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“That music which in different countries serves for the enjoyment of the people according to the custom of the land is called deçï (folk-music).”
Here we have the indigenous definition of folk-music, given to mark the distinction between this music and mãrga-music; that is to say, classical or art-music, a different thing altogether. This mãrga music is not primarily for the enjoyment of the people, but is considered as a means to salvation, namely, the breaking of the endless succession of birth, death and re-birth. It is of divine origin, brought down to our times by an unbroken succession of teachers, not only considered as music masters but definitely as spiritual preceptors. The superior attitude of the exponents of classical music towards deçï, popular or country-music, finds its origin in this spiritual claim of mārga-music. Nevertheless folk-music naturally is one of the parents of art-music whether the latter acknowledges this parenthood or not.
1 The numbers in brackets refer to the series of phonograph records Bake India II of the phonogram archives preserved in the Berlin State Museum of Ethnology.Google Scholar
∗ The relationship is not always by blood but often that of master and pupil.Google Scholar
