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    Deusany de Carvalho, Antonio 2015. 2015 Latin American Computing Conference (CLEI). p. 1.

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    Blackwell, Alan F. 2014. Palimpsest: A layered language for exploratory image processing. Journal of Visual Languages & Computing, Vol. 25, Issue. 5, p. 545.


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    Roberts, Charles 2014. Proceedings of the ACM International Conference on Multimedia - MM '14. p. 699.

    Aghaee, Saeed and Pautasso, Cesare 2013. 2013 1st International Workshop on Live Programming (LIVE). p. 1.

    Aghaee, Saeed Pautasso, Cesare and De Angeli, Antonella 2013. 2013 IEEE Symposium on Visual Languages and Human Centric Computing. p. 111.

    Swift, Ben Sorensen, Andrew Gardner, Henry and Hosking, John 2013. 2013 1st International Workshop on Live Programming (LIVE). p. 27.

    Tanimoto, Steven L. 2013. 2013 1st International Workshop on Live Programming (LIVE). p. 31.

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Live coding in laptop performance

  • NICK COLLINS (a1), ALEX McLEAN (a2), JULIAN ROHRHUBER (a3) and ADRIAN WARD (a4)
  • DOI: http://dx.doi.org/10.1017/S135577180300030X
  • Published online: 01 December 2003
Abstract

Seeking new forms of expression in computer music, a small number of laptop composers are braving the challenges of coding music on the fly. Not content to submit meekly to the rigid interfaces of performance software like Ableton Live or Reason, they work with programming languages, building their own custom software, tweaking or writing the programs themselves as they perform. Often this activity takes place within some established language for computer music like SuperCollider, but there is no reason to stop errant minds pursuing their innovations in general scripting languages like Perl. This paper presents an introduction to the field of live coding, of real-time scripting during laptop music performance, and the improvisatory power and risks involved. We look at two test cases, the command-line music of slub utilising, amongst a grab-bag of technologies, Perl and REALbasic, and Julian Rohrhuber's Just In Time library for SuperCollider. We try to give a flavour of an exciting but hazardous world at the forefront of live laptop performance.

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Organised Sound
  • ISSN: 1355-7718
  • EISSN: 1469-8153
  • URL: /core/journals/organised-sound
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