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    Siopsi, Anastasia 2011. Introduction. Nineteenth-Century Music Review, Vol. 8, Issue. 01, p. 5.


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From Popular to Esoteric: Nikolaos Mantzaros and the Development of his Career as a Composer

  • Kostas Kardamis (a1)
  • DOI: http://dx.doi.org/10.1017/S1479409811000085
  • Published online: 27 June 2011
Abstract

Nikolaos Halikiopoulos Mantzaros (1795–1872) was a noble from Corfu and is better known today as the composer of the Greek national anthem. However, recent research has proved his importance as a teacher and as one of the most learned composers of his generation, renowned, in Italy and France as well as Greece.

The aim of this article is to present Mantzaros’ developing relationship as dilettante composer to the emerging European nineteenth-century music and aesthetics, as featured through his existing works and writings. In his early works (1815–27) Mantzaros demonstrates a remarkable creative assimilation of late eighteenth- and early nineteenth-century operatic idioms, whereas his aristocratic social status allowed him an eclectic relationship with music in general. From the late 1820s, Mantzaros also began setting Greek poetry to music, in this way offering a viable solution to the demand for ‘national music’.

From the mid-1830s onwards, Mantzaros’ already existing interest in Romantic idealism was broadened, affecting his work and thoughts. He stopped composing opera-related works and demonstrated a dual attitude towards music. On the one hand he continued composing popular music for the needs of his social circle, but on the other he developed an esoteric creative relationship with music. The latter led him as early as the 1840s to denounce the ‘extremities of Romanticism’ and to seek the musical expression of the sublime through the creative use of ‘the noble art of counterpoint’. This way he attempted to propose a re-evaluation of nineteenth-century trends through an eclectic neoclassicism, without neglecting the importance of subjective inspiration and genius.

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Email: kardamis@ionio.gr
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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

James Garratt , Palestrina and the German Romantic Imagination (Cambridge: Cambridge University Press, 2002)

James Garratt , ‘Prophets looking Backwards: German Romantic Historicism and the Representation of Renaissance Music’, Journal of the Royal Musical Association 125 (2000), 164204

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Nineteenth-Century Music Review
  • ISSN: 1479-4098
  • EISSN: 2044-8414
  • URL: /core/journals/nineteenth-century-music-review
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