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Rota and Rondellus in English Medieval Music

Published online by Cambridge University Press:  01 January 1959

Frank L L. Harrison
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Extract

A Rondellus is a round; a rota is a canon at the unison. The rondellus is much the senior of the two, though in some of its moods it does not at all behave like a venerable relic of the Middle Ages. But that is what it is, and in its early life it had a respectable place in the music of the church. It is true that during some of that time one might have heard rounds sung in every ale-house, but if so nobody bothered to write them down, and the first printed collection is no earlier than 1609.

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Articles
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Proceedings of the Royal Musical Association , Volume 86 , 1959 , pp. 98 - 107
Copyright
Copyright © Royal Musical Association, 1959

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References

1 Facsimile in Early English Harmony, ed. H. E. Wooldridge, London, 1897, Pl.39.Google Scholar

2 See Monumenta Monodica Medii Aevi, ed. B. Stäblein, i, Kassel and Basel, 1956, pp. 532–7.Google Scholar

3 The Ordιnale of St. Mary's Abbey, York, ed. L. McLachlan and J. B. L. Tolhurst, ii, London, 1937, p. 189.Google Scholar

4 British Museum, MS Royal 2.D.xxii, f.109.Google Scholar

5 The hymn Wulstane praesul inclιte for the feast of St. Wulstan in the Worcester Antiphonal (Paléographie musicale, xii, pl.3∗; printed in Stablein, op. cit., p. 178) has the refrain fidget dies (ista) after each line.Google Scholar

6 Cambridge University Library, MS Ff.1.17, f.4v; facsimile in Early English Harmony, ed. H. E. Wooldrιdge, London, 1897, pl.28.Google Scholar

7 Ed. G. R. Woodward, London, 1910, p. 18.Google Scholar

8 Bodleian Library, Printed Book, Wood 591.Google Scholar

9 Some extracts from Salve mater misericordiae are printed in my Music in Medieval Brιtain, London, 1958, pp. 139–41.Google Scholar

10 Printed in Historical Anthology of Music, ed. A. T. Davison and W. Apel, i, Cambridge, Mass., 1949, No. 57, and in The Worcester Fragments, ed. L. A. Dittmer, New York, 1957, No. 46.Google Scholar

11 Dittmer, Nos. 19, 56.Google Scholar

12 Polyphonies du XIIIe siècle, ed. Y. Rokseth, 4 vols., Parıs, 1935–9, No. 339; Davison and Apel, No. 33a.Google Scholar

13 Rokseth, Nos. 340–1; also in part in Oxford, New College, MS 362. It is certainly by an English composer.Google Scholar

14 MS Hatton 81, ff.2, 45v.Google Scholar

15 Discussion and transcription in M. F. Bukofzer, Studies ιn Medieval and Renaissance Music, New York, 1950, Chap. I.Google Scholar

16 Medieval Carols, ed. J. Stevens, (Musica Britannica, iv), London, 1952, No. 25.Google Scholar

17 Cambridge, Magdalene College, Pepys MS 1236, f. 124v.; partly printed in Music in Medieval Britain, p. 415.Google Scholar

18 Printed in The Eton Ckoιrbook: III, ed. F. LI. Harrison, (Musica Britannica, xii), London, 1960, p. 135.Google Scholar

19 British Museum, MS Add.31922.Google Scholar

20 See Stevens, J., ‘Rounds and Canons from an Early Tudor Songbook’, Music and Letters, xxxii (1951), 29–37.CrossRefGoogle Scholar