Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-05-17T12:37:02.568Z Has data issue: false hasContentIssue false
  • English
  • Français

Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance. Michelle Langford (London: Bloomsbury Academic, 2019). Pp. xiv, 278 (hardcover). ISBN 9781780762982

Review products

Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance. Michelle Langford (London: Bloomsbury Academic, 2019). Pp. xiv, 278 (hardcover). ISBN 9781780762982

Published online by Cambridge University Press:  18 July 2022

Blake Atwood
Blake Atwood*
Affiliation:
American University of Beirut, Lebanon (ba71@aub.edu.lb)
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Iranian Studies , Volume 55 , Issue 4 , October 2022 , pp. 1096 - 1098
Check for updates
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Association for Iranian Studies

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Nichols, Bill, “Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit,” Film Quarterly 47, no. 3 (1994): 16–30CrossRefGoogle Scholar.

2 Nichols, “Discovering Form, Inferring Meaning,” 18.

3 Ibid, 27.

4 See, for example, Askari, Kaveh, “Eastern Boys and Failed Heroes: Iranian Cinema in the World's Orbit,” Cinema Journal 57, no. 3 (2018): 29–53Google Scholar; Atwood, Blake, Reform Cinema in Iran: Film and Political Change in the Islamic Republic (New York: Columbia University Press, 2016)CrossRefGoogle Scholar; Partovi, Pedram, Popular Iranian Cinema before the Revolution: Family and Nation in Fīlmfārsī (New York: Routledge, 2017)CrossRefGoogle Scholar; and Rekabtalaei, Golbarg, Iranian Cosmopolitanism: A Cinematic History (Cambridge,UK: Cambridge University Press, 2019)CrossRefGoogle Scholar.