Hostname: page-component-76fb5796d-wq484 Total loading time: 0 Render date: 2024-04-26T04:38:49.459Z Has data issue: false hasContentIssue false
  • English
  • Français

Media and Cultural Hybridity in the Digital Humanities

Published online by Cambridge University Press:  02 October 2020

Élika Ortega
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Theories and Methodologies
Information
PMLA , Volume 135 , Issue 1: Special Topic Varieties of Digital Humanities , January 2020 , pp. 159 - 164
Copyright
Copyright © 2020 Élika Ortega

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

“About Rhizomatica.” Rhizomatica, 2015, www.rhizomatica.org/.Google Scholar
Anduiza, E., et al. “Mobilization through Online Social Networks: The Political Protest of the Indignados in Spain.” Information, Communication and Society, 18 June 2013, www.tandfonline.com/doi/abs/10.1080/1369118X.2013.808360.CrossRefGoogle Scholar
Boluk, Stephanie, and LeMieux, Patrick. Metagaming: Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames. U of Minnesota P, 2017.Google Scholar
Bridle, James. “About.” The New Aesthetic, new-aesthetic.tumblr.com/about.Google Scholar
Bridle, James “The New Aesthetic and Its Politics.” Booktwo.org, 12 June 2013, booktwo.org/notebook/new-aesthetic-politics/.Google Scholar
Cramer, Florian. “What Is ‘Post-digital‘?” A Peer-Reviewed Journal about Post-digital Research, www.aprja.net/?p=1318.Google Scholar
@elotroalex (Alex Gil). “also, no need to look beyond the following argument: we are in the process of constructing a hybrid (half print, half digital) scholarly record. based on the digital side of the house we can ask and answer new questions with algorithms and networks. That's it. Good luck!” Twitter, 7 Mar. 2018, 5:45 p.m., twitter.com/elotroalex/status/971517215882272768.Google Scholar
Emerson, Lori. Reading Writing Interfaces: From the Digital to the Bookbound. U of Minnesota P, 2014.CrossRefGoogle Scholar
“Featured Project.” Manifold, 2019, manifoldapp.org/community.Google Scholar
García Canclini, Néstor. Hybrid Cultures: Strategies for Entering and Leaving Modernity. U of Minnesota P, 1995.Google Scholar
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. MIT Press, 2006.CrossRefGoogle Scholar
Goldsmith, Kenneth. “Post-Internet Poetry Comes of Age.” The New Yorker, 10 Mar. 2015, www.newyorker.com/books/page-turner/post-internet-poetry-comes-of-age.Google Scholar
Hayles, N. Katherine. Writing Machines. MIT Press, 2002.CrossRefGoogle Scholar
Hayles, N. Katherine, and Pressman, Jessica, editors. Comparative Textual Media Transforming the Humanities in the Postprint Era. U of Minnesota P, 2013.CrossRefGoogle Scholar
“Integrate.” Manifold, 2019, manifoldapp.org/.Google Scholar
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York UP, 2006.Google Scholar
Jensen, Klaus Bruhn. Media Convergence: The Three Degrees of Network, Mass, and Interpersonal Communication. Routledge, 2010.CrossRefGoogle Scholar
Krinsky, John, and Crossley, Nick. Introduction. Social Movements and Social Networks, special issue of Social Movement Studies, Vol. 13, No. 1, 2013, pp. 1–21.CrossRefGoogle Scholar
Liu, Alan. “Imagining the New Media Encounter.” Introduction. A Companion to Digital Literary Studies, edited by Siemens, Ray and Shreibman, Susan, Wiley-Blackwell, 2008, pp. 3–25.Google Scholar
Ludovico, Alessandro. Post-digital Print: The Mutation of Publishing since 1894. Onomatopee, 2012.Google Scholar
Lydiate, Henry. “Post-Internet Art.” Art Monthly, no. 375, Apr. 2014, p. 37.Google Scholar
The Multigraph Collective. Interacting with Print: Elements of Reading in the Era of Print Saturation. U of Chicago P, 2018.Google Scholar
Oceanic Exchanges: Tracing Global Information Networks in Historical Newspaper Repositories, 1840-1914. Oceanic Exchanges, oceanicexchanges.org/.Google Scholar
Parikka, Jussi. What Is Media Archaeology? Polity Press, 2012.Google Scholar
Parikka, Jussi, and Huhtamo, Erkki. Media Archaeology: Approaches, Applications, and Implications. U of California P, 2011.Google Scholar
Postman, Neil. Technopoly: The Surrender of Culture to Technology. Vintage, 1992.Google Scholar
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. 1992. 2nd ed., Routledge, 2008.Google Scholar
Pressman, Jessica. “The Aesthetic of Bookishness in Twenty-First-Century Literature.” Bookishness: The New Fate of Reading in the Digital Age, special issue of Michigan Quarterly Review, Vol. 48, No. 4, Fall 2009, pp. 465–82.Google Scholar
Risam, Roopika. New Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy. Northwestern UP, 2018.CrossRefGoogle Scholar
Saum-Pascual, Alex. #Postweb! Crear con la máquina y en la red. Iberoamericana/Vervuert, 2018. Nuevos hispanismos 24.CrossRefGoogle Scholar
Seita, Sofie. “Thinking the Unprintable in Contemporary Post-digital Publishing.” Chicago Review, Vol. 60, No. 4, Winter 2017, pp. 175–94.Google Scholar
Tarafdar, Pratik, and Seetharaman, Priya. “Social Movements in the Age of Social Media: A Structural and Content-Based Analysis.” Proceedings of the 2017 ACM SIGMIS Conference on Computers and People Research, ACM Press, 2017, pp. 109–12.Google Scholar
Trettien, Whitney, and Daly, Liza. Digital Book History. Price Lab for Digital Humanities / Mellon Foundation, digitalbookhistory.com/.Google Scholar