late nineteenth century, have turned several Latin American political systems into some of the most unstable in the world. The book also explores how others escaped from chronic instability, either by constructing constitutional democracy (in Chile, Costa Rica, and Uruguay) or by establishing durable autocracies, (in Mexico and Nicaragua). The Coup Trap in Latin America pioneers the use of statistical predictions to explain when military coups do and do not occur – and uses historical narratives to illustrate and develop these findings. The book provides an innovative explanation of the unconstitutional seizure of power, making it a valuable resource for political scientists, historians, sociologists, and readers interested in Latin American politics and history.
Enslaved New World illuminates sixteenth-century Santo Domingo as the site of the Americas' earliest plantation and slave society and the first place where slavery became limited to people of African descent. Yet Santo Domingo was also home, Turits shows, to widespread continual flight from bondage and an ecology providing escapees with relatively easy refuge. This transformed the colony into a land in which predominantly self-emancipated Black people became the largest population group by the late seventeenth century, 150 years before slavery's abolition. Afterwards, slavery and legal racial hierarchy persisted, but the White elite often remained too poor and weak to overcome resistance and competing constructs of status and color emerged. By focusing on Santo Domingo's understudied African-descended majority population within novel frameworks, Turits opens up new understandings of Dominican history, slavery's racialization, race and racism's historical contingency, and an extraordinarily successful Afro-American trajectory of resistance.
The death of Carlos II in 1700 and the rise of Felipe V to the Spanish throne sparked a global war-and in New Spain, a cultural and political upheaval. As Bourbon loyalists staged elaborate ceremonies and circulated propaganda to legitimize the new dynasty, priests, artists, and local elites reimagined sacred kingship through vivid metaphors of death, rebirth, and regeneration. Sermons, rituals, devotional images, and unofficial texts anchored the new monarchy in familiar religious frameworks, linking the king's body to Christ's and reinforcing loyalty to both Church and Crown. In this contested public sphere, municipalities, religious orders, and colonial officials vied to display their allegiance and shape a renewed vision of empire. Frances L. Ramos's The Rebirth of the Spanish Empire offers a compelling and deeply researched account of how ritual, visual culture, and oratory redefined imperial identity in early eighteenth-century Mexico-illuminating the politics of loyalty and legitimacy during a time of dynastic change.
This important book illuminates the deeply intertwined histories of the Nicaragua Canal and the Afro-Indigenous Mosquito Coast, uncovering a compelling truth, long overshadowed by the triumphalist narrative of the Panama Canal. Focusing on British and US efforts to control the canal route through Nicaragua, Rajeshwari Dutt shows how imperial ambition, racial ideology, and local power struggles shaped one of Latin America's most contested infrastructure projects. She traces the role of racial language in imperial, colonial, and national agendas; the shifting dynamics of Anglo-American imperialism on the Mosquito Coast; and the violence embedded in the very pursuit of interoceanic connection. Methodologically, the book advances a practice of reading failure as a lens through which to understand the fragility of imperial projects and the contradictions that undermine their global ambitions. At its heart, The Link That Divides reveals a central paradox: that dreams of connection were built on – and undone by – the reality of division and exclusion.
With a focus on nineteenth-century Cuba, Víctor Goldgel Carballo conceptualizes the analytical category of racial doubt: the hesitation produced by divergent, contradictory, or ambiguous understandings of race. Racial doubt is the flip side of racialism, or of the assumption that social hierarchies are based on the existence of races, imagined as natural or prior to those hierarchies. Mapping key moments of a century that witnessed the peak of racial slavery, abolition, and the birth of the Black press, this book shows how captives, free people of color, and Afro-Cuban authors leveraged doubts to overcome racist sociopolitical structures. It interweaves analyses of literature, including poems by enslaved authors and a novel by a mixed-race journalist, with unpublished archival material, including testimonies of kidnapped Afrodescendants. Focusing on how people held multiple views of race simultaneously, it examines debates crucial to the history of the Americas, including color-blindness and shifting understandings of Blackness.
Accountability Shock presents the first systematic explanation of why some 'Third Wave' democracies developed peacefully while others became the world's most violent. The book demonstrates how robust transitional justice processes – combining truth commissions with prosecution of autocratic-era atrocities – prevent criminal violence in new democracies. By holding authoritarian specialists in violence accountable, new democracies can break state impunity, preventing them from becoming key actors in the production of large-scale criminal violence and reshaping the logic of state coercion in democracy. With in-depth analyses of six Latin American cases, the work illuminates why transitional justice is crucial for addressing state-criminal collusion in hybrid contexts. Forged out of a close collaboration between transitional justice scholars and practitioners, Accountability Shock strengthens existing connections while offering practical insights for countries still grappling with authoritarian legacies and violence.
The traumatic Spanish invasion of Mesoamerica, and the Ibero-Catholic colonialism that followed, truly transformed Indigenous political, economic, and socio-cultural practices. Confronted by dogmatic European literary regimes, strident indoctrination, and acts of structural violence, how could 'Aztec' education have survived in colonial times? An Unholy Pedagogy rethinks education studies by centering discussions on Indigenous visions of learning that shaped schooling throughout the sixteenth century. Joshua Jacob Fitzgerald tracks education systems before the Spanish-Catholic invasion, examining the writings, art, and architecture of Nahua communities. He analyses Nahuatl primary sources and historical art and archaeological sources, focusing especially on materials produced by Indigenous and Indigenous-Christian artists and scribes. This fascinating interdisciplinary study reveals the ways that Nahua students transformed pedagogy, shaped learning, and preserved local knowledge.
Pablo Neruda in Context includes forty-two essays by some of the main experts on Pablo Neruda's oeuvre that focus on how his places of residence and travel (Mexico, Argentina, Spain, France, Asia), the landmark event of the Cold War, as well as literary and political influences affected his poetic evolution. It also considers the other genres of his writing, including memoirs, letters, translation, and drama, as well as the musical and film adaptions of his work throughout the world. Other essays study his anti-colonial and ecocritical messages, his complicated relationships with women and other writers, as well as his take on race and the significance of his plausible assassination by Augusto Pinochet's military junta. The last section explores Neruda's poetry as world literature as well as his impressive reception in India, Japan, China, the Arab world, the Anglophone world, Russia and Eastern Europe, and his overall lasting legacy.
This conversation draws on an online discussion involving Brazilian Indigenous hip-hop artists Bruno Veron and Kelvin Peixoto, of the Brô MC’s duo, and Kunumi MC (a.k.a. Owerá). The Brazilian rap movement began in São Paulo in late 1980s, led by Black performers and activists, among them DJ Thaide and Racionais MC’s. As in other countries, Brazilian rap and hip-hop are mostly urban. Racionais MC’s focus on youth life in the peripheral areas of urban São Paulo, featuring topics such as racism, social inequality and drug violence. These themes held clear appeal for Indigenous peoples confronting racism, displacement and violence in Brazil. Performing in a combination of Guarani and Portuguese, Brô MC’s emerged in 2009 as the first Indigenous rap and hip-hop group, speaking to the violence and racism against Indigenous peoples that are particularly intense in the region they come from, Mato Grosso do Sul.
This conversation draws on an online discussion ‘Casa Adentro (Inside the House): Anti-Racist Art Practices’ (21 May 2021) held with the Afro-Colombian dance company Sankofa Danzafro and the Afro-Colombian art collective Colectivo Aguaturbia. The participants explore the concerns and creative processes that reflect on the durability of racialised social orders and the way racism is manifest in various areas of the lives of Afro-descendant men and women in Colombia. The artists reflect on these issues on the basis of their anti-racist artistic practices.
This chapter explores the theoretical themes of the book: art, politics and anti-racism; emotion and affect in art and politics; Latin American racial formations. It outlines the research project on which the book is based: Cultures of Anti-Racism in Latin America (CARLA).