Hostname: page-component-89b8bd64d-9prln Total loading time: 0 Render date: 2026-05-10T05:42:04.830Z Has data issue: false hasContentIssue false
  • English
  • Français

Book Review

Published online by Cambridge University Press:  23 November 2009

Get access

Extract

  • Sorabji Ronald Stevenson

  • New Tonality and Experimental Music David Wright

  • Samuel Barber Martin Anderson

  • Silvina Milstein's Schoenberg Kenneth Gloag

  • The Oxford History of New Zealand Music Gary Brain

Information

Type
Book Review
Information
Tempo , Issue 185 , June 1993 , pp. 35 - 44
Copyright
Copyright © Cambridge University Press 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

1 Lerdahl, Fred: ‘Atonal Prolongational Structures’, Contemporary Music Review, Vol.4 (1989), pp.65–87CrossRefGoogle Scholar.

2 Straus, Joseph: ‘The Problem of Prolongation in Post-tonal music’, Journal of Music Theory, Vol.31, No. 1 (1987), pp.1–21CrossRefGoogle Scholar.

3 Russ, Michael: ‘The Mysterious Thread in Musorgsky's Nursery’, Music Analysis, Vol.9, No. 1 (1990), pp.47–65CrossRefGoogle Scholar.

4 Haimo, Ethan: Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1914–1928 (O. U. P., 1990), p.2Google Scholar. In an extended review of Haimo s book Miktein deals directly with the central differences between the two interpretations: see Music and Letters, Vol.73, No.1 (1992), pp.62–74Google Scholar.