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Impure Thinking Practices and Clinical Acts: The sonorous becomings of Heidi Fast

  • Gascia Ouzounian (a1)
  • DOI: http://dx.doi.org/10.1017/S1355771809000107
  • Published online: 01 April 2009
Abstract

This article introduces the recent sound works of Heidi Fast, a Finnish voice and performance artist. Fast’s creative practice operates between art and philosophy, and articulates several ‘zones of becoming’: what Fast designates as ‘the clinical’, ‘the virtual’ and ‘vocal thought-material’. Using a methodology of routing, the article shows how these zones emerge as aesthetic, ethical and political concerns within Fast’s work.

Since 2005, Fast’s sound works have variously taken shape as miniature concerts, social sculptures, imaginary soundscapes and environmental music performances. Drawing upon the writings of theorists who have helped shape her practice, this article argues that Fast uses sound and voice to propose an ‘actualising philosophy’. This philosophy actualises virtualities (unrealised potentials), affecting transformative shifts through tiny mutations in perceptions and behaviours.

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

J Bennett . 2004. The Force of Things: Steps toward an ecology of matter. Political Theory 32(3): 347372.

D Smith . 1997 [1993]. Introduction. In G. Deleuze Essays Critical and Clinical. Trans. D. Smith and M. A. Greco. Minneapolis: University of Minnesota Press.

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Organised Sound
  • ISSN: 1355-7718
  • EISSN: 1469-8153
  • URL: /core/journals/organised-sound
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