Hostname: page-component-848d4c4894-sjtt6 Total loading time: 0 Render date: 2024-06-13T21:57:10.590Z Has data issue: false hasContentIssue false

Foreword

Published online by Cambridge University Press:  01 January 2024

Brigitte Rollet*
Affiliation:
Institut d’études politiques (Sciences-Po), CHCSC-UVSQ, Paris, France
*
Brigitte Rollet, Institut d’études politiques (Sciences-Po), CHCSC-UVSq, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), 47 Boulevard Vauban, 78047 Guyancourt Cedex, France. Email: brigitte.rollet@uvsq.fr

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Gender, globalisation and cinema
Copyright
Copyright © ICPHS 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bartoli, H (2000) La Mondialisation doit être gouvernée, revue Quart Monde, 175, editionsquartmonde.org/rqm/document.php?id=2195.Google Scholar
Freitag, M (2010) L’Avenir de la société : globalisation ou mondialisation?, SociologieS, sociologies.revues.org/3379.Google Scholar
Higson, A (1989) The concept of national cinema, Screen, 30(4): 3647.CrossRefGoogle Scholar
Higson, A (2010) Transnational developments in European cinema in the 1920s, Transnational Cinemas 1(1): 6982.CrossRefGoogle Scholar