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Simon P. Keefe, Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception (Cambridge: Cambridge University Press, 2023). xii + 254 pp.

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Simon P. Keefe, Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception (Cambridge: Cambridge University Press, 2023). xii + 254 pp.

Published online by Cambridge University Press:  01 September 2025

Jonathan Kregor Open the ORCID record for Jonathan Kregor [Opens in a new window]
Jonathan Kregor*
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College-Conservatory of Music, University of Cincinnati, Cincinnati, OH, USA
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Email: kregorjn@ucmail.uc.edu
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Book Review
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Nineteenth-Century Music Review , Volume 22 , Special Issue 2: Playing the Classics in the Nineteenth Century , August 2025 , pp. 288 - 292
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© The Author(s), 2025. Published by Cambridge University Press.

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References

1 Regarding this thesis as it pertains to Haydn, Keefe is pushing back against Bryan Proksch, Reviving Haydn: New Appreciations in the Twentieth Century (Rochester, NY: University of Rochester Press, 2015).

2 Here, ‘Original’ should be taken to mean unique to the periodical and not necessarily an original, new creation.

3 Ellet’s highly regarded translations include The Characters of Schiller (1839), which includes several of his poems, and Evenings at Woodlawn (1849), a selection of folk tales ‘from the traditions of European countries’.

4 Allgemeine musikalische Zeitung mit besonderer Rücksicht auf den österreichischen Kaiserstaat 4, no. 89 (4 November 1820), col. 705ff.

5 ‘Notizen’, Allgemeine musikalische Zeitung 19, no. 40 (1 October 1817), cols. 689–90, at 690.

6 The Oxen Waltz is freely available at https://books.google.com/books?id=qI3QehMWm4wC, while public domain images of the statues abound online.