As a discipline, architects pride themselves on the precision and exactitude of their spatial endeavors – no minutiae is too small, no details too inconsequential. However, when exactitude becomes the representational aspiration of architecture, when the images architects produce ‘almost exactly’ deliver the reality they hope to soon conjure, a tautology ensues. This article explores the exigencies of the ⅞ scale – a scale that is almost exactly but not quite the same as reality. It is the remaining ⅛ that eschews representational tautology, that produces the effect of exactness, and that populates architecture's historical and spatial imaginaries. Through the lens of one highly symbolic and historically configured room, the Oval Office, this article attempts to map the hazards and pitfalls of realism as a disciplinary aspiration, while simultaneously embracing the figurative realm of the ⅛ and the promise of its imaginative potential.