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Parnassus Restored, Saints Confounded: The Secular Challenge to the Age of the Godly, 1560–1660
Published online by Cambridge University Press: 11 July 2014
Extract
The conception of English culture in the century that was brought to a climax in Cromwellian triumph and tragedy has suffered from a flatness of historical perception, one major cause of which has been insufficient recognition of the thought and esthetic creativity of nominal Christian and emphatically non-Puritan intellectuals and artists. We have concentrated too much on defining the novelties, indeed often inappreciable differences, that characterized pre-revolutionary and revolutionary Christian factionalism in England: Anglicanism, Puritanism, Sectarianism, Laudianism, and now Arminianism. I want instead to make a case for the neglected power, pervasiveness, and perdurability of varieties of secularism in the age of the Godly.
Although a growing number of scholars are aware of the importance of literature to the dynamics of this astonishing epoch, the redoubtable spirit of William Haller prevails still in historical efforts to reconstitute the cultural context of that literature. The pagan bedrock laid down by a century of humanist imports is obscured by the flood of ephemeral sermons and miscellaneous religious discourse. Recent literary scholarship, on the other hand, having shaken the incubus of F. R. Leavis and not yet succumbed to post-structuralism, has given us models with which to illuminate prerevolutionary English culture: the monographs of Stephen Greenblatt, Jonathan Dollimore, and Stephen Orgel investigate the penetration of secular humanism into literature, historical writing,and popular and court theatre. They could lead us out of the fog created by the supersaturated climate of Protestant culture.
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