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Promoting Environmental Awareness through Context-based Composition

Published online by Cambridge University Press:  26 December 2017

Carolyn Philpott
Carolyn Philpott*
Affiliation:
Conservatorium of Music, School of Creative Arts, University of Tasmania, Private Bag 63, Hobart 7001, Tasmania, Australia
*
Email: Carolyn.Philpott@utas.edu.au
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Abstract

Cheryl E. Leonard is a San Francisco-based composer, performer and instrument maker who utilises sounds from natural objects and field recordings to create innovative compositions that are aesthetically appealing and also promote environmental awareness. This article examines Leonard’s work Antarctica: Music from the Ice (2009–2014), which comprises ten context-based pieces created from sounds produced with natural objects (such as penguin bones, rocks and shells) and field recordings the composer collected during her visit to Antarctica in 2008–9. In particular, the article focuses on the pieces Lullaby for E Seals, White on White, Greater than 20 Knots and Ablation Zone, showing how Leonard draws attention to pertinent environmental issues through her work, while at the same time producing compositions that are aurally pleasing and engaging for performers and listeners alike.

Type
Articles
Information
Organised Sound , Volume 23 , Special Issue 1: Context-based Composition , April 2018 , pp. 39 - 50
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Copyright
© Cambridge University Press 2017 

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References

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DISCOGRAPHY

Leonard, C. 2010. Chattermarks: Field Recordings from Palmer Station, Antarctica. San Francisco, CA: Great Hoary Marmot Music, 884501266925.Google Scholar
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