Hostname: page-component-848d4c4894-wg55d Total loading time: 0 Render date: 2024-05-02T15:16:46.917Z Has data issue: false hasContentIssue false
  • English
  • Français

Liszt

Published online by Cambridge University Press:  13 April 2011

Shay Loya
Shay Loya
Affiliation:
Durham University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
CD Reviews
Information
Nineteenth-Century Music Review , Volume 5 , Issue 1 , June 2008 , pp. 142 - 146
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 We have Liszt's own words from 1875 to support this. See Gibbs, Christopher H. and Gooley, Dana (eds), Franz Liszt and his World (Princeton, NJ, and Oxford: Princeton University Press, 2006): 406Google Scholar.

2 I have a small quibble here though: these three works do not work as effectively outside the context of the Années II. As songs they had a different order, key and therefore developmental logic. I wish we had a full recording of the Italian cycle, but then this is enough to be thankful for.

3 See Brendel's 1968 Vanguard recording, Szidon's 1973 Deutsche Gramophone and Sziffra's 1975 EMI.