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Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).

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Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).

Published online by Cambridge University Press:  07 April 2022

MANUEL PEDRO FERREIRA*
Affiliation:
(mpferreira@fcsh.unl.pt)

Abstract

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Type
Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 Ribera, Julián y Tarragó, , La música de las cantigas: estudio sobre su orígen y naturaleza (Madrid: Real Academia Española, 1922)Google Scholar.

2 Davila, Carl, ‘Fixing a Misbegotten Biography: Ziriāb in the Mediterranean World’, al-Masāq, 21/2 (2009), 121–36CrossRefGoogle Scholar; idem, The Andalusian Music of Morocco (Wiesbaden: Reichert, 2013). Christian Poché, ‘Un nouveau regard sur la musique d'al-Andalus: le manuscrit d'al-Tīfāshī’, Revista de musicología, 16/1 (1993), 367–79; idem, La musique arabo-andalouse (Paris: Actes Sud, 1995); idem, Ziryab, musicien andalou. Histoire et légende (Paris: Riveneuve, 2012).

3 Shai Burstyn, ‘The “Arabian Influence” Thesis Revisited’, Current Musicology, 45–7 (1990), 119–46.

4 T. Monroe, James, ‘The Tune or the Words? (Singing Hispano-Arabic Strophic Poetry)’, Al-Qanṭara, 8 (1987), 265317Google Scholar.

5 Beltrán, Vicente, ‘De zéjeles y dansas: orígenes y formación de la estrofa con vuelta’, Revista de Filología Española, 64/3 (1984), 239–66CrossRefGoogle Scholar; Ferreira, Manuel Pedro, ‘Rondeau and Virelai: The Music of Andalus and the Cantigas de Santa Maria’, Plainsong & Medieval Music, 13/2 (2004), 127–40CrossRefGoogle Scholar.

6 Ferreira, ‘Rondeau and Virelai’; idem, ‘Rhythmic Paradigms in the Cantigas de Santa Maria: French versus Arabic Precedent’, Plainsong and Medieval Music, 24/1 (2015), 1–24.