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Nash and the Earlier Hamlet

Published online by Cambridge University Press:  02 December 2020

Extract

The sceptical reconsideration of accepted theories is often of advantage in revealing weak points and establishing strong ones; Professor Jack's paper on Thomas Kyd and the Ur-Hamlet in the last issue of the Publications will no doubt be of service in both these ways; but it does not seem likely that his interpretation of the well known passage from Nash's prefatory epistle to Greene's Menaphon will displace that “all but universally accepted by scholars.” It is, however, ingenious enough to merit careful examination from the conservative point of view. On the broader issue Mr. Jack has raised, it is to be remembered, in the first place, that this passage is by no means the only evidence of an earlier Hamlet. The entry in Henslowe's Diary under date June 9, 1594, and the reference in Lodge's Wit's Miserie (1596) to “the ghost, which cried so miserally at the theator, like an oisterwife, Hamlet revenge” prove conclusively the existence of a play on the subject of Hamlet at a date when Shakspere's tragedy was unknown, if we are to be guided by its omission from the Meres list and the unanimous opinion of Shaksperean critics. The general resemblance of the earlier Hamlet, so far as it can be divined, to the type of revenge-play of which The Spanish Tragedy is the most conspicuous example, must also be borne in mind; but these are considerations familiar to students of the Elizabethan drama, and need not be urged here. Let us turn to the new interpretation of Nash's reference to contemporary literature, and see how far it is borne out by the text.

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 1906

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References

page 193 note 1 On this point Professor Thorndike's contribution to the Publications of 1902 is of capital importance; there are some additional details in Otto Michael's Der Stil in Thomas Kyds Originaldramen (Berlin Doctoral Thesis, 1905).

page 195 note 1 Professor Churton Collins in his new edition of Greene, which came into my hands after the above was in type, says in his General Introduction (p. 41), in a discussion of Nash's Epistle from an altogether different point of view, viz., its bearing on the chronology of Greene's plays: “The plain object of the whole discourse is to pour contempt on Marlowe, and the Tamburlaine circle, and to contrast them to their disadvantage with the illustrious scholars associated with Saint John's College, Cambridge, and with such translators and poets as Gascoigne, Turberville, Golding, Phaer, Watson, Spenser, Atchelow, Peele, and Warner. It is an attempt to rally what may be called an Academic party against Marlowe and his partisans, who were now on the flood-tide of the popular success of Tamburlaine, and to exalt Greene's novels with their scholarly elaboration and their temperatum dicendi genus over ‘kill-cow conceits and the spacious volubilities of a drumming decasyllabon.’”