Hostname: page-component-758b78586c-t6tmf Total loading time: 0 Render date: 2023-11-26T19:49:10.579Z Has data issue: false Feature Flags: { "corePageComponentGetUserInfoFromSharedSession": true, "coreDisableEcommerce": false, "useRatesEcommerce": true } hasContentIssue false

Three's a crowd: drawing, building and photography in the recent work of Diller Scofidio + Renfro

Published online by Cambridge University Press:  25 February 2009

Christopher Pierce
Faculty of Arts and Architecture, University of Brighton, Grand Parade Brighton, BN2 0JY, UK
Rights & Permissions [Opens in a new window]


Core share and HTML view are not possible as this article does not have html content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

This is a short tale of two competing institutions and two of their most celebrated figures. On one side is Cooper Union – that hulking Manhattan brownstone, an island on the intersection of Lafayette Street and the Bowery where Ricardo Scofidio (1935) silently honed his art of drawing like an angel. On the other is Princeton University, where his partner (and partner), Elizabeth Diller (1954) is often resident. Princeton sits in the heart of the New Jersey woods, literally and metaphorically, and despite its baronial coniferous presence, is most notable in architectural circles for its rhetorical rather than physical manufacture. Diller + Scofidio's is a marriage whose vicissitudes are etched all over their work.

Copyright © Cambridge University Press 2008