Hostname: page-component-89b8bd64d-nlwjb Total loading time: 0 Render date: 2026-05-09T07:54:36.546Z Has data issue: false hasContentIssue false
  • English
  • Français

Record Review

Published online by Cambridge University Press:  22 January 2016

Get access

Extract

  • Schnittke's ‘Faust’ (Hamburg version) Ronald Weitzman

  • Holmboe and Rautavaara Guy Rickards

  • Ligeti piano music Mike Searby

  • Peter Serkin in real time Nicolas Hodges

  • Frank Martin Peter Palmer

  • Schreker operas Erik Levi

  • Estrada and Nunes Ian Pace

  • Miklós Rózsa Bret Johnson

  • Erkki-Sven Tüür and other Estonians Mike Seabrook

  • Recent Rubbra Peter Palmer

  • Violin music of Benjamin Lees Bret Johnson

  • American Music Calum MacDonald

Information

Type
Record Review
Information
Tempo , Issue 198 , October 1996 , pp. 54 - 71
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

1 For example, Wolpe's Piece in three parts (Bridge CD9043) reviewed by the present author in Tempo 189, and Goehr's Piano Concerto (NMC DO23) reviewed by Oliver, Michael in Tempo 194 Google Scholar.

2 The World of the Concert Pianist by Dubal, David (London: Gollancz, 1985), p. 304–5Google Scholar.

* The compositions of Vagn Holmboe: a catalog of works recordings with indexes of persons and titles by Rapoport, Paul. Edition Wilhelm Hansen AS, Copenhagen. £29.95Google Scholar.

* The compositions of Vagn Holmboe: a catalog of works recordings with indexes of persons and titles by Rapoport, Paul. Edition Wilhelm Hansen AS, Copenhagen. £29.95Google Scholar.

* The Sessions scholar Olmstead, Andrea, in her edition of The Correspondence of Roger Sessions (Boston: Northeastern University Press, 1992)Google Scholar, has noted (p. 356) Schoenberg's tribute after hearing a tape of Sessions's Piano Sonata No.2 in 1948: ‘Now I know how Schumann must have felt when he first heard the music of Brahms’.