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    Malloch, Joseph Sinclair, Stephen and Wanderley, Marcelo M. 2015. Distributed tools for interactive design of heterogeneous signal networks. Multimedia Tools and Applications, Vol. 74, Issue. 15, p. 5683.
    Van Nort, Doug Wanderley, Marcelo M. and Depalle, Philippe 2014. Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal, Vol. 38, Issue. 3, p. 6.
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    Serquera, Jaime and Miranda, Eduardo Reck 2014. Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design. Computer Music Journal, Vol. 38, Issue. 4, p. 38.
    Heinrichs, Christian and Mcpherson, Andrew 2014. Mapping and interaction strategies for performing environmental sound. p. 25.
    Paine, Garth 2013. New Musical Instrument Design Considerations. IEEE MultiMedia, Vol. 20, Issue. 4, p. 76.
    Jensenius, Alexander Refsum 2013. Structuring Music through Markup Language. p. 135.
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Mapping performer parameters to synthesis engines

  • Andy Hunt (a1) and Marcelo M. Wanderley (a2)
Abstract

This paper considers the issues involved in the design of electronic and computer interfaces, specifically mapping - the designed link between an instrument's playing interface and its sound source. It defines the problem area, reviews the literature, and gives examples of specific system mappings. A general model is presented, with the aim of providing a framework for future discussions on what makes an effective mapping. Several guidelines for mapping strategies are given, based on existing work.

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© 2002 Cambridge University Press
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Organised Sound
  • ISSN: 1355-7718
  • EISSN: 1469-8153
  • URL: /core/journals/organised-sound
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