Hostname: page-component-76c49bb84f-lxspr Total loading time: 0 Render date: 2025-07-10T18:47:47.628Z Has data issue: false hasContentIssue false
  • English
  • Français

Reading Interface

Published online by Cambridge University Press:  23 October 2020

Johanna Drucker
Get access Rights & Permissions [Opens in a new window]

Extract

Interface, we think, is the screen, the display, the portal into the online world or computer. The GUI (Graphical User Inter-face), with its menu bars and navigational buttons, is so familiar that we tend to overlook the “gooeyness” of it—the mutable, mediating activity—and take interface for a thing, static, stable, and fixed. Or we take it as a representation of computational processes, a convenient translation of what is “really going on” inside. Neither could be further from actuality.

Information

Type
The Changing Profession
Information
PMLA , Volume 128 , Issue 1 , January 2013 , pp. 213 - 220
Copyright
Copyright © 2013 by The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Works Cited

Abrams, Meyer Howard. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Oxford UP, 1953. Print.Google Scholar
Ackerman, Samuel K. Dimensions of Culture and Global Web User-Interface Design. Emeryville: Marcus, 2001. PDF file.Google Scholar
Bender, Gretchen, and Druckrey, Timothy, eds. Culture on the Brink. Seattle: Bay, 1994. Print.Google Scholar
Ben Shneiderman. U of Maryland, n.d. Web. 16 Nov. 2012.Google Scholar
Booth, Charlotte. Alan Kay and the Graphical User Interface. N.p.: n.p., n.d. PDF file.Google Scholar
Bowker, Geoffrey, and Susan Star. Sorting Things Out. Cambridge: MIT P, 1999. Print.Google Scholar
Ciula, Arianna. “The New Edition of the Letters of Vincent Van Gogh on the Web.” Digital Humanities Quarterly 4.2 (2010): n. pag. Web. 16 Nov. 2012.Google Scholar
“Command-Line Interface.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, 11 Nov. 2012. Web. 16 Nov. 2012.Google Scholar
Engelbart, Douglas C. “Augmenting Human Intellect: A Conceptual Framework.” Augmenting Human Intellect: A Conceptual Framework. Doug Engelbart Inst., Oct. 1962. Web. 16 Nov. 2012.Google Scholar
The Father of Virtual Reality: Morton L. Heilig (1926-1997). N.p., n.d. Web. 16 Nov. 2012.Google Scholar
Garrett, Jesse James. “The Elements of the User Experience.”JJG.net. N.p., 2004. Web. 16 Nov. 2012.Google Scholar
Hiltzik, Michael. Dealers of Lightning: Xerox PARC and the Dawn of the Computer Age. New York: Harper, 1999. Print.Google Scholar
Hoffman, Donald D. The Interface Theory of Perception: Natural Selection Drives True Perception to Swift Extinction. N.p.: n.p., 2009. PDF file.Google Scholar
Jenkins, Henry, and Thorburn, David, eds. Democracy and New Media. Cambridge: MIT P, 2003. Print.CrossRefGoogle Scholar
Krug, Steve. Don't Make Me Think. Indianapolis: New Riders, 2005. Print.Google Scholar
Laurel, Brenda, ed. The Art of Human-Computer Interface Design. Reading: Addison, 1990. Print.Google Scholar
Laurel, Brenda. Computers as Theatre. Reading: Addison, 1991. Print.Google Scholar
Lynch, Patrick J. “Visual Design for the User Interface Part 1: Design Fundamentals.” Journal of Biocommunications 21.1 (1994): 22–30. Yale Center for Advanced Instructional Media. Web. 27 Dec. 2012.Google Scholar
McGann, Jerome J. Radiant Textuality. New York: Palgrave, 2001. Print.CrossRefGoogle Scholar
“Microsoft Bob.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, 16 Nov. 2012. Web. 16 Nov. 2012.Google Scholar
Morse, Margaret. Virtualities. Bloomington: Indiana UP, 1998. Print.Google Scholar
“Myron W. Krueger.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, 10 May 2012. Web. 16 Nov. 2012.Google Scholar
Nielson, Jakob. Designing Web Usability. Indianapolis: New Rider, 2000. Print.Google Scholar
Norman, Donald. User Centered System Design. Hillsdale: Erlbaum, 1986. Print.Google Scholar
“Object-Oriented Programming.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, 12 Nov. 2012. Web. 16 Nov. 2012.Google Scholar
Parkes, M. B. “The Influence of the Concepts of Ordinatio and Compilatio on the Development of the Book.” Scribes, Scripts, and Readers. London: Hambledon, 1991. Print.Google Scholar
Penny, Simon. “Consumer Culture and the Technological Imperative: The Artist in Dataspace.” Digital Culture Readings. Dept. of Studio Art, U of California, Irvine, 2006. Web. 2 Nov. 2012.Google Scholar
Shneiderman, Ben. “Shneiderman's ‘Eight Golden Rules of Interface Design.‘” Josh Tenenberg's Homepage. N.p., n.d. Web. 2 Nov. 2012.Google Scholar
Soegaard, Mads. “Gestalt Principles of Form Perception.” Interaction Design Foundation. Interaction Design Foundation, n.d. Web. 13 Nov. 2012.Google Scholar
Sutherland, Ivan Edward. “Sketchpad: A Man-Machine Graphical Communication System.” Technical Report Number 574. U of Cambridge Computer Laboratory, Sept. 2003. Web. 16 Nov. 2012.Google Scholar
Thurlow, Crispin, Lengel, Laura, and Tomic, Alice, eds. Computer Mediated Communication: Social Interaction and the Internet. London: Sage, 2004. Print.Google Scholar
Vincent van Gogh: The Letters. Van Gogh Museum; Huygens Inst., June 2012. Web. 16 Nov. 2012.Google Scholar
Warde, Beatrice. “The Crystal Goblet; or, Printing Should Be Invisible.” The Crystal Goblet: Sixteen Essays on Typography. Selected and ed. Henry Jacob. Cleveland: World, 1956. 11–17. Print.Google Scholar
Web Resources Related to Jaron Lanier. N.p., n.d. Web. 16 Nov. 2012.Google Scholar