Hostname: page-component-cb9f654ff-lqqdg Total loading time: 0 Render date: 2025-08-03T23:46:58.405Z Has data issue: false hasContentIssue false
  • English
  • Français

Felix Mendelssohn, Lieder ohne Worte - Selections from Lieder ohne Worte opp. 19b, 30, 38, 53, 62, 67, 85, 102 - Andante con variazioni in E-flat major op. 82 - Rondo capriccioso in E major op. 14 - Prelude and Fugue in E minor op. 35, no. 1 - Variations sérieuses in D minor op. 54 - Javier Perianes pf Harmonia Mundi 902195, 2014 (1 CD: 77 minutes), $17

Review products

Selections from Lieder ohne Worte opp. 19b, 30, 38, 53, 62, 67, 85, 102
Andante con variazioni in E-flat major op. 82
Rondo capriccioso in E major op. 14

Show more reviewed productsShow more reviewed products

Published online by Cambridge University Press:  27 October 2016

Angela Mace Christian
Angela Mace Christian*
Affiliation:
Colorado State University angela.christian@colostate.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Information

Type
CD Reviews
Information
Nineteenth-Century Music Review , Volume 13 , Issue 2 , December 2016 , pp. 378 - 380
Check for updates
Copyright
© Cambridge University Press 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

1 Todd, R. Larry, ‘Mendelssohn’s Lieder ohne Worte and the Limits of Musical Expression’, in Mendelssohn Perspectives, ed. Nicole Grimes and Angela R. Mace [Christian] (Aldershot: Ashgate, 2012): 197–222 Google Scholar.

2 Holman, Peter, ‘The First Early Music Concert in London’, Early Music Performer: Journal of the National Early Music Association 15 (May 2005): 4–18 Google Scholar.