In 330 BCE, before a jury of 501 Athenian citizens, the statesman Demosthenes delivered what would become his most famous court speech, On the Crown. Commentators have called the speech “tragic” owing to the litigant's unusual appropriation of tropes from Attic tragedy to make his case. I offer an alternative reading of Demosthenes's speech that rests upon an alternative approach to theorizing democratic judgment. I argue that the rhetorical force and political significance of Demosthenes's metaphors, linguistic expressions and ideas depend upon the institutional setting in which they were delivered. This is because within each institutional site, a specific political practice of judgment is taking place that structures the reception of and response to ideas and images. Demosthenes's speech is in fact “anti-tragic” and reflects the democratic practice for which it was created.

Through a new argumentative strategy, this article shows that the claims offered by some contemporary Confucian scholars in support of hierarchical social relations do not hold in contemporary societies. Exegetical disagreements that are arguably difficult to overcome are sidestepped and empirical claims in support of hierarchical Confucianism are assessed. Empirical evidence and recent developments in Western philosophy suggest that social hierarchies are detrimental to key factors for people's material well-being, ethical development, and the political order. Egalitarian social relations organized in a representative democratic system appear to be more suitable for the pursuit of the fundamental aims of a Confucian government which are accepted by the proponents of hierarchical Confucianism.

Scholars often assume Émile seeks to educate readers to become like Émile. However, I suggest that by calling upon his readers to act as judges, Rousseau's aim is not for readers to copy Émile, but to educate them to act as independent judges. The first section of this article argues that Émile's education fails to teach him this kind of judgment. He never learns to navigate the interdependent relationships created by property ownership or family life. Rather, as explored in the second section, Sophie's education offers a better style of judgment. The article concludes with a consideration of the reader's education as distinct from that of either Émile or Sophie. By emulating Sophie readers do not become like her. Rather, through comparing the characters and situations Rousseau presents in Émile and “Émile et Sophie,” readers learn to judge for themselves.

In several key passages in Thomas Hobbes's understudied translation of Thucydides's History of the Peloponnesian War, Hobbes's Pericles directs audiences to distrust rhetoric in favor of calculative self-interest, inward-focused affective states, and an epistemic reliance on sovereignty. Hobbes's own intervention via his translation of Thucydides involves similar rhetorical moves. By directing readers to learn from Thucydides, Hobbes conceals his own rhetorical appeals in favor of sovereignty while portraying rhetoric undermining sovereignty as manipulative, self-serving, and representative of the entire category of “rhetoric.” Hobbes's double redescription of rhetoric is an important starting point for an early modern project: appeals that justify a desired political order are characterized as “right reason,” “the law of nature,” or “enlightenment,” while rhetoric constituting solidarities or publics outside the desired order is condemned. Hobbes's contribution to this project theorizes rhetoric as a barrier to individual calculations of interest, placing a novel constraint on political life.

John Zammito attacks Kant for bending over backwards to enlightened autocracy in Part Two of Conflict of the Faculties. Zammito calls for more creative exponents to explain how Kant's supposed advocacy of absolutism could possibly be “best.” This paper answers Zammito's request, explaining how Kant's view can be considered best by reading Kant's argument politically, in three senses of that term: the substance of Kant's argument is political in nature; its mode of argumentation should be read as politics-first, not ethics-first; and in light its publication history, Conflict's very publication should be viewed as a political act in its own right. Resituating the text and its argument shows Kant to be attacking absolutism, not defending it. As a subsidiary aim, the paper interprets the argument of Part Two of Conflict as exhibiting more internal unity than has previously been thought.

Jean-Jacques Rousseau introduces three conceptions of the general will: an implicit will of collectives, a declared will of assemblies, and a personal will toward the common good. Where his Discourse on Political Economy uses only the first conception, the Social Contract and its unpublished “Geneva Manuscript” turn to the second and third. I argue that Rousseau's mature account in the Social Contract grounds legitimacy on the capacity of citizens to declare their common good through deliberation and the exercise of private discernment. This finding helps resolve a long-standing interpretive impasse between “formal” and “transcendent” accounts of the general will and illumines the role of democratic sovereignty in the Social Contract.

Building on studies by Thomas L. Pangle and Robert C. Bartlett, this article contends that Montesquieu's rhetorical moderation with respect to religion in The Spirit of the Laws serves a substantively radical project, that is, the gradual diminution of religious devotion through the spread of liberal-commercial civilization. Taking up the major passages of praise for religion in general and for Christianity in particular, I examine the strategy that allows Montesquieu to claim the mantle of moderation in spite of his radicalism on this crucial issue: allowing his prominently advertised positions to be undercut by his own historical observations and comparisons, and thus teaching by contradictions. I also argue that, notwithstanding his claim to be treating faith merely from a practical point of view, Montesquieu offers a theoretical challenge to revealed religion.

This article reinterprets Thucydides's analysis of the post-Periclean turn in Athenian politics by reading it within the context of contemporary “tragic” and “scientific” explanatory traditions. It finds in this analysis an ambitious attempt to reinvent the traditional, tragic pattern of hubris-driven reversal by reinterpreting its underlying causal logic according to a scientific perspective in which the overdetermining effects of deities are replaced by the variable power dynamics of democratic deliberation. The resultant analysis identifies a change in the relative standing of leaders as the determining cause of democratic reversal, not the absolute decline in leadership, thus tracing the Athenian turn towards hubris, great error, and civil discord to the egalitarian ordering of the post-Periclean assembly. In so doing, it shows how Thucydides's analysis posed a powerful challenge to previous attempts, both tragic and scientific, to prognosticate the fate of imperial democracy, as well as offering an exemplary moment of Thucydides's synthetic approach towards tragic and scientific explanatory perspectives.

From the American travels of Alexis de Tocqueville and Gustave de Beaumont in 1831 and 1832, there emerged three books aimed at presenting European audiences with the lessons to be learned from the young democratic regime of the United States: the cowritten On the Penitentiary System in the U.S. and Its Application in France, Tocqueville's Democracy in America, and Beaumont's Marie or, Slavery in the United States. This essay aims to clarify the specificity of Beaumont's account of the United States in Marie by focusing on the central role he gives to sentiment as both formal principle and analytical concept. Through a reading of the book's sentimental novel form and its use of moral sentimentalist theory, this essay argues that Beaumont depicts American racism as the effect of a fundamental flaw in European American national character: an incapacity for sentiment that renders the United States incapable of fully realizing its democratic principles.

Gandhi famously shook the foundations of the British Empire and sparked the beginning of a new anti-imperial era. But his critique of empire does not quite fit the familiar script of twentieth-century anti-imperialism. Gandhi's positions ranged from sincere expressions of imperial loyalty to a condemnation of English civilization while endorsing its moral empire, to an unqualified disavowal of the Britsh Empire without necessarily claiming independence. Reconstructing the long arc of his (anti-)imperial thought, this article shows that the idea of empire operated in the early Gandhi's thought in two ways: as the authorizing source of the rights of Indians and as the addressee of political claims. This genealogy helps explain the complex trajectory of his two separate breaks from empire. The article ultimately suggests that the key to understanding the global resonance of Gandhi's ideas lies in his transformation of the imperial adversary into a universal addressee of action.

This article offers a new interpretation of the Cuban intellectual José Martí's international political thought. It argues that Martí's analysis of early US imperialism and call for Spanish American unity are best understood as an immanent critique of the “unionist paradigm,” a tradition of international political thought that originated in the American independence movements. Martí recognized the impediments that racism had placed in the way of both US and Spanish American efforts to stabilize the hemisphere's republics by uniting them under regional institutions. He argued that, in his own time, Anglo-Saxon supremacism had deprived US-led Pan-Americanism of all legitimacy, causing a crisis of international political order in the Americas. In the context of this crisis, he developed a revised, antiracist unionism that, he argued, would free Spanish America's republics from imperial aggression and interstate conflicts, making the region a global model of stable and inclusive self-rule.

In this article, I offer a novel account of why compromising in politics is likely to involve the kind of politically admirable but morally wrongful behavior at stake in the dirty hands thesis. On the view I defend, politicians do not dirty their hands just because they compromise on matters of principle. Rather, when forging a political compromise, negotiators can either comply with the requirements of ethical compromise-making or abide by the special obligations they have to their representees, but will struggle to satisfy both demands. As a result, subsequent to such compromises, residual moral claims about how the compromise was negotiated will almost inevitably emerge and compromise-makers will not be able to explain their conduct in a way that can cancel these grievances. It is in this sense that forging political compromises can be “dirty” even if choosing to compromise is the politically responsible thing to do.

This interview with the Canadian philosopher Charles Taylor was designed and realized to celebrate his ninetieth birthday in November 2021. The interview touches on all the main themes of Taylor's oeuvre, from his view of philosophy to the inherent link between human intelligence and strong evaluations, from the Immanent Frame to postsecularity, from today's democratic crisis to the 1980s debate between liberals and communitarians, from Xi Jinping's China to the global health emergency, from spirituality to Philosophical Romanticism. It is both a hindsight analysis by a first-class thinker and a glance into the future by an incurable optimist.

The denial of Locke's debt to Hobbes has long been characteristic of many scholars of Locke influenced by the Cambridge School. Peter Laslett was the first to argue for this view, and he did so in conscious opposition to Leo Strauss and his interpretation of Locke. The recent discovery by Felix Waldmann of a memoir that confirms Locke's deep interest in Hobbes as well as his prudent concealment of that interest has undermined Laslett's case against Strauss. Waldmann's discovery, moreover, comes in the wake of other historical work, by Jeffrey Collins and others, that has provided further grounds for abandoning the Cambridge view of Locke. These developments have yet to lead to a serious reengagement with Strauss's interpretation of Locke, but they should, because his controversial claim about Locke's debt to Hobbes has been vindicated.

Politicians and scholars alike have blamed postmodernism—and the identity politics that have emerged in its wake—for the pathologies of the early twenty-first century. Despite his limited defense of the Enlightenment and his disputes with his French contemporaries, I argue that Habermas's philosophy displays many postmodern characteristics that are often overlooked. These include its decentering of the autonomous subject, its skepticism towards metaphysics, and its rejection of stadial philosophies of history. In light of the fact that Habermas adopts weaker versions of many postmodern commitments, I reconsider his disputes with Foucault and Derrida regarding the legacy of the Enlightenment. I conclude that rather than interpreting Habermas as a conservative critic of his more radical counterparts in France, we should instead see these three thinkers as part of a shared attempt to come to terms with the problems of postwar Europe in a public, discursive manner.

How does tragedy, primarily a dramatic-literary experience, shape politics? While scholars have mostly looked to classical tragedy and expressions of public mourning to answer this, I employ a policy-oriented case study to do so: the politics of Daniel Patrick Moynihan. Widely known for his data-driven social science, I want to suggest the counterintuitive claim that the popular senator from New York was ironically also influenced deeply by literary tragedy. This article demonstrates how Moynihan cultivated a set of tragic sensibilities that informed his realist political calculations and implanted in his policies a tragic awareness that limited the goals of what government could achieve, while helping define what it should and how. Rather than evaluate the validity of his controversial proposals from the 1960s, I offer a critical reexamination that highlights the tragic impulses coloring them. In the process, I conceptualize a politics of tragedy as a “tamed” form of postwar liberalism.