Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-05-19T13:39:22.568Z Has data issue: false hasContentIssue false
  • English
  • Français

Pisanello Redux

Published online by Cambridge University Press:  20 November 2018

Joanna Woods-Marsden
Joanna Woods-Marsden*
Affiliation:
University Of California, Los Angeles
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essay
Information
Renaissance Quarterly , Volume 55 , Issue 2 , Summer 2002 , pp. 662 - 676
Copyright
Copyright © Renaissance Society of America 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baxandall, Michael. 1971. Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition, 1350-1450. Oxford.Google Scholar
Hill, George Francis. 1930. A Corpus of Italian Medals of the Renaissance before Cellini. 2 vols. London.Google Scholar
Cordellier, Dominique. 1995. “Documenti efonti su Pisanello (1395-1581 c.).” In Verona Illustrata, Vol. 8.Google Scholar
Cordellier, Dominique and Bernardette, by, eds. 1998. Pisanello: Actes du colloque organise” au Muste du Louvre, les 26, 27 et 28 juin 1996. 2 vols. Paris.Google Scholar
Degenhart, Bernhard. 1973. “Pisanello in Mantua.” Pantheon 31: 364–411.Google Scholar
Degenhart, Bernhardand Annegrit, Schmitt, with essays by Eberhardt, H.-J. and Brigit, Blass-Simmen. 1995. Pisanello undBono da Ferrara. Munich.Google Scholar
Paccaguini, Giovanni. 1972. Pisanello e il ciclo cavalleresco di Mantova. Milan.Google Scholar
Peretti, Gianni. 1998. “Pisanello a Marmirolo: un document indit.” In Cordellier and Py, eds., 1: 29–41.Google Scholar
Pisanello: le peintre aux sept vertus. 1996. Paris.Google Scholar
Puppi, Lionello, et al. 1996. Pisanello: una poetica dell'inatteso. Milan.Google Scholar
Woods-Marsden, Joanna. 1988. The Gonzaga of Mantua and Pisanello's Arthurian Frescoes. New Haven.Google Scholar
Woods-Marsden, Joanna. 1998. “Pisanello et le Moi: la naissance de l'autoportrait autonome.” In Cordellier and Py, 1: 263-95.Google Scholar
Woods-Marsden, Joanna. 2001. “Portrait of the Lady, 1430- 1520.” In Virtue and Beauty: Leonardo da Vinci's Ginevra da Benci and Renaissance Portraits of Women, 63–87. Washington, D.C.Google Scholar
Woods-Marsden, Joanna. 2002. Review of Luke Syson and Dillian Gordon. Pisanello: Painter to the Renaissance Court. In The Medal, Vol. 40.Google Scholar