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Native Americans in British Museums

Living Histories

Published online by Cambridge University Press:  28 June 2021

Jack Davy
Affiliation:
University of East Anglia

Summary

The accumulated collections of Native American material culture in museums in Britain are vast, and of critical cultural importance. Drawing on interviews with Indigenous American visitors to UK museum displays and collections between 2017 and 2019, this Element highlights the most significant inadequacies of contemporary engagement with Native American visitors and communities, identifying fundamental problems rooted in the ethos of collection management and display. It then explores why two critical crises, one of representation and one of expertise, are together exacerbating these problems, and the damage to relationships and reputation which can result when these crises collide with Indigenous demands for greater agency in museum processes. The final section applies these lessons directly, developing an adaptable policy document, to assist museum staff in effectively and respectfully managing their relationships with Indigenous communities and collections.
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Online ISBN: 9781108909914
Publisher: Cambridge University Press
Print publication: 22 July 2021

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Bibliography

Bibliography

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Clifford, James. 1999 [1997]. ‘Museums as contact zones’ in Representing the Nation: A Reader, ed. Boswell, David & Evans, Jessica. London & New York: Routledge, pp.435–57Google Scholar
Collison, Nika. 2016. ‘An unbroken line: Haida art and culture’. Paper presented at the Canada Seminar, University of Oxford, Oxford, 12 February 2016Google Scholar
Collison, Jisgang Nika & Levell, Nicola. 2018. ‘Curators talk: A conversation’ in BC Studies, No. 199: Indigeneities and Museums: Ongoing Conversations – Autumn 2018Google Scholar
Collison, Jisgang Nika, Bell, Sdaahl K’awaas Lucy & Neel, Lou-ann. 2019. Indigenous Repatriation Handbook. Royal BC Museum, VictoriaGoogle Scholar
Cooper, Jago. 2020. ‘The Arctic experience of climate change’. British Museum Blog, 20 November 2020. Accessed online at https://blog.britishmuseum.org/the-arctic-experience-of-climate-change/Google Scholar
Davy, Jack. 2021. Miniaturisation on the Northwest Coast: To Leave It for Memory. University of British Columbia Press, Vancouver (forthcoming)Google Scholar
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Janes, Robert. 2015. ‘Prologue’ in We Are Coming Home: Repatriation and the Restoration of Blackfoot Cultural Confidence. AU Press, Edmonton.Google Scholar
Jones, Jonathan. 2019. ‘Let’s not lose our marbles over the British Museum boss’s remarks’. The Guardian, 29 January 2019. Accessed online at www.theguardian.com/artanddesign/2019/jan/29/british-museum-director-is-right-the-parthenon-marbles-belong-to-us-allGoogle Scholar
King, J. C. H. 2012. ‘Art, ambiguity and the Haida Collection at the British Museum’ in American Indian Art Magazine, Vol. 38, No.1, pp.5665.Google Scholar
Livne, Inbal. 2020. ‘Uncomfortable truths: Re-thinking the Powell Cotton story’ in Journal of Museum Ehtnography, Vol. 33 (March 2020), pp.5974.Google Scholar
Lundin, Emma. 2019. ‘There is no longer any excuse for not repatriating museums’ colonial art’. Prospect Magazine, 25 March 2019. Accessed online at www.prospectmagazine.co.uk/magazine/repatriation-museum-colonial-art-parthenon-marbles-easter-islandGoogle Scholar
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Museums Association. 2019. Empowering Collections Report. Museums Association. Accessed online at www.museumsassociation.org/download?id=1262818Google Scholar
Noce, Vincent. 2018. ‘Give Africa its art back’ Macron’s report says’. The Art Newspaper, 20 November 2018. Accessed online at www.theartnewspaper.com/news/give-africa-its-art-back-macron-s-report-saysGoogle Scholar
Norman, Taylor, 2019i. Bridging the divide: Reevaluating Native American displays in the British Museum and Horniman World Gallery. Unpublished MA thesis, SOAS. Copy of document provided to author by Norman.Google Scholar
Norman, Taylor (@realtaynorman), 2019iii. Published on Twitter, 5 September 2019. Accessed online at https://twitter.com/realtaynorman/status/1169394131635884032Google Scholar
Northwest Territories Literacy Council. 2016. hivulipita uqauhiit tuppaaqtauffaaqtut /awakening our ancestors’ words. Accessed online at www.mun.ca/isc2016/katingavik/hivulipta-uqauhiit-tuppaaqtauffaaqtut–awakening-our-ancestorsrsquo-words.htmlGoogle Scholar
Onciul, Bryony. 2015. Museums, Heritage and Indigenous Voice: Decolonizing Engagement. London & New York: RoutledgeGoogle Scholar
Orton, Amy. 2019. ‘All of Leicester’s museum curators are being made redundant’. Leicester Mercury, 7 April 2019. Accessed online at www.leicestermercury.co.uk/news/leicester-news/leicesters-museum-curators-being-made-2610639Google Scholar
Peers, Laura & Brown, Alison K. (eds.). 2003. Museums and Source Communities: A Routledge Reader. London & New York: RoutledgeGoogle Scholar
Krmpotich, Cara & Peers, Laura. 2013. This Is Our Life: Haida Material Heritage and Changing Museum Practice. Vancouver: University of British Columbia PressGoogle Scholar
Pomian, Krzysztof (trans. Elizabeth Wiles-Portier). 1990 [1987]. Collectors and Curiosities: Paris and Venice, 1500–1800. Cambridge: Polity PressGoogle Scholar
Postans, Adam. 2019. ‘Two human skulls returned to Pacific island after decades on display in Bristol’. Bristol Post, 1 April 2019. Accessed online at www.bristolpost.co.uk/news/bristol-news/two-human-skulls-returned-remote-2707513Google Scholar
Procter, Alice. 2020. The Whole Picture: The Colonial Story of the Art in Our Museums & Why We Need to Talk About It. London: CassellGoogle Scholar
Pratt, Mary Louise. 1991. ‘Arts of the Contact Zone’ in Profession, pp.3340Google Scholar
Sarr, Felwine & Savoy, Bénédicte. 2018. The restitution of African cultural heritage: Toward a new relational ethics. Ministère de la Culture, France. Paris. Accessed online at http://restitutionreport2018.com/sarr_savoy_en.pdfGoogle Scholar
Sanderson, David. 2019. ‘Minister rules out return of treasures’. The Times, 22 April 2019. Accessed online at www.thetimes.co.uk/article/minister-rules-out-return-of-treasures-2jlf3qh63Google Scholar
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Sodaro, Amy. 2018. Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence. Camden: Rutgers University Press.CrossRefGoogle Scholar
Steel, Patrick. 2013. Taylor: Croydon casting itself into cultural wilderness. Museums Association News. 9 November 2013. Accessed online at www.museumsassociation.org/news/19112013-taylor-croydon-casting-itself-into-cultural-wildernessGoogle Scholar
Sullivan, Nicola. 2015. DCMS budget cut will hit museums. Museums Association News. 9 June 2015. Accessed online at www.museumsassociation.org/museums-journal/news/09062015-cost-cutting-measures-will-impact-museumsGoogle Scholar
Andersen, Chris. 2019. Interview with Jack Davy for Beyond the Spectacle, 26 September 2019Google Scholar
Baca, Danielle. 2019. Interview with Jack Davy for Beyond the Spectacle, 6 March 2019Google Scholar
Brave Rock, Eugene. 2018. Interview with Jack Davy for Beyond the Spectacle, 20 August 2018Google Scholar
Burke, Kimonee. 2019. Interview with Jack Davy for Beyond the Spectacle, 23 September 2019Google Scholar
Coombes, Linda. 2019. Interview with Jack Davy for Beyond the Spectacle, 11 April 2019Google Scholar
Hastings Museum staff (including Damian Etherington & Eleanor Lanyon). 2019. Interview with Jack Davy for Beyond the Spectacle, 2 September 2019Google Scholar
Marlowe, Jenny. 2020. Interview with Jack Davy for Beyond the Spectacle, 6 & 15 May 2020Google Scholar
Norman, Taylor. 2019ii. Interview with Jack Davy for Beyond the Spectacle, 17 May 2019Google Scholar
Peters, Paula, 2019. Interview with Jack Davy for Beyond the Spectacle, 11 April 2019Google Scholar
Sayet, Madeline. 2019ii. Interview with Jack Davy for Beyond the Spectacle, 19 June 2019Google Scholar
Sense, Sarah. 2019. Interview with Jack Davy for Beyond the Spectacle, 28 August 2019Google Scholar
Tasi Baker, Sierra. 2018. Interview with Jack Davy for Beyond the Spectacle, 18 August 2018Google Scholar
Adams, Geraldine Kendal. 2018. ‘Macron report advocates permanent return of colonial-era African objects’. Museums Association News, 28 November 2018. Accessed online at www.museumsassociation.org/museums-journal/news/28112018-macron-report-repatriationGoogle Scholar
Biggar, Nigel. 2020. ‘Let’s stop this descent into self-pitying Empire shame over our universities’ ancient artefacts’. The Telegraph, 10 February 2020. Accessed online at www.telegraph.co.uk/news/2020/02/10/stop-descent-self-pitying-empire-shame-universities-ancient/Google Scholar
Brown, Mark. 2016. ‘One in five regional museums at least part closed in 2015, says report’. The Guardian, 13 January 2016. Accessed online at www.theguardian.com/culture/2016/jan/13/one-in-five-regional-museums-at-least-part-closed-in-2015-says-reportGoogle Scholar
Brown, Mark. 2019. ‘British Museum chief – taking the Parthenon marbles was creative’. The Guardian, 28 January 2019. Accessed online at www.theguardian.com/artanddesign/2019/jan/28/british-museum-chief-taking-the-parthenon-marbles-was-creativeGoogle Scholar
Clerici, Nadia. 2002. ‘Indian voices in the European context’ in European Review of Native American Studies, Vol. 16, Issue. 2, pp.110Google Scholar
Clifford, James. 1999 [1997]. ‘Museums as contact zones’ in Representing the Nation: A Reader, ed. Boswell, David & Evans, Jessica. London & New York: Routledge, pp.435–57Google Scholar
Collison, Nika. 2016. ‘An unbroken line: Haida art and culture’. Paper presented at the Canada Seminar, University of Oxford, Oxford, 12 February 2016Google Scholar
Collison, Jisgang Nika & Levell, Nicola. 2018. ‘Curators talk: A conversation’ in BC Studies, No. 199: Indigeneities and Museums: Ongoing Conversations – Autumn 2018Google Scholar
Collison, Jisgang Nika, Bell, Sdaahl K’awaas Lucy & Neel, Lou-ann. 2019. Indigenous Repatriation Handbook. Royal BC Museum, VictoriaGoogle Scholar
Cooper, Jago. 2020. ‘The Arctic experience of climate change’. British Museum Blog, 20 November 2020. Accessed online at https://blog.britishmuseum.org/the-arctic-experience-of-climate-change/Google Scholar
Davy, Jack. 2021. Miniaturisation on the Northwest Coast: To Leave It for Memory. University of British Columbia Press, Vancouver (forthcoming)Google Scholar
Edwards, Elizabeth, 2018. ‘Addressing colonial narratives in museums’. The British Academy Blog, 19 April 2018. Accessed online at www.thebritishacademy.ac.uk/blog/addressing-colonial-narratives-museums/Google Scholar
Friedman, Vanessa. 2019. ‘Dior finally says no to sauvage’. New York Times, 13 September 2019. Accessed online at www.nytimes.com/2019/09/13/style/dior-sauvage-cultural-appropriation.htmlGoogle Scholar
Glass, Aaron. 1999. ‘Review: Aboriginal Slavery on the Northwest Coast of North America by Leland Donald’ in American Indian Quarterly, Vol. 23, No. 3/4 (Summer-Autumn, 1999), pp.191–3CrossRefGoogle Scholar
Hatfield, Boodle. 2019. ‘UK won’t repatriate looted artefacts, says UK culture secretary’. Lexology.com. Accessed online at www.lexology.com/library/detail.aspx?g=dc0c2615-2287-4403-b5f2-9ca5276dfb93Google Scholar
Heal, Sharon. 2019. ‘Restitution: A blunt ‘no’ is not enough’. Museums Association News, 23 April 2019. Accessed online at www.museumsassociation.org/comment/23042019-restitution-a-blunt-no-is-not-enoughGoogle Scholar
Hickley, Catherine. 2019i. ‘Dutch museums take initiative to repatriate colonial-era artefacts’. The Art Newspaper, 14 March 2019. Accessed online at www.theartnewspaper.com/news/dutch-museums-take-initiative-to-repatriate-colonial-era-artefacts?fbclid=IwAR2xZAV_BWTnC2H8-FbsvUUHHYD5nm3FcwVQVv3x9Z5VLoyQilXfzRyf1HoGoogle Scholar
Hickley, Catherine. 2019ii. ‘Culture ministers from 16 German states agree to repatriate artefacts looted in colonial era’. The Art Newspaper, 14 March 2019. Accessed online at www.theartnewspaper.com/news/culture-ministers-from-16-german-states-agree-to-repatriate-artefacts-looted-in-colonial-eraGoogle Scholar
Higgins, Charlotte. 2018. ‘British Museum director Hartwig Fischer – there are no foreigners here – the museum is a world country’. The Guardian, 13 April 2018. Accessed online at www.theguardian.com/culture/2018/apr/13/british-museum-director-hartwig-fischer-there-are-no-foreigners-here-the-museum-is-a-world-countryGoogle Scholar
Hochschild, Adam. 2020. ‘The fight to decolonize the museum’. The Atlantic, January/February 2020. Accessed online at www.theatlantic.com/magazine/archive/2020/01/when-museums-have-ugly-pasts/603133/Google Scholar
Hunt, Tristram. 2019. ‘Should museums return their colonial artefacts?’ The Guardian, 29 June 2019. Accessed online at www.theguardian.com/culture/2019/jun/29/should-museums-return-their-colonial-artefactsGoogle Scholar
Janes, Robert. 2015. ‘Prologue’ in We Are Coming Home: Repatriation and the Restoration of Blackfoot Cultural Confidence. AU Press, Edmonton.Google Scholar
Jones, Jonathan. 2019. ‘Let’s not lose our marbles over the British Museum boss’s remarks’. The Guardian, 29 January 2019. Accessed online at www.theguardian.com/artanddesign/2019/jan/29/british-museum-director-is-right-the-parthenon-marbles-belong-to-us-allGoogle Scholar
King, J. C. H. 2012. ‘Art, ambiguity and the Haida Collection at the British Museum’ in American Indian Art Magazine, Vol. 38, No.1, pp.5665.Google Scholar
Livne, Inbal. 2020. ‘Uncomfortable truths: Re-thinking the Powell Cotton story’ in Journal of Museum Ehtnography, Vol. 33 (March 2020), pp.5974.Google Scholar
Lundin, Emma. 2019. ‘There is no longer any excuse for not repatriating museums’ colonial art’. Prospect Magazine, 25 March 2019. Accessed online at www.prospectmagazine.co.uk/magazine/repatriation-museum-colonial-art-parthenon-marbles-easter-islandGoogle Scholar
Mendoza, Neil. 2017. The Mendoza Review: An independent review of museums in England. Department for Digital, Culture, Media and Sport. London. Accessed online at https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/673935/The_Mendoza_Review_an_independent_review_of_museums_in_England.pdfGoogle Scholar
Museums Association. n.d. Code of Ethics for Museums, Museums Association, Accessed online at www.museumsassociation.org/download?id=1155827Google Scholar
Museums Association. 2019. Empowering Collections Report. Museums Association. Accessed online at www.museumsassociation.org/download?id=1262818Google Scholar
Noce, Vincent. 2018. ‘Give Africa its art back’ Macron’s report says’. The Art Newspaper, 20 November 2018. Accessed online at www.theartnewspaper.com/news/give-africa-its-art-back-macron-s-report-saysGoogle Scholar
Norman, Taylor, 2019i. Bridging the divide: Reevaluating Native American displays in the British Museum and Horniman World Gallery. Unpublished MA thesis, SOAS. Copy of document provided to author by Norman.Google Scholar
Norman, Taylor (@realtaynorman), 2019iii. Published on Twitter, 5 September 2019. Accessed online at https://twitter.com/realtaynorman/status/1169394131635884032Google Scholar
Northwest Territories Literacy Council. 2016. hivulipita uqauhiit tuppaaqtauffaaqtut /awakening our ancestors’ words. Accessed online at www.mun.ca/isc2016/katingavik/hivulipta-uqauhiit-tuppaaqtauffaaqtut–awakening-our-ancestorsrsquo-words.htmlGoogle Scholar
Onciul, Bryony. 2015. Museums, Heritage and Indigenous Voice: Decolonizing Engagement. London & New York: RoutledgeGoogle Scholar
Orton, Amy. 2019. ‘All of Leicester’s museum curators are being made redundant’. Leicester Mercury, 7 April 2019. Accessed online at www.leicestermercury.co.uk/news/leicester-news/leicesters-museum-curators-being-made-2610639Google Scholar
Peers, Laura & Brown, Alison K. (eds.). 2003. Museums and Source Communities: A Routledge Reader. London & New York: RoutledgeGoogle Scholar
Krmpotich, Cara & Peers, Laura. 2013. This Is Our Life: Haida Material Heritage and Changing Museum Practice. Vancouver: University of British Columbia PressGoogle Scholar
Pomian, Krzysztof (trans. Elizabeth Wiles-Portier). 1990 [1987]. Collectors and Curiosities: Paris and Venice, 1500–1800. Cambridge: Polity PressGoogle Scholar
Postans, Adam. 2019. ‘Two human skulls returned to Pacific island after decades on display in Bristol’. Bristol Post, 1 April 2019. Accessed online at www.bristolpost.co.uk/news/bristol-news/two-human-skulls-returned-remote-2707513Google Scholar
Procter, Alice. 2020. The Whole Picture: The Colonial Story of the Art in Our Museums & Why We Need to Talk About It. London: CassellGoogle Scholar
Pratt, Mary Louise. 1991. ‘Arts of the Contact Zone’ in Profession, pp.3340Google Scholar
Sarr, Felwine & Savoy, Bénédicte. 2018. The restitution of African cultural heritage: Toward a new relational ethics. Ministère de la Culture, France. Paris. Accessed online at http://restitutionreport2018.com/sarr_savoy_en.pdfGoogle Scholar
Sanderson, David. 2019. ‘Minister rules out return of treasures’. The Times, 22 April 2019. Accessed online at www.thetimes.co.uk/article/minister-rules-out-return-of-treasures-2jlf3qh63Google Scholar
Sayet, Madeline. 2019i. Where We Belong. Play performed at Globe Theatre, 17 June 2019. Copy of script provided to author by Sayet.Google Scholar
School of Advanced Research. 2019. ‘Guidelines for Collaboration’. School of Advanced Research. Accessed online at https://guidelinesforcollaboration.infoGoogle Scholar
Scott, Emmy (@EmmyNawjoopinga), 2019. Published on Twitter, 5 September 2019. Accessed online at https://twitter.com/EmmyNawjoopinga/status/1169621634896019461Google Scholar
Smithsonian Center for Folklife and Cultural Heritage. n.d. ‘Shared stewardship of collections’. Smithsonian Center for Folklife and Cultural Heritage. Accessed online at https://folklife-media.si.edu/docs/folklife/Shared-Stewardship.pdfGoogle Scholar
Sodaro, Amy. 2018. Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence. Camden: Rutgers University Press.CrossRefGoogle Scholar
Steel, Patrick. 2013. Taylor: Croydon casting itself into cultural wilderness. Museums Association News. 9 November 2013. Accessed online at www.museumsassociation.org/news/19112013-taylor-croydon-casting-itself-into-cultural-wildernessGoogle Scholar
Sullivan, Nicola. 2015. DCMS budget cut will hit museums. Museums Association News. 9 June 2015. Accessed online at www.museumsassociation.org/museums-journal/news/09062015-cost-cutting-measures-will-impact-museumsGoogle Scholar
Andersen, Chris. 2019. Interview with Jack Davy for Beyond the Spectacle, 26 September 2019Google Scholar
Baca, Danielle. 2019. Interview with Jack Davy for Beyond the Spectacle, 6 March 2019Google Scholar
Brave Rock, Eugene. 2018. Interview with Jack Davy for Beyond the Spectacle, 20 August 2018Google Scholar
Burke, Kimonee. 2019. Interview with Jack Davy for Beyond the Spectacle, 23 September 2019Google Scholar
Coombes, Linda. 2019. Interview with Jack Davy for Beyond the Spectacle, 11 April 2019Google Scholar
Hastings Museum staff (including Damian Etherington & Eleanor Lanyon). 2019. Interview with Jack Davy for Beyond the Spectacle, 2 September 2019Google Scholar
Marlowe, Jenny. 2020. Interview with Jack Davy for Beyond the Spectacle, 6 & 15 May 2020Google Scholar
Norman, Taylor. 2019ii. Interview with Jack Davy for Beyond the Spectacle, 17 May 2019Google Scholar
Peters, Paula, 2019. Interview with Jack Davy for Beyond the Spectacle, 11 April 2019Google Scholar
Sayet, Madeline. 2019ii. Interview with Jack Davy for Beyond the Spectacle, 19 June 2019Google Scholar
Sense, Sarah. 2019. Interview with Jack Davy for Beyond the Spectacle, 28 August 2019Google Scholar
Tasi Baker, Sierra. 2018. Interview with Jack Davy for Beyond the Spectacle, 18 August 2018Google Scholar

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Native Americans in British Museums
  • Jack Davy, University of East Anglia
  • Online ISBN: 9781108909914
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Native Americans in British Museums
  • Jack Davy, University of East Anglia
  • Online ISBN: 9781108909914
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Native Americans in British Museums
  • Jack Davy, University of East Anglia
  • Online ISBN: 9781108909914
Available formats
×