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Published online by Cambridge University Press: 29 June 2021
1 Smith, Mary Alice, Symphonies, ed. Graham-Jones, Ian, Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 38 (Middleton, WI: A-R editions, 2003)Google Scholar; Smith, Mary Alice, Two Overtures, ed. Graham-Jones, Ian, Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 45 (Middleton, WI: A-R editions, 2007)Google Scholar; Smith, Mary Alice, Ode to the Passions, ed. Graham-Jones, Ian, Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 76 (Middleton, WI: A-R editions, 2019)Google Scholar.
2 Smith, Alice Mary, Symphonies, London Mozart Players with Howard Shelley and Angela Malsbury (Chandos CHAN10283, 2005)Google Scholar. In addition, Smith's Clarinet Sonata in A is included in the recording Clarinet Repertoire of Women Composers (VDE-Gallo CD-1355, 2012) and a 1968–69 recording of her duet ‘O that we too were maying’ by the Purcell Consort of Voices can be heard on Music All Powerful: Music to Entertain Queen Victoria (Eloquence, ELQ480291, 2011).
3 ‘Mr Ganz's Orchestral Concerts’. Musical Standard 21, no. 883 (2 July 1881): 4.
4 See also Smith, Alice Mary, Sonata for Clarinet and Piano, ed. Platt, Richard and Graham-Jones, Ian (Bryn Mawr: Hildegard Publishing, 1998)Google Scholar.