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Carol J. Purtle. The Marian Paintings of Jan van Eyck. Princeton: Princeton University Press, 1982. 81 pls. + xviii + 221 pp. $45.

Published online by Cambridge University Press:  20 November 2018

Dana Goodgal
Dana Goodgal*
Affiliation:
Columbia University
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Type
Reviews
Information
Renaissance Quarterly , Volume 36 , Issue 4 , Autumn 1983 , pp. 590 - 594
Copyright
Copyright © Renaissance Society of America 1983

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References

1 Huizinga, J., “Dc kunst der Van Eyck's in het leven van hun tijd,” De Gids, 80, no. 2 (1916), 440-62Google Scholar; no. 3, 52-82.

2 Those readers interested in Purtle's discussion of espousal between Christ and his Church may also wish to consult Peeters, F., “Les noces eucharistiques de l'Agneau,” Revue beige d'archéologie et d'histoire de Van, 2 (1932), 144-53Google Scholar.

3 Panofsky, Erwin, Early Netherlandish Paintings: Its Origins and Character (Cambridge, Mass., 1953)Google Scholar; Waagen, Gustav, Ueher Hubert und Johann van Eyck (Breslau, 1822)Google Scholar.

4 Coremans, P., L'Agneau Mystique au Laboratoire; Examen et Traitement (Antwerp, 1953). pp. 119-20Google Scholar; plate 72.

5 Meiss, Millard, “‘Highlands’ in the Lowlands; Jan van Eyck, the Master of Flémalle and the Franco-Italian Tradition,” Gazette des Beaux-Arts, ser. 6, 57 (1961), 273–314 Google Scholar.