Skip to main content Accessibility help
×
Hostname: page-component-68c7f8b79f-kbpd8 Total loading time: 0 Render date: 2025-12-26T01:57:39.280Z Has data issue: false hasContentIssue false

Performing Urban Ecologies

Published online by Cambridge University Press:  17 November 2025

Lisa Woynarski
Affiliation:
University of Reading

Summary

With the majority of the global population living in cities, urbanisation and climate crisis have become urgent planetary issues. This Element examines 'urban eco-performance', exploring how theatre and performance intersect with urbanisation and ecological crises to reimagine equitable urban futures. Through rigorous ecodramaturgical analyses, this Element critiques the colonial and capitalist systems shaping cities and highlights performance's role in addressing climate justice. Performances from Canada, Mexico, Nigeria, Taiwan, UK and USA, as well as Indigenous performances, are brought together for the first time to examine how they challenge the human/nature divide, revealing cities as vibrant ecological spaces. These performances foreground underrepresented voices and reframe cities as 'bio-urban' spaces. This Element integrates decolonial and intersectional ecological frameworks over three thematic sections: Living Cities, Petro-Cities and Urban Futures Against the Apocalypse. It argues for justice for marginalised communities while envisioning cities as interconnected ecosystems that can foster collective action and ecological resilience.
Get access

Information

Type
Element
Information
Online ISBN: 9781009443074
Publisher: Cambridge University Press
Print publication: 11 December 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Element purchase

Temporarily unavailable

References

Adams, W. M. and Mulligan, M. (2003) Decolonizing Nature: Strategies for Conservation in a Post-colonial Era. London: Earthscan.Google Scholar
Ahmadi, M. (2022) Towards an Ecocritical Theatre: Playing the Anthropocene. Abingdon: Routledge. https://doi.org/10.4324/9781003048749.Google Scholar
Alaimo, S. (2010) Bodily Natures: Science, Environment, and the Material Self. Bloomington: Indiana University Press.Google Scholar
Amin, A. and Lancione, M. (eds) (2022) Grammars of the Urban Ground. Durham: Duke University Press. https://doi.org/10.2307/j.ctv2x1npkj.Google Scholar
Amin, A. and Thrift, N. (2002) Cities: Reimagining the Urban. Cambridge: Polity.Google Scholar
Angelaki, V. (2019) Theatre & Environment. London: Red Globe Press.Google Scholar
Arons, W. and May, T. J. (eds) (2012) Readings in Performance and Ecology. New York: Palgrave Macmillan.Google Scholar
Ayala-Azcarraga, C., Diaz, D., Fernandez, T., Cordova-Tapia, F. and Zambrano, L. (2023) ‘Uneven Distribution of Urban Green Spaces in Relation to Marginalization in Mexico City’, Sustainability, 15(16), pp. 114, 12652. https://doi.org/10.3390/su151612652.Google Scholar
Balkan, S. and Nandi, S. (2021) ‘Introduction: Reading Our Contemporary Petrosphere’, in Balkan, S. and Nandi, S. (eds) Oil Fictions: World Literature and Our Contemporary Petrosphere. University Park, PA: Penn State University Press, pp. 118. https://doi.org/10.5325/jj.5233138.Google Scholar
Balogun, F. (2021) Can I Live? The Barbican, London [Digital Performance].Google Scholar
Bamboo Curtain Studios (2018) ‘Art as Action for Ecology Movement: Case Studies of Bamboo Curtain Studio’. http://bambooculture.com/en/project-related/3463.Google Scholar
Bamboo Curtain Studios (2022) ‘Art as Environment: A Cultural Action at the Plum Tree Creek’. http://bambooculture.com/en/project/2004.html.Google Scholar
Barnard, D. and Briscoe, R. (2024) ‘Interview with Fast Familiar’. Interview by Lisa Woynarski.Google Scholar
Beer, T. (2021a) Ecoscenography: An Introduction to Ecological Design for Performance. Cham: Palgrave Macmillan.Google Scholar
Beer, T. (2021b) ‘Encounter-Spaces and the City as Scenography: Interview with Aris Pretelin-Esteves (Mexico)’, Ecoscenography: Adventures in a New Paradigm for Performance Making. https://ecoscenography.com/2021/02/03/encounter-spaces-and-the-city-as-scenography-interview-with-aris-pretelin-esteves-mexico/.Google Scholar
Bennett, J. (2010) Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press.Google Scholar
Benton-Short, L. and Short, J. R. (2013) Cities and Nature. 2nd ed. New York: Routledge.Google Scholar
Berditchevskaia, A., Edgar, C. and Peach, K. (2023) The Strategy Room: An Innovative Approach for Involving Communities in Shaping Local Net Zero Pathways. London: Nesta.Google Scholar
Blight, S. (2018) ‘Ogimaa Mikana’. www.susanblight.com/ogimaa-mikana.Google Scholar
Blissett, S. (2021) ‘Algae Sympoiesis in Performance: Rendering-with Nonhuman Ecologies’, Performance Philosophy, 6(2), pp. 117136. https://doi.org/10.21476/PP.2021.62326.Google Scholar
Bo, Z. (2016) ‘An Interview with Wu Mali’, Field: A Journal of Socially-Engaged Art Criticism, Winter (3), pp. 151164.Google Scholar
Brenner, N. (2013) ‘Theses on Urbanization’, Public Culture, 25(1), pp. 85114. https://doi.org/10.1215/08992363-1890477.Google Scholar
Briscoe, R. (2023) ‘The Strategy Room 1/3: Creating a Design Brief’, 8 May. https://workroom.fastfamiliar.com/the-strategy-room-design-brief/.Google Scholar
Brown, V. (2020) ‘To Be Black in the British Countryside Means Being an Outsider’, The Guardian, 20 October. www.theguardian.com/commentisfree/2020/oct/20/black-woman-british-countryside-london-rural-village-stereotypes.Google Scholar
Buell, F. (2012) ‘A Short History of Oil Cultures: Or, the Marriage of Catastrophe and Exuberance’, Journal of American Studies, 46(2), pp. 273293.Google Scholar
Carson, R. (2000) Silent Spring. London: Penguin.Google Scholar
Chaudhuri, U. (1995) Staging Place: The Geography of Modern Drama. Ann Arbor: University of Michigan Press.Google Scholar
Climate Change Theatre Action (2023) ‘All Good Things Must Begin’. www.climatechangetheatreaction.com/ccta-2023/.Google Scholar
Coulthard, G. S. (2014) Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. Minneapolis: University of Minnesota Press.Google Scholar
De Meyer, K., Coren, E., McCaffrey, M. and Slean, C. (2021) ‘Transforming the Stories We Tell about Climate Change: From “Issue” to “Action”’, Environmental Research Letters, 16(1), p. 015002. https://doi.org/10.1088/1748-9326/abcd5a.Google Scholar
Dillon, G. L. (2012) Walking the Clouds: An Anthology of Indigenous Science Fiction. Tucson: University of Arizona Press.Google Scholar
Dorries, H. (2023) ‘Indigenous Urbanism as an Analytic: Towards Indigenous Urban Theory’, International Journal of Urban and Regional Research, 47(1), pp. 110118. https://doi.org/10.1111/1468-2427.13129.Google Scholar
Eckersall, P., Monaghan, P. and Beddie, M. (2014) ‘Dramaturgy as Ecology: A Report from The Dramaturgies Project’, in Trencsényi, K. and Cochrane, B. (eds) New Dramaturgy. London: Bloomsbury Methuen Drama, pp. 1936. https://doi.org/10.5040/9781408177075?locatt=label:secondary_dramaOnline.Google Scholar
Eke, B. U. (2006) Shields [Installation and live performance].Google Scholar
Ernstson, H. and Swyngedouw, E. (eds) (2019) Urban Political Ecology in the Anthropo-obscene: Interruptions and Possibilities. London: Routledge.Google Scholar
Evans, M. and Platform, (2013) Oil City [Performance, ArtsAdmin Two Degrees Festival], London.Google Scholar
Fast Familiar (2023) ‘The Strategy Room – documentation video’. https://youtu.be/i8llVDwRRfY?si=MsepjsXkwse7_vCv.Google Scholar
Finney, C. (2014) Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors. Chapel Hill: The University of North Carolina Press.Google Scholar
Friedan, B. (1963) The Feminine Mystique. London: Victor Gollancz.Google Scholar
Galpin, P.-F. (2013) ‘Cultivating the Human & Ecological Garden: A Conversation with Bonnie Ora Sherk’. http://curatorsintl.org/posts/cultivating-the-human-ecological-garden-a-conversation-with-bonnie-ora-sher.Google Scholar
Ghosh, A. (2017) The Great Derangement: Climate Change and the Unthinkable. Chicago: The University of Chicago press.Google Scholar
Gilbert, H. and Phillipson, J. D. (2015) ‘Cultural Graffiti in London: Singing Life into Exhibitions and Embodying the Digital Document’, UNESCO Observatory Multi-Disciplinary Journal in the Arts, 5(1), pp. 136.Google Scholar
Girardet, H. (2008) Cities, People, Planet: Urban Development and Climate Change. 2nd ed. Chichester: Wiley.Google Scholar
Goh, A. and Beer, T. (2024) ‘Ecoscenographic Placemaking: A Cultural Approach to Creating Eco-sensitive Site-specific Work’, Theatre and Performance Design, 10(4), pp. 300320.Google Scholar
Goto, R., Shiu, M. and Mali, W. (2014) ‘Ecofeminism: Art as Environment – a Cultural Action at Plum Tree Creek | Wead’, 3 December. http://bambooculture.com/en/news/1743.Google Scholar
Grant, J., Pembina Institute for Appropriate Development, and Pembina Foundation (2013) Beneath the Surface a Review of Key Facts in the Oilsands Debate. Drayton Valley: The Pembina Institute.Google Scholar
Harvey, D. (1989) The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. London: Blackwell.Google Scholar
Harvey, D. (1993) ‘The Nature of Environment: Dialectics of Social and Environmental Change’, in Miliband, R. and Panitch, L. (eds) Real Problems, False Solutions. London: Merlin Press, pp. 151.Google Scholar
Head, L. (2016) Hope and Grief in the Anthropocene: Re-conceptualising Human-Nature Relations. London: Routledge. https://doi.org/10.4324/9781315739335.Google Scholar
Heynen, N., Kaika, M. and Swyngedouw, E. (eds) (2006) In the Nature of Cities: Urban Political Ecology and the Politics of Urban Metabolism. London: Routledge.Google Scholar
Hough, M. (2004) Cities and Natural Process: A Basis for Sustainability. 2nd ed. London: Routledge.Google Scholar
Huarcaya, S. and Phillipson, J. D. (2013) ‘The Artist Sings: Peter Morin in Conversation’. https://vimeo.com/119944337.Google Scholar
Jacobs, J. (1992 [1961]) The Death and Life of Great American Cities. London: Vintage.Google Scholar
Klein, N. (2007) ‘Baghdad Burns, Calgary Booms’, The Nation, 31 May. www.thenation.com/article/archive/baghdad-burns-calgary-booms/.Google Scholar
Koram, K. (2020) ‘Britain Needs a Truth and Reconciliation Commission, Not Another Racism Inquiry’, The Guardian, 16 June. www.theguardian.com/commentisfree/2020/jun/16/britain-truth-reconciliation-commission-racism-imperial.Google Scholar
Krenak, A. (2020) Ideas to Postpone the End of the World. Translated by A. Doyle. Toronto: Anansi International.Google Scholar
Krug, D. (2006) ‘Ecological Restoration: Mierle Ukeles, Flow City’. www.greenmuseum.org/c/aen/Issues/ukeles.php.Google Scholar
Lavery, C. (ed.) (2018) Performance and Ecology: What Can Theatre Do? Abingdon: Routledge.Google Scholar
L’Heureux, M. A. (2012) ‘Infrastructure, Social Injustice, and the City: Parsing the Wisdom of Jane Jacobs’, in Hirt, S. and Zahm, D. (eds) The Urban Wisdom of Jane Jacobs. New York: Routledge, pp. 101121.Google Scholar
Massey, D. B. (1999) ‘On Space and the City’, in Massey, D. B., Allen, J. and Pile, S. (eds) City Worlds. London: Routledge, pp. 153171.Google Scholar
Massey, D. B. (2011) World City. Cambridge: Polity.Google Scholar
May, T. J. (2020) Earth Matters on Stage: Ecology and Environment in American Theater. Abingdon: Routledge.Google Scholar
McCormack, P. A. (2017) ‘Walking the Land: Aboriginal Trails, Cultural Landscapes, and Archaeological Studies for Impact Assessment’, Archaeologies, 13(1), pp. 110135. https://doi.org/10.1007/s11759-017-9309-7.Google Scholar
McKittrick, K. (2013) ‘Plantation Futures’, Small Axe: A Caribbean Journal of Criticism, 17(3), pp. 115. https://doi.org/10.1215/07990537-2378892.Google Scholar
Nesta, (2023) ‘The Strategy Room’. www.nesta.org.uk/project/strategyroom/.Google Scholar
Nixon, R. (2013) Slow Violence and the Environmentalism of the Poor. Cambridge, MA: Harvard University Press.Google Scholar
Nolan, Y. (2013) The Unplugging. Toronto: Playwrights Canada Press.Google Scholar
Nolan, Y. (2015) Medicine Shows: Indigenous Performance Culture. Toronto: Playwrights Canada Press.Google Scholar
Okwuosa, T. (2013) ‘Environmental Challenges as Creative Muse: The Installation and Performance Art of Bright Ugochukwu Eke’, Academic Journal of Interdisciplinary Studies, 2(3), pp. 6370.Google Scholar
Onwueme, O. T. (2002) Then She Said It. San Francisco: African Heritage Press.Google Scholar
Osuoka, I. (2024) ‘Shell’s Exit Scam’, Africa Is a Country, 12 December. https://africasacountry.com/2024/12/shells-exit-scam.Google Scholar
Platform (2005) ‘Nigeria Ten Years On’, Carbon Web Newsletter, Issue 2. https://platformlondon.org/nigeria-ten-years-on/?hilite=carbon+web+newsletter.Google Scholar
Pretelin-Estéves, A. (2023) ‘Proyecto Tejidos: Sullivan Garden of Art – Ecoscenographic Actions to Design Restorative Territories’, Prague Quadrennial 2023 Programme. https://pq.cz/prague-quadrennial-2023/projects-2023/performance-space-exhibition/proyecto-tejidos-sullivan-garden-of-art-ecoscenographic-actions-to-design-restorative-territories/.Google Scholar
Robinson, D. (2019) ‘Speaking to Water, Singing to Stone: Peter Morin, Rebecca Belmore, and the Ontologies of Indigenous Modernity’, in Levine, V. L. and Robinson, D. (eds) Music and Modernity among First Peoples of North America. Middletown, CT: Wesleyan University Press, pp. 220239.Google Scholar
Rowell, A., Marriott, J. and Stockman, L. (2005) The Next Gulf: London, Washington and Oil Conflict in Nigeria. London: Constable.Google Scholar
Ryan, C. B. (2023) Eco-performance, Art, and Spatial Justice in the US. London: Routledge.Google Scholar
Scott-Bottoms, S. (2013) ‘Art and Oil in a Cool Climate (Pt. 3)’, Performance Footprint, 8 November. www.performancefootprint.co.uk/2013/11/art-and-oil-in-a-cool-climate-pt-3/.Google Scholar
Sherk, B. (2012) ‘Crossroad Community: The Farm, 1977’, in Kastner, J. (ed.) Nature. London: Whitechapel Art Gallery, pp. 165166.Google Scholar
Smith, N. (2008) Uneven Development: Nature, Capital, and the Production of Space. 3rd ed. Athens: University of Georgia Press.Google Scholar
Solnit, R. (2006) ‘Three Who Made a Revolution’, The Nation, 16 March. www.thenation.com/article/three-who-made-revolution/.Google Scholar
Spaid, S. (2012) Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots. Cincinnati, OH: Contemporary Arts Center.Google Scholar
Spalink, A. (2024) Choreographing Dirt: Movement, Performance, and Ecology in the Anthropocene. Abingdon: Routledge.Google Scholar
Standing, S. A. (2012) ‘Earth First!’s “Crack the Dam” and the Aesthetics of Ecoactivist Performance’, in Arons, W. and May, T. J. (eds) Readings in Performance and Ecology. New York: Palgrave Macmillan, pp. 147158.Google Scholar
Sugimoto, T. (2023) ‘Claiming Space, Land and Ecology: Mapping Geographies of Indigenous and Decolonial Urbanisms in Taipei’, International Journal of Urban and Regional Research, 47(1), pp. 130145. https://doi.org/10.1111/1468-2427.13131.Google Scholar
Swyngedouw, E. (2007) ‘Impossible “Sustainability” and the Postpolitical Condition’, in Krueger, R. and Gibbs, D. (eds) The Sustainable Development Paradox: Urban Political Economy in the United States and Europe. New York: the Guilford press, pp. 1340.Google Scholar
Sze, J. (2007) Noxious New York: The Racial Politics of Urban Health and Environmental Justice. Cambridge; London: MIT Press.Google Scholar
Szeman, I. and Boyer, D. (eds) (2017) Energy Humanities: An Anthology. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Thomas, A. (2016) ‘Ecodramaturgy’, in Cody, G. and Cheng, M. (eds) Reading Contemporary Performance: Theatricality Across Genres. London: Routledge, pp. 200201.Google Scholar
Thrush, C.-P. (2016) Indigenous London: Native Travellers at the Heart of Empire. New Haven, CT: Yale University Press.Google Scholar
Todd, Z. (2016) ‘Relationships’, Theorizing the Contemporary, Fieldsights, January 21. https://culanth.org/fieldsights/relationships.Google Scholar
Tsing, A., Swanson, H., Gan, E., and Bubandt, N. (eds) (2017) Arts of Living on a Damaged Planet. Minneapolis: University of Minnesota press.Google Scholar
Ukeles, M. L. (1996) ‘Flow City’, Grand Street, (57), pp. 199213. https://doi.org/10.2307/25008073.Google Scholar
Ukeles, M. L. (2012) ‘Flow City (1983–91)’, in Kastner, J. (ed.) Nature. London: Whitechapel Art Gallery, pp. 4243.Google Scholar
United Nations Statistics Division (2023) ‘Goal 11: Sustainable Cities and Communities’. https://unstats.un.org/sdgs/report/2023/goal-11/#:~:text=The%20world’s%20population%20reached%208,70%20per%20cent%20by%202050.Google Scholar
Watts, M. (2008) ‘Sweet and Sour’, in Watts, M. and Kashi, E. (eds) Curse of the Black Gold: 50 Years of Oil in the Niger Delta. Brooklyn, NY: PowerHouse Books, pp. 3647.Google Scholar
Weintraub, L. (2012) To Life!: Eco Art in Pursuit of a Sustainable Planet. Berkeley: University of California Press.Google Scholar
Whybrow, N. (2011) Art and the City. London: Palgrave Macmillan.Google Scholar
Whyte, K. P. (2018) ‘Indigenous Science (Fiction) for the Anthropocene: Ancestral Dystopias and Fantasies of Climate Change Crises’, Environment and Planning E: Nature and Space, 1(1–2), pp. 224242. https://doi.org/10.1177/2514848618777621.Google Scholar
Wildcat, D. R. (2009) Red Alert! Saving the Planet with Indigenous Knowledge. Golden, CO: Fulcrum.Google Scholar
Woynarski, L. (2020a) Ecodramaturgies: Theatre, Performance and Climate Change. London: Palgrave Macmillan.Google Scholar
Woynarski, L. (2020b) ‘Towards Radical Coexistence in the City: Performing the Bio-urban in Bonnie Ora Sherk’s The Farm and Mierle Laderman Ukeles’s Flow City’, Performance Research, 25(2), pp. 126133. https://doi.org/10.1080/13528165.2020.1752585.Google Scholar
Woynarski, L. (2025) ‘Decolonizing Ecodramaturgies in Sheila Ghelani’s and Sue Palmer’s Atmospheric Forces and Ray Young’s Thirst Trap’, in Fragkou, M. and Benzie, R. (eds) The Methuen Drama Handbook of Women in Contemporary British Theatre. London: Bloomsbury, pp. 217230.Google Scholar
Yusoff, K. (2018) A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press.Google Scholar

Accessibility standard: WCAG 2.1 AA

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

The PDF of this Element complies with version 2.1 of the Web Content Accessibility Guidelines (WCAG), covering newer accessibility requirements and improved user experiences and achieves the intermediate (AA) level of WCAG compliance, covering a wider range of accessibility requirements.

Content Navigation

Table of contents navigation
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.

Reading Order & Textual Equivalents

Single logical reading order
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
Short alternative textual descriptions
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.

Visual Accessibility

Use of colour is not sole means of conveying information
You will still understand key ideas or prompts without relying solely on colour, which is especially helpful if you have colour vision deficiencies.

Structural and Technical Features

ARIA roles provided
You gain clarity from ARIA (Accessible Rich Internet Applications) roles and attributes, as they help assistive technologies interpret how each part of the content functions.

Save element to Kindle

To save this element to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Performing Urban Ecologies
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Performing Urban Ecologies
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Performing Urban Ecologies
Available formats
×