Having asserted in my centenary survey of Roslavets (TEMPO 135) that no one has managed to generate a range of performances of his music, I was clearly asking to be contradicted. The day after I passed the proofs for press, I was discussing the whole question of the Russian revolutionary avant-gardistes with the soprano Jane Manning, and was delighted to learn from her of a series of European performances, by her and others, during 1979 and 1980 which had included quite a number of works by Roslavets.