2010. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke University Press.
2015. Systems and Things. On Vital Materialism and Object-Oriented Philosophy. In R. Grusin (ed.) The Nonhuman Turn. Minneapolis, MN: University of Minnesota Press.
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1994. Audio-Vision: Sound on Screen, ed. and trans. C. Gorbman. New York: Columbia University Press.
2013. Multimedia Collaboration as Art Practice. Master of Music in Composition, The University of Waikato.
2015. Audiovisual Installation as Ecological Performativity. Proceedings of the 21st International Symposium of Electronic Art (ISEA2015), Vancouver.
2011. Beyond Representation and Signification: Toward a Sonic Materialism. Journal of Visual Culture
2003. Hyperimprovisation: Computer-Interactive Sound Improvisation. Middleton, WI: A-R Editions.
2009. Motion Parallax. In conjunction with the exhibition Motion Parallax at MIC Toi Rerehiko. Auckland, New Zealand.
2016. Affective Modes of Cinematic Inquiry: Oil and Subjective Distance in Crude. Philosophy, Activism, Nature
2010. ‘Comprovisation’: The Various Facets of Composed Improvisation within Interactive Performance Systems. Leonardo Music Journal
1919. The Uncanny, trans. D. McLintock. New York: Penguin Books.
Grusin, R. (ed.) 2015. The Nonhuman Turn. Minneapolis, MN: University of Minnesota Press.
2014. Staying with the Trouble: Sympoiesis, String Figures, Multispecies Muddles. Paper presented at Knowings and Knots: Methodologies and Ecologies in Research Creation, University of Alberta, Edmonton.
2010. Where Good Ideas Come From: The Natural History of Innovation. London: Allen Lane.
2016. Against Ambience and Other Essays. New York and London: Bloomsbury Academic.
Manning, E. and Massumi, B.
2014. Thought in the Act: Passages in the Ecology of Experience. Minneapolis, MN: University of Minnesota Press.
2011. Semblance and Event: Activist Philosophy and the Occurrent Arts. Cambridge, MA: MIT Press.
2007. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, MA and London: Harvard University Press.
2010. The Ecological Thought. Cambridge, MA and London: Harvard University Press.
2013a. Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis, MN: University of Minnesota Press.
2013b. Realist Magic: Objects, Ontology, Causality. Ann Arbor, MI: Michigan Publishing, Open Humanities Press.
Myers, N. and Dumit, J.
2011. Haptic Creativity and the Mid-Embodiments of Experimental Life. In F. E. Mascia-Less (ed.) A Companion to the Anthropology of the Body and Embodiment. Oxford: Blackwell.
2009. Perceptually Motivated Sonification of Moving Images. Paper presented at International Computer Music Conference, Montreal, Canada.
2008. Aesthetic Separation, Aesthetic Community: Scenes from the Aesthetic Regime of Art. Art & Research: A Journal of Ideas, Contexts and Methods
2010. Dissensus: On Politics and Aesthetics, trans. S. Corcoran. London: Continuum.
2001. Microsound. Cambridge, MA: MIT Press.
2015. Alien Agency: Experimental Encounters with Art in the Making. Cambridge, MA: MIT Press.
2005. An Ecology of Practices. Cultural Studies Review
1986. Sculpting in Time. Austin, TX: University of Texas Press.
2015. Paradigm Shifts and Electroacoustic Music: Some Personal Reflections. Organised Sound
van Dooren, T.
2014. Flight Ways. New York: Columbia University Press.